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---------------------------------------------------------------------------------------------------------- One Too Many Mornings – Bob Dylan ---------------------------------------------------------------------------------------------------------- Music & Lyrics: Bob Dylan Tuning: Standard, in the key of C Tab by Robert Saunders CHORDS: F/A: X0321X (or Fmaj7/a: X03210) Em/B: X22010 (or 022000 or Am: X02210) C: X32010 (or C/g: 332010) Cmaj7/B: X20010 F/C: X3321X (or F: 133211) G/D: X5543X (or G: 355433) C *: 335553 NOTES According to Eyolf Østrem (dylanchords.info) Bob Dylan played this in open A tuning (E A C# e a c#) with the capo on 3 on Times They are a Changin’ (1964), which puts it in the key of C. In some live recordings Dylan seems to play it in standard tuning in G (relative to capo). This is a alternative version to play in standard tuning in C without a capo. Some of the other tabs on UG suggest using Am instead of Em/B, which sounds fine but I think Em/B is closer to the original, with the bass line descending from the C note to the B. The alternative chords and shapes given above can be used to add variation. Another simple variation is to walk up to the C chord on the 5th string via a and b (open and 2nd frets) on the first two syllables of the first line. During the harmonica parts between verses Bob plays similar chord progressions to those in the verses. I will post another alternative tab of this song in drop D which sounds better to my ear, and closer to the album recording. C C
Down the Cstreet the dogs are Em/Bbarkin' And the F/Aday is a-gettin' Cdark C As the C/Gnight comes in a-Em/Bfallin' The F/Adogs will lose their Gbark C Cmaj7/B And the Csilent night will Em/Bshatter From the F/Asounds inside my Cmind C C * Em/B As I'm one too many mornings And a tF/Chousand miG/Dles beChind Cmaj7/B
From the Ccrossroads of my Em/Bdoorstep, My eF/Ayes start to Cfade. C And I C/Gturn my head back Em/Bto the room Where my F/Alove and I have Glaid. C Cmaj7/B And I Cgaze back to the Em/Bstreet The F/Asidewalk and the Csign. C C * Em/B As I'm one too many mornings And a tF/Chousand miG/Dles behinCd Cmaj7/B
It's a Crestless, hungry Em/Bfeeling That don't F/Amean no one no Cgood. C When C/Geverything I'm Em/Bsaying, You can F/Asay it just as Ggood. C Cmaj7/B CYou are right from Em/Byour side, And F/AI am right from Cmine. C C * Em/B We’re both just one too many mornings And a tF/Chousand miG/Dles behinCd Cmaj7/B