Pulp , Different class album Mike McConnell Differnet class Album By Mike McConnell Contains :- Common People Disco 2000 Feeling called love Live bed show Sorted for e and whizz Something changed Underwear Common people

^CShe came from Greece she had a thirst for knowledge She studies sculpture at St. Martins College That¦s where I caugh^Gt her eye ^CShe told me that her dad was loaded

I said "In that case I¦ll have a rum and coca-cola"

She said "fin^Ge" and in a thirty seconds time she said ^F"I want to live like common people I want to do whatever common people do ^C

I want to sleep with common people

I want to sleep with common people like you" ^G Well what else could I do?, I said "I¦ll see what I can do" ^C

^CI took her to a supermarket I don¦t know why but I had to start it somewhere - so it started th^Gere ^CI said "Pretend you¦ve got no money"

She just laughed and said "Oh, you¦re so funny"

I said "^GYeah, well I can¦t see someone else smiling in here Are you sure you wan^Ft to live like common people You want to see whatever common people see ^C

You want to sleep with common people

You want to sleep with common people like me ^G But she didn¦t understand, she just smiled and held my hand ^C

Rent a flat a^Cbove your shop, cut you hair and get a job Smoke some fags and play^G some pool, prentend you never went to school But still you¦ll never ge^Ct it right, ¦cos when you¦re laid in bed at night watching roaches clim^Gb the wall, if you called your dad he could stop it all

^FYou¦ll never live like common people You¦ll never do whatever common people do ^C

You¦ll never fail like common people

You¦ll never watch your life slide out of view ^G And dance and drink and screw because there¦s nothing else to do ^C

C G C G

^FSing along with the common people, Sing along and it might just get you thru¦ ^C

Laugh along with the common people

Laugh along even though they are laughing at you ^G And the stupid things that you do Because you think that poor is cool ^C

^CLike a dog lying in a corner they will bite you and never warn you look out,^G they¦ll tear you insides out ^C¦Cos everybody hates a tourist especially one who thinks that it¦s all Such a laugh ^G

and the chip stains and grease will come out in the bath

you will never ^Funderstand how it feels to live your life With no meaning or c^Control and with nowhere left to go You are amazed tha^Gt they exist and they burn so bright Whilst you can only wonder why ^C

^FYou¦ll never live like common people You¦ll never do whatever common people do ^C

You¦ll never fail like common people

You¦ll never watch your life slide out of view ^G And dance and drink and screw because there¦s nothing else to do ^C

I want to live with common people like you I want to live with common people like you Disco 2000 [Intro] F Fsus4 Bb Bbsus4

Well we were b^Forn within an hour of each other Our mothers said we could be sister and brother Your name is Deb^Bborah. Deborah - it never suited you

Oh and they sa^Fid that when we grew up We4d get married and never split up We never d^Bbid it, although I often I thought of it

Cm [Csus2] Oh Deborah, do you recall?

Your house was very sm^Cmall with wood-chips on the w^Cmall When I came around to c^Cmall you didn4t notice me at a^Fll

And I said &q^Bbuot;Let4s all meet up in the year 2000 W^Dmon4t it be strange when we4re all fully gro^Gmwn? Be there two o4clock by the f^Cmountain down the ^Fsus4ro-----^Fad"

^BbI never knew that you4d get married ^DmI would be living down here on my o^Gmwn On that damp and loney Th^Cmursday years a^Fgo

You were the fi^Frst girl in school to get breasts Martyn said that you were the best The boys all l^Bboved you but I was a mess

I had to watch them try to get you undressed

We were fr^Fiends that was as far as it went I used to walk you home sometimes but it meant Oh, it meant nothing t^Bbo you - cos you were oh so popular Oh Deborah, do you r^Cmecall?

