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PEACE PIPE (Bassline) As recorded by The Shadows (From the 1961 Album THE YOUNG ONES) Music by Norman William “Norrie” Paramor Transcribed by Slowhand Gtr I (E A D G) - 'Jet Harris - Bass' Q=117 4/4 Gtr I W Q E E +Q Q Q E E +Q Q |----------|------2-(2)-----|------5-(5)-----| |----------|----2--------2--|-3--3--------3--| |----------|-0--------------|----------------| |----------|----------------|----------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |------2-(2)-----|------5-(5)-----||-2----2-(2)-----|-2----2-(2)-----| |----2--------2--|-3--3--------3--||----2--------2--|----2--------2--| |-0--------------|----------------||----------------|----------------| |----------------|----------------||----------------|----------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |----4-2-(2)--4--|----4-2-(2)--4--|----4--------4--|----4-2-(2)--4--| |-0--------------|-0--------------|-2----6-(6)-----|-0--------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |-2--------------|-2--------------||----------------|----------------| |----4-2-(2)--4--|----4-2-(2)--4--||----5--------5--|----5--------5--| |----------------|----------------||-3----7-(7)-----|-3----7-(7)-----| |----------------|----------------||----------------|----------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |----------------|----------------|----------------|----------------| |------2-(2)--0--|------2-(2)--0--|----------------|----------------| |----2-----------|----2-----------|----3-0-(0)--3--|----3-0-(0)--3--| |-3--------------|-3--------------|-1--------------|-1--------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |----------------|----------------||-2----2-(2)-----|-2----2-(2)-----| |----------------|----------------||----2--------2--|----2--------2--| |----2--------2--|----2--------2--||----------------|----------------| |-0----4-(4)-----|-0----4-(4)-----||----------------|----------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |----4-2-(2)--4--|----4-2-(2)--4--|----4--------4--|----4-2-(2)--4--| |-0--------------|----------------|-2----6-(6)-----|----------------| |----------------|-5--------------|----------------|-5--------------| |----------------|----------------|----------------|----------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q E E |-2--------------|-2--------------||----4-2-(2)--4--|----4-2-(2)--4---| |----4-2-(2)--4--|----4-2-(2)--4--||-0--------------|-0---------------| |----------------|----------------||----------------|-----------------| |----------------|----------------||----------------|-----------------| Q. E Q Q Q. E +E E Q Q E E +Q Q Q E E +Q Q |--------7--7--|------7-(7)---7--|------------------|------------------| |-5----5-------|-5---------------|----9----------9--|----9----------9--| |--------------|-----------------|-7----11-(11)-----|-7----11-(11)-----| |--------------|-----------------|------------------|------------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |----------------|----------------||-----------------|-----------------| |----------------|----------------||-----9-7-(7)--9--|-----9-7-(7)--9--| |-0--9-7-(7)--9--|----9-7-(7)--9--||-----------------|-----------------| |----------------|-5--------------||-10--------------|-10--------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |----------------|----------------|------------------|------------------| |----------------|----------------|----9----------9--|----9----------9--| |-0--9-7-(7)--9--|-0--9-7-(7)--9--|-7----11-(11)-----|-7----11-(11)-----| |----------------|----------------|------------------|------------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |----------------|------------------||----------------|----------------| |----------------|----9----------9--||-7----7-(7)-----|-7----7-(7)-----| |-0--9-7-(7)--9--|-7----11-(11)-----||----7--------7--|----7--------7--| |----------------|------------------||----------------|----------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |----4-2-(2)--4--|----4-2-(2)--4--|----4--------4--|----4-2-(2)--4--| |-0--------------|-0--------------|-2----6-(6)-----|-0--------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q E E |-2--------------|-2--------------||----4-2-(2)--4--|----4-2-(2)--4---| |----4-2-(2)--4--|----4-2-(2)--4--||-0--------------|-0---------------| |----------------|----------------||----------------|-----------------| |----------------|----------------||----------------|-----------------| Q. E Q Q Q. E +E E Q Q E E +Q Q Q E E +Q Q |--------7--7--|------7-(7)---7--|------------------|------------------|| |-5----5-------|-5---------------|----9----------9--|----9----------9--|| |--------------|-----------------|-7----11-(11)-----|-7----11-(11)-----|| |--------------|-----------------|------------------|------------------|| Q E E +Q Q Q E E +Q Q Q E E +Q Q |----------------|------------------|----------------| |------7-(7)-----|------10-(10)-----|------7-(7)-----| |-0--7--------7--|-8--8----------8--|----7--------7--| |----------------|------------------|-5--------------| Q E E +Q Q W +W |------------------|----------|--------*| |------10-(10)-----|----------|--------*| |-8--8----------8--|----------|--------*| |------------------|-5--------|-(5)----*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths