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From: larpe@oden.nts.mh.se (Petter Larsson) Visions of Johanna - Bob Dylan -------------------------------- ('Blonde on Blonde' album)
Ain't itC just like the night to playF tricks when you're G7tryin' to be so Cquiet? We sit here stranded, though we're allF doin' our G7best to denyC it And LouiGse holds a handful of rain, temptin' you to deCfy it Lights flFicker from the opposite lCoft In tFhis room the heat pipes just coCugh The cFountry music station plays soft CBut there's nothing, really nothing to turn oG7ff Just LouiCse and her Flover G7so enCtwined And these visionsF of JohannaC that G7conquer my mind.C F C
In the empty Clot where the ladies playF blind man's G7bluff with the Ckey chain And the allnight girls, they whiFsper of escapaG7des out on the &quCot;D" train We can hGear the night watchman click his flashlight Ask himself if it's him or them that's realy inCsane LouFise, she's allright, she's just nCear She's dFelicate and seems like theC mirror But she just mFakes it all too concice and too clear CThat Johanna's not here G7 The Cghost of 'lectricity Fhowls in the bG7ones of her Cface Where these visionsF of JohannaC have now G7taken my place.C F C
Now, Clittle boy lost, he takFes himself so G7seriousCly He brags of his misery, he likesF to live G7dangerouslyC And when briGnging her name up He speaks of a farewell kiss to Cme He's sFure got a lotta Cgall to Fbe so useless and Call MutterFing small talk at the wall C while I'm in the G7hall How can CI explain? Oh, Fit's so hG7ard to get Con And these visionsF of JohannaC, they kept me G7up past the dawn.C F C
InsCide the museums,F Infinity gG7oes up on Ctrial Voices echo this is what salFvation must be G7like after a whilCe But Mona GLisa musta had the highway blues You can tell by the way she Csmiles See the pFrimitive wallflower frCeeze When the jeFllyfaced women all snCeeze Hear the Fone with the mustache say, &qCuot;Jeeze, I can't find my knG7ees" Oh, jCewels and binoculars hFang from the hG7ead of the mCule But these visions oFf Johanna tChey make iG7t all seem so cCruel. F C
The pCeddler now speaks to the coFuntess who's preteG7nding to cCare for him Sayin' "Name me someone that's not a parasite F and I'll go outG7 and say a prayerC for him." But like Louise G always says, "Ya can't look at much, can ya man?" As she, herself, pre C-pares for him And MaFdonna, she still has not shoCwed We see this eFmpty cage now corroFde Where her cFape of the stage once had flCowed The fiddler, Fhe now steps to the rCoad He writes Fev'rything's been returned which was Cowed On the backF of the fish truck that loadsC While my conscience expG7lodes The harmConicas play the sFkeleton Gkeys and the Crain And these visionsF of JohannaC are now G7all that reCmain.
------- Typed by Petter Larsson , larpe@nts.mh.se