Your house was very small with wood-chips on the wall

When I came around to call you didn4t notice me at a^Fll And I said &qu^Bbot;Let4s all meet up in the year 2000 ^DmWon4t it be strange when we4re all fully gr^Gmown? Be there two o4clock by the f^Cmountain down the r^Foad"

^BbI never knew that you4d get married ^DmI would be living down here on my ^Gmown On that damp and loney T^Cmhursday years a^Fgo

F Bb Oh yeah, oh yeah

Oh Deborah, do you re^Cmcall? Your house was very small with wood-chips on the wall When I came around to call you didn4t notice me at ^Fall

And I said &q^Bbuot;Let4s all meet up in the year 2000 ^DmWon4t it be strange when we4re all fully g^Gmrown? Be there two o4clock by the fo^Cmuntain down the ro^Fad"

^BbI never knew that you4d get married ^DmI would be living down here on my ^Gmown On that damp and loney Thu^Cmrsday years a^Fgo

Oh, w^Bbhat are you doing Sunday, baby? ^DmWould you like to come and meet me maybe? ^GmYou can even bring your baby, ^Cmoh. ^F

Oh, w^Bbhat are you doing Sunday, baby? ^DmWould you like to come and meet me maybe? ^GmYou can even bring your baby, ^Cmoh. ^Fooh oh oh oh....

F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. "This is a song about those times when your life seems to be following a set path. It's alright ... but then suddenly something happens and shakes it all up - and it's called F.E.E.L.I.N.G.C.A. double L.E.D. L.O.V. ... G." - Jarvis Cocker

^A5The room is cold, and it's been like this for several months, and if I close my eyes I can visualise everything in it. Right down, right down to the broken handle of the third drawer down of the dressing table. And the world outside this room has assumed a familiar shape, the same events shuffled in a slightly different order each day, just like a modern shopping centre.

And it's so cold....., Yeah it's so cold...

^DmWhat^C ...^Dm ^C ^Emis .^Dm.. ^Em ^Dm

^Fthis^Em ...^F ^Em feeling called lo^Emve? ^Dm ^Em ^Dm

Why ^Dmme? ^C ^Dm ^C Why y^Emou? ^Dm ^Em ^Dm

Why he^Fre? ^Em ^F ^Em And why no^Emw? ^Dm ^Em ^Dm

^DmIt d^Coesn't ma^Dmke no sense. N^Co. ^EmIt's n^Dmot con^Emveni^Dment. No. ^FIt d^Emoensn't ^Ffit my p^Emlans. No, it's so^Emmething I^Dm don't un^Emderst^Dmand oh.

Dm C Dm C F.E.E.L.I.N.G.

And as I stand and cross the room
Em Dm Em Dm C.A. double L.E.D. I feel as if my whole life has been leading to this one moment

^FL. ^EmO. ^FV. ^EmE. And as I touch your shoulder, tonight

^EmWhat is this t^Dmhing that is ha^Emppening to m^Dme? this room has become the centre of the entire universe

^A5So what do I do? I've got this slightly sick feeling in my stomach like I'm standing on the top of a very high building. Oh yeah, all the stuff they tell you about in the movies, but this isn't chocolate boxes and roses - it's dirtier than that, like some small animal that only comes out at night. And I see flashes of the shape

of your breasts and the curve of you belly and they make me have to sit down and catch my breath. And it's so cold......., Yeah it's so cold... (Chords as before...) What ... is ... this ... feeling called love? Why me? Why you? Why here? And why now? It doesn't make no sense. No. It's not convenient. No. It doensn't fit my plans, But I've got that taste in my mouth again F.E.E.L.I.N.G.

And the world begins to spin and spin outside the window
C.A. double L.E.D. faster and faster and faster

L. O. V. E.

And this room has become the focus around which everything else revolves

What is this thing that is happening to me? F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E.

shrieking Jarvis ad lib stuff...
Live Bed Show by Pulp

She d^Amoesn't have to go to work but she d^Amoesn't want to stay in bed Em [E] `cause it's changed from something comfortable to something else inst^Amead ________________________________________________________________________ [Verse 1] This b^Amed has seen it all from the fi^Emrst time to the last the sil^Gences of now and the go^Dmaj7od times of the past and it on^D7ly cost ten pounds from the sh^Gop just down the road Mind you, that was se^Fmaj7ven years ago and th^Eings were very different t^Amhen ________________________________________________________________________ [Verse 2] (same chords) It didn't get much rest at first the headboard banging in the night The neighbours didn't dare complain, Oh everything wqas going right Now there's no need to complain `cause it never makes a sound Something beautiful left town and she doesn't even know it's name ________________________________________________________________________ ^F Now every night she plays a si^Dlent game (ooh ooh ooh)

^F called pretending nothing's going wr^Dong but she kn^Gows if this s^Fmaj7how was televised

no-one would w^Eatch it, not tonight But seven years a^Amgo... _______________________________________________________________________ [verse chords...] La la lala lala la... Now there's no need to complain `cause it never makes a sound Something beautiful left town and she never even know it's name

repeat [Intro] "Something Changed" [Verse 1]

^G I wrote this song two h^Bmours before we m^Cet ^G I didn't know your name or w^Bmhat you looked like y^Cet Oh

^C I could have st^Dayed at home and g^Bmone to b^Eed ^C I could have go^Dne to see a fi^Bmlm inst^Eead

^Bm You might have cha^Enged your mind and s^Ameen your fri^Dends ^Bm Life co^Euld have been very di^Amfferent but th^Den s^Am7omething c^Dhanged

[D Dsus4 D G Gsus4 G] [Verse 2] (same chords as verse 1) Do you believe that there's someone up above? And does he have a timetable directing acts of love? Why did I write this song on that one day? Why did you touch my hand and softly say "Stop questions that don't matter anyway Just give us a kiss to celebrate here today something changed" [D Dsus4 D G Gsus4 G] [G Bm C] x2

When we wo^Cke up that mo^Drning we had ^Bmno way of k^Enowing that in a m^Catter of ho^Durs we change the w^Bmay we were go^Eing

^Bm where would I b^Ee now? Wh^Bmere would I b^Ee now if we n^Amever m^Det? ^Bm Would I be si^Enging this song to som^Ameone else inst^Dead?

I don't k^Am7now, but like you just sa^Did ^G something c^Ghanged.

from: Christian Korbanka, Cologne, Germany e-mail: Christian_Korbanka@msn.com lyrics and chords of: Something Changed by Pulp Suggestions and corrections are always welcome! date: 11/12/95 G Gsus4 G Gsus4

^GI wrote this song two hours befor^Bme we met ^C ^GI didn¦t know your name or what you looked^Bm like yet ^C ^COh, I could have stayed at hom^De and gone to bed ^Bm ^E ^CI could have gone to s^Dee a film instead ^Bm ^E ^BmYou might have changed your m^Eind and seen your friend ^Am ^D ^BmLife co^Euld have been very different but t^Amhen ^D ^AmSomething changed ^D

D Dsus4 G Gsus4

^GDo you believe that there¦s someone up above?^Bm ^C ^GAnd does he have a timetable directing acts of lov^Bme? ^C ^CWhy did I write ^Dthis song on that one day?^Bm ^E ^CWhy did you touch my h^Dand and softly say: ^Bm ^E ^Bm"Stop asking questi^Eons that don¦t matter anyway ^Am ^D ^BmJust give us a kiss t^Eo celebrate here today ^Am ^D ^AmSomething changed&qu^Dot;

G Bm C G Bm C C D Bm E C D Bm E Bm E Am D Bm E Am D Am D

When we woke up tha^Ct morning we had no way of^D knowing ^Bm ^E That in a matter o^Cf hours we ch^Danged the way we were going ^Bm ^E ^BmWhere would I be now, ^Ewhere wou^Bmld I be now ^E If we¦d neve^Amr met? ^D ^BmWould I be singing ^Ethis song to someone else inst^Amead? ^D I dunno but^Am like you just said ^D ^GSomething changed

Sorted For E's And Whizz by Pulp [Verse1]

Oh is this th^Ce way they say the futures meant to feel? Oh just twenty ^Gthousand people standing in a field

And I just d^Con't understand quite what this feeling is That's okay cos^G we're all sorted out for E's and Whizz

And tell ^Cme when the spaceship lands Cos all this has just got to mean something ^G

[CHORUS]

^Dm In the middle of the night ^F It feels alright^G but then tomorrow morning ^Bb

^AmOhh ohh when you come do^Bbwn ^G ^G Oh yeah the pirate radio told us what was going down Got the tickets from some messed up bloke in Camden Town And no one seems to know exactly where it is But that's okay, cos we're all sorted out for E's and Whizz At four o' clock the normal world seems very very very far away Hey hey

[CHORUS]

Just keep on moving ^C ^G ^CEverybody asks your name they say we're all the same And now it's, Nice One, ^GGeezer - that's as far as the conversation went

I ^Clost my friends I dance alone, it's 6 o' clock, I wanna go home [This bit's spoken, and the timing's a bit weird, so just do the chords as before!] But it's no wa^Gy not today, makes you wonder what it meant

C... And this hollow feeling grows and grows and grows and grows And you wanna call your mother and say, "Mother, I can never come home again because I seem to have left an important part of my brain somewhere in a field in Hampshire. Alright [CHORUS]

^AmOohh Oohh when you come do^Bbwn ^AmOoh what if you never come do^Bbwn?

From: ylepezen@merlin.enssat.fr Subject: "Sorted for E's & Wizz" by Pulp Date: Wed, 29 Nov 95 18:40:37 +0000 "Sorted for E's & Wizz" by Pulp from the album "Different Class" Transcribed by Stephane Lemetayer : slemetay@merlin.enssat.fr Intro: -14-14-14-14-14-14-14-14-13-13-13- ---------------------------------- ---------------------------------- ---------------------------------- X 2 ---------------------------------- ---------------------------------- -11-11-11-11-11-9-9-9-8-8-8------- ---------------------------------- ---------------------------------- ---------------------------------- X 2 ---------------------------------- ---------------------------------- Verse 1 : Oh is this the way to say the future's meant to feel? C G -0----0----3- -0----1----0- -0----0----0- -0----2----0- -0----3----2- -0----x----3- repeat rhythm with C and G till chorus, i.e. : - verse 1 : (C G) x 4 - verse 2 : (C G) x 3 - verse 3 : (C G) x 5 chorus: In the middle of the night it feels allright, but then tomorrow morning 4 x D 4 x D 4 x F 4 x G 4 x A# 4 x A# ooh ooh ooh, ooh then you come down A A A# D F G A# A -x----x----x----x----x- -x----x----x----x----x- -7---10---12----7----6- -7---10---12----8----7- -5----8---10----8----7- -x----x----x----6----5- bridge: ---------- ---------- ---------- -------5-- ---------- -3-3-3---- end: Ooh ooh ooh, ooh then you come down ( x 2) A A A# ooh ooh ooh, what if you never come down A A A# "Underwear" [Verse 1]

^A Why don't you shut the do^Dbor And close the ^Dcurtains

'Cause y^Dmou're not going anywhere ^A He's coming up the s^Dbtairs

And in a m^Doment He'll ^Dmwant to see your underwear

[CHORUS]

^D I couldn't stop it n^Dmow There's no way to get o^Aut

He's standing far too n^F#mear How the hell did you get h^Eere

Standing n^F#maked in some^Dbody elses r^Aoom I'd give my w^F#mhole life to s^Eee you

Just y^Dou standing t^Dmhere Only ^Ain your underwear

[Verse 2] (same chords as verse 1) If fashion is your trade When you're naked I guess you must be unemployed But once it's underway There's no escaping The fact that you're a girl and he's a boy [CHORUS] [violin solo] A Absus4 Ab Asus4 A E Ab (x2) A Db D Dm [Verse 3] If you could close your eyes And just remember This is what you wanted last night So why is it so hard For you to touch him For you to give yourself to him, Jesus A Absus4 Ab ... (etc) Du du du du du du du ...

^A Oh y^Dbeah, I wanna s^Dee you Wanna s^Dmee you standing in your under^Awear.

Pulp - Different class