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As recorded by The Moody Blues
(From the 1965 Album THE MAGNIFICENT MOODIES)
Words and Music by Milton Bennett & Larry Banks
Arranged by The Moody Blues
Transcribed by Slowhand
Gtr I (E A D G B E) - 'Mike Pinder - Piano'
Gtr II (E A D G B E) - 'Denny Laine - Electric Guitar'
Chorus
Q=116(8=s8)
Ab Abmaj7/G Fm
3/4
Gtrs I, II
W Q Q E E Q Q E E Q Q E E
|--------||--4--4--4-4-|-4--4--4-4-|-1--1--1-1-|
|--------||o-4--4--4-4-|-4--4--4-4-|-1--1--1-1-|
|--------||--5--5--5-5-|-5--5--5-5-|-1--1--1-1-|
|--------||--6--6--6-6-|-5--5--5-5-|-3--3--3-3-|
|--------||o-----------|-----------|-----------|
|--------||------------|-----------|-----------|
1st - 4th Verses
$
$$
Ab/EbQ Q E E DbQ Q E E BbmQ Q E E Ebq Q Q W AbQ Q E E
|-----------|-----------|-1--1--1-1-|----------|--------||-4--4--4-4--|
|-4--4--4-4-|-6--6--6-6-|-2--2--2-2-|-8--------|--------||-4--4--4-4--|
|-5--5--5-5-|-6--6--6-6-|-3--3--3-3-|-8--------|--------||-5--5--5-5--|
|-6--6--6-6-|-6--6--6-6-|-3--3--3-3-|-8--------|--------||-6--6--6-6--|
|-6--6--6-6-|-4--4--4-4-|-1--1--1-1-|-6--------|--------||------------|
|-----------|-----------|-----------|----------|--------||------------|
Abmaj7/GQ Q E E FmQ Q E E Ab/EbQ Q E E DbQ Q E E BbmQ Q E E EbQ Q E E
|-4--4--4-4-|-1--1--1-1-|-----------|-----------|-1--1--1-1-|------------|
|-4--4--4-4-|-1--1--1-1-|-4--4--4-4-|-6--6--6-6-|-2--2--2-2-|-8--8--8-8--|
|-5--5--5-5-|-1--1--1-1-|-5--5--5-5-|-6--6--6-6-|-3--3--3-3-|-8--8--8-8--|
|-5--5--5-5-|-3--3--3-3-|-6--6--6-6-|-6--6--6-6-|-3--3--3-3-|-8--8--8-8--|
|-----------|-----------|-6--6--6-6-|-4--4--4-4-|-1--1--1-1-|-6--6--6-6--|
|-----------|-----------|-----------|-----------|-----------|------------|
EmQ Q E E Fm Q Q E E Q Q E E
|-----------|---------------|---------------|
|-8--8--8-8-|--9---9---9--9-|--9---9---9--9-|
|-9--9--9-9-|-10--10--10-10-|-10--10--10-10-|
|-9--9--9-9-|-10--10--10-10-|-10--10--10-10-|
|-7--7--7-7-|--8---8---8--8-|--8---8---8--8-|
|-----------|---------------|---------------|
Q Q E E Q Q E E Cm Q Q E E
|---------------|---------------|--8---8---8--8--|
|--9---9---9--9-|--9---9---9--9-|--8---8---8--8--|
|-10--10--10-10-|-10--10--10-10-|--8---8---8--8--|
|-10--10--10-10-|-10--10--10-10-|-10--10--10-10--|
|--8---8---8--8-|--8---8---8--8-|----------------|
|---------------|---------------|----------------|
Q Q E E Q Q E E Q Q E E
|--8---8---8--8-|--8---8---8--8-|--8---8---8--8-|
|--8---8---8--8-|--8---8---8--8-|--8---8---8--8-|
|--8---8---8--8-|--8---8---8--8-|--8---8---8--8-|
|-10--10--10-10-|-10--10--10-10-|-10--10--10-10-|
|---------------|---------------|---------------|
|---------------|---------------|---------------|
Fm Q Q E E Q Q E E Q Q E E
|---------------|---------------|----------------|
|--9---9---9--9-|--9---9---9--9-|--9---9---9--9--|
|-10--10--10-10-|-10--10--10-10-|-10--10--10-10--|
|-10--10--10-10-|-10--10--10-10-|-10--10--10-10--|
|--8---8---8--8-|--8---8---8--8-|--8---8---8--8--|
|---------------|---------------|----------------|
Q Q E E Cm Q Q E E Q Q E E
|---------------|--8---8---8--8-|--8---8---8--8-|
|--9---9---9--9-|--8---8---8--8-|--8---8---8--8-|
|-10--10--10-10-|--8---8---8--8-|--8---8---8--8-|
|-10--10--10-10-|-10--10--10-10-|-10--10--10-10-|
|--8---8---8--8-|---------------|---------------|
|---------------|---------------|---------------|
1.
To Coda
To Coda
BbmQ Q E E Ebq Q Q W
|-1--1--1-1--|----------|-------||
|-2--2--2-2--|-8--------|------o||
|-3--3--3-3--|-8--------|-------||
|-3--3--3-3--|-8--------|-------||
|-1--1--1-1--|-6--------|------o||
|------------|----------|-------||
Outro
2.
D.S. al D.S.S. al Dbl. Coda &&
Ebq Q Q Ebq Q Q W Ebq Q Q AbQ Q E E Abmaj7/GQ Q E E
|----------||----------|--------||----------||-4--4--4-4-|-4--4--4-4--|
|-8--------||-8--------|--------||-8--------||-4--4--4-4-|-4--4--4-4--|
|-8--------||-8--------|--------||-8--------||-5--5--5-5-|-5--5--5-5--|
|-8--------||-8--------|--------||-8--------||-6--6--6-6-|-5--5--5-5--|
|-6--------||-6--------|--------||-6--------||-----------|------------|
|----------||----------|--------||----------||-----------|------------|
FmQ Q E E Ab/EbQ Q E E DbQ Q E E EbQ Q E E AbQ H +H.
|-1--1--1-1-|-----------|-----------|-----------|-4--4----|-(4)----*|
|-1--1--1-1-|-4--4--4-4-|-6--6--6-6-|-8--8--8-8-|-4--4----|-(4)----*|
|-1--1--1-1-|-5--5--5-5-|-6--6--6-6-|-8--8--8-8-|-5--5----|-(5)----*|
|-3--3--3-3-|-6--6--6-6-|-6--6--6-6-|-8--8--8-8-|-6--6----|-(6)----*|
|-----------|-6--6--6-6-|-4--4--4-4-|-6--6--6-6-|---------|--------*|
|-----------|-----------|-----------|-----------|---------|--------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths