Nirvana - All apologies
tabsver. 15
chords ver. 1
chords ver. 2
chords ver. 3
chords ver. 4
tabs ver. 1
tabs ver. 2
tabs ver. 3
tabs ver. 4
tabs ver. 5
tabs ver. 6
tabs ver. 7
tabs ver. 8
tabs ver. 9
tabs ver. 10
tabs ver. 11
tabs ver. 12
tabs ver. 13
tabs ver. 14
tabs ver. 16
tabs ver. 17
tabs ver. 18
bass ver. 1
bass ver. 2
bass ver. 3
bass ver. 4
bass ver. 5
bass ver. 6
drum ver. 1
drum ver. 2
drum ver. 3
drum ver. 4
Autoscroll
1 Column
Text size
Transpose 0
Tuning:
From: ppalmer@ironwood.cray.com (Peter Palmer)
Nirvana:
All Apologies - In Utero
TAB by billy.corgan@baroque.tvk.tsoft.net
- with some stuff from Pete Palmer added
TUNING: Low/High Db Ab Db Gb Bb Eb
Eb ----------------------|----------------------|----------------------|-
Bb ----------------------|----------------------|----------------------|-
Gb ----------------------|----------------------|----------------------|-
Db ----------------------|----------12-12-9-10--|----------------------|-
Ab ---9-10-9-12-12-9-10--|---9-10-9-------------|---9-10-9-12-12-9-10--|-
Db -0--------------------|-0--------------------|-0--------------------|-
Eb ---------------------|-
Bb ---------------------|-
Gb ----------11-11-9----|-
Db ------------------12-|-
Ab ---9-10-9------------|-
Db -0-------------------|-
That's the main riff.. Then the Chorus (According to Billy):
Eb ----------------------------------------|-
Bb ----------------------------------------|-
Gb ----------------------------------------|-
Db -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--7-|-
Ab -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--7-|-
Db -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--7-|-
*****Then the Chorus (According to Pete)
Eb ----------------------------------------|-
Bb ----------------------------------------|-
Gb --------------------------------------2-|-
Db -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--2-|-
Ab -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--0-|-
Db -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--0-|-
In the sun ... Married, burried ....
********************
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Pete Palmer (ppalmer@cray.com)
---------------------------------------------------------------
They may say those were the days, but in a way, y'know,
For us these are the days - Yeah, for us these are the days ...
Jane's Addiction `90
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
From: ag725@FreeNet.Carleton.CA (Rick Scaia)
In a previous article, jonriley@indirect.com (Jon Riley) says:
> Hmm... Well, I've been playing it a bit differently. The way I
play it
>seems to fit perfectly with the version on the album, but I think
the
>unplugged version is a bit different...
>
>Here's mine:
>
>1/2 step down, dropped D tuning
>
>Eb|----------------------------------------------------------
>Bb|----------------------------------------------------------
>Gb|----------------------------------------------------------
>Db|-------------------------------------------12--12--10--9--
>Ab|-----9--10--9--12--12--10--9-----9--10--9-----------------
>Db|--0---------------------------0---------------------------
>
>
>Eb|----------------------------------------------------------
>Bb|----------------------------------------------------------
>Gb|-------------------------------------------11--11--9------
>Db|------------------------------------------------------12--
>Ab|-----9--10--9--12--12--10--9-----9--10--9-----------------
>Db|--0---------------------------0---------------------------
Hmmm... take everything on the 4th and 5th strings and move
it up 2 frets, and you'e got the way _I_ play it. Doesnt'
mean anything, buy hey, it's my two cents. Try it... I really
think the open low Db and an 11th fret A on the next string sound
right together.
All Apologies by Nirvana
--------------------------
(Normal tuning)
*
#
All in all is all we are * # * # * # etc.
| | | | | | | |
* |----------------------------------|-----------------------------------|
|----------------------------------|-----------------------------------|
|----------------------------------|-----------------/6---6---4---3----|
|------3---4---3--/6---6---4---3---|------3---4---3--------------------|
|--4-------------------------------|--4--------------------------------|
|----------------------------------|-----------------------------------|
| | | | | | | |
# |----------------------------------|-----------------------------------|
|----------------------------------|-----------------/6---6---4---2----|
|----------------------------------|-----------------------------------|
|------3---4---3--/6---6---4---3---|------3---4---3--------------------|
|--4-------------------------------|--4--------------------------------|
|----------------------------------|-----------------------------------|
| | | | | | | |
% |----------------------------------|-----------------------------------|
|----------------------------------|-------------------/6---6----------|
|----------------------------------|-----------------------------------|
|------3---4---3--/6---6---4---3---|------3---4---3--------------------|
|--4-------------------------------|--4--------------------------------|
|----------------------------------|-----------------------------------|
|-----|-----|-----|-----|
|-----|-----|-----|-----| Play this the last time
|-----|-----|-----|-----|
$ Cello bit: |--9--|--6--|--9--|--11-| *2 |--9--|--6--|--3--|-----|
|-----|-----|-----|-----| |-----|-----|-----|--4--|
|-----|-----|-----|-----|
>>> >>> >>> >>> Volume Swells. Turn volume knob off
hammer on note and turn volume on,
repeat with every note. Use distortion.
BYE!