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YOU SHOULD BE DANCING (Bassline) As recorded by Bee Gees (From the 1976 Album CHILDREN OF THE WORLD) Words and Music by Barry Gibb, Maurice Gibb & Robin Gibb Transcribed by Slowhand Gtr I (E A D G) - 'Maurice Gibb - Bass' Intro Q=120 4/4 Gtr I E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-------------3-4-| |-----------------|-----------------|-----------------|-----------5-----| |-3---3---3---3---|-3---3---3---3---|-3---3---3---3---|-3---3---3-------| Q E E +E E E E S S E +E E E E Q |------3-(3)-------|--------------------| |-5------------3-5-|-3-4-5-(5)----------| |------------------|--------------------| |------------------|-----------3-3------| E Q E +E E E E S S E +E E E E E E |------3-(3)-------|----------------------|| |-3-5--------5-3-5-|-3-4-5-(5)------------|| |------------------|----------------------|| |------------------|-----------3-3---1-3--|| 1st - 3rd Verses $ E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E ||------------------|-----------------|-----------------|-----------------| ||o-----------------|-----------------|-----------------|-----------------| ||o-----------------|---------3---3-5-|-----------------|---------3---3-5-| ||--3---3---3---3---|-3---3-----6-----|-3---3---3---3---|-3---3-----6-----| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|------------------|| |-----------------|-----------------|-----------------|------------------|| |-----------------|---------3---3-5-|-----------------|---------------1--|| |-3---3---3---3---|-3---3-----6-----|-3---3---3---3---|-3---3---3-1-3----|| Chorus Q. E Q. E Q. E Q. E Q. E Q. E Q. E Q Q |---------------|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| |-3----3-2----2-|-1----1-2----2-|-3----3-2----2-|-1----1-2--2---| |---------------|---------------|---------------|---------------| E Q E +E E E E S S E +E E E E E E |------3-(3)-------|---------------------| |-3-5--------5-3-5-|-3-4-5-(5)-----------| |------------------|---------------------| |------------------|-----------3-3---1-3-| 1. E Q E +E E E E S S E +E E E E E E |------3-(3)-------|-----------------------|| |-3-5--------5-3-5-|-3-4-5-(5)------------o|| |------------------|----------------------o|| |------------------|-----------3-3---1-3---|| 2.,D.S. E Q E +E E E E S S E +E E E E E E Q. E Q. E Q. E Q. E |------3-(3)-------|---------------------|---------------|---------------| |-3-5--------5-3-5-|-3-4-5-(5)-----------|---------------|---------------| |------------------|---------------------|-3----3-2----2-|-1----1-2----2-| |------------------|-----------3-3---1-3-|---------------|---------------| To Coda Q. E Q. E Q. E Q Q E Q E +E E E E S S E +E E E E E E |---------------|--------------|------3-(3)-------|---------------------| |---------------|--------------|-3-5--------5-3-5-|-3-4-5-(5)-----------| |-3----3-2----2-|-1----1-2--2--|------------------|---------------------| |---------------|--------------|------------------|-----------3-3---1-3-| Interlude E Q E +E E E E S S E +E E E E E E E E E E E E E E E E E E E E E E |------3-(3)-------|---------------------||-----------------|-----------------| |-3-5--------5-3-5-|-3-4-5-(5)-----------||-----------------|-----------------| |------------------|---------------------||-----------------|---------3---3-5-| |------------------|-----------3-3---1-3-||-3---3---3---3---|-3---3-----6-----| E E E E E E E E E E E E E E E E W W |-----------------|-----------------|----------|------| |-----------------|-----------------|-5--------|-7----| |-----------------|---------3---3-5-|----------|------| |-3---3---3---3---|-3---3-----6-----|----------|------| E E E E E E E E E E E E E E E E W W |-----------------|-----------------|----------|------| |-----------------|-----------------|-5--------|-7----| |-----------------|---------3---3-5-|----------|------| |-3---3---3---3---|-3---3-----6-----|----------|------| D.S. al Coda & E E E E E E E E E E E E E E E E E Q E +E E E E |-----------------|------------------||------3-(3)-------| |-----------------|------------------||-3-5--------5-3-5-| |-----------------|---------3---3-5--||------------------| |-3---3---3---3---|-3---3-----6------||------------------| S S E +E E E E E E E Q E +E E E E S S E +E E E E E E |---------------------|------3-(3)-------|---------------------|| |-3-4-5-(5)-----------|-3-5--------5-3-5-|-3-4-5-(5)-----------|| |---------------------|------------------|---------------------|| |-----------3-3---1-3-|------------------|-----------3-3---1-3-|| Breakdown Wx16 |---------| |---------| |---------| |---------| Outro E Q E +E E E E S S E +E E E E E E ||-------3-(3)-------|---------------------| ||o-3-5--------5-3-5-|-3-4-5-(5)-----------| ||o------------------|---------------------| ||-------------------|-----------3-3---1-3-| E Q E +E E E E S S E +E E E E E E 4x |------3-(3)-------|----------------------|| |-3-5--------5-3-5-|-3-4-5-(5)-----------o|| |------------------|---------------------o|| |------------------|-----------3-3---1-3--|| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths