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Tuning: E A D G B E
Caribbean Wind Bob Dylan Intro: G Bm Em C G Bm Em D C
GShe was the rose of Sharon from Bmparadise lost From the Emcity of seven hills near the Cplace of the cross. I was Gplaying a show in BmMiami in the tEmheater of dDivineC comedy.
GTold about Jesus, told me about Bmthe rain, She tEmold me about the jungle whereC her brothers were slain GBy a man who inBmvented iron anEmd disappeared soD mysCteriously.
GWas she a child or an angel, didBm we go too far? Were Emwe sniper bait? Did we folloCw a star? ThrougGh a hole in a wallBm to where the loEmng arm of the law coDuld Cnot reach.
GCould I have been used and playeBmd as a pawn? It cerEmtainly was possible as the gaCy night wore on GWhere men bathed iBmn perfume and ceEmlebrated hoax of frDee sCpeech.
Chorus:
And them CCaribbean Dwinds still blow from GNassau to MexiCco GFanning the flames in the Cfurnace of Ddesire And them Cdistant ships of Dliberty on them Giron waves so bold and Cfree, GBringing everything that's Cnear to me Dnearer to the Gfire.
G Bm Em C G Bm Em D C
GSea breeze blowing, there’s a heBmll hound loose ThreeEm free men will escape from thCe noose PatienGt Paton Saint of SBmalvation waEmiting on the knighDt toC arrive.
GHe was well connected but her heBmart was a snare AndEm she had left him to die in tChere, GHe was going dBmown slow jusEmt barely stayiDng aClive.
GThe cry of the peacock, flies buBmzz my head, EmCeiling fan broken, there's aC heat in my bed, StreGet band plaBmying "NeareEmr My God toD TheCe."
GWe met at the station where the Bmmission bells ring, She saidEm, "I know what you're thinkinCg, but there ain't a thing GYou can do abouBmt it, so let usEm just agreeD to Cagree."
Chorus:
And them CCaribbean Dwinds still blow from GNassau to MexiCco GFanning the flames in the Cfurnace of Ddesire And them Cdistant ships of Dliberty on them Giron waves so bold and Cfree, GBringing everything that's Cnear to me Dnearer to the Gfire.
G Bm Em C G Bm Em D C
GAtlantic City by the cold grBmey sea EmI hear a voice crying, "DaddyC," I always think it's for me, But itG's only the silencBme in the ButtEmermilk Hills tDhat Ccall.
GEvery new messenger bringing eviBml report 'BoEmut armies on the march and tiCme that is short GAnd famines and earBmthquakes and traEmin wrecks tearing downD theC wall.
GDid you ever have a dream that yBmou couldn’t explain? Did you Emever meet two accusers face tCo face in the rain? GShe had cold brownBm eyes that I wouEmld forget has long asD sheC’s gone.
GI saw screws break loose, I see Bmthe devil pounding on tin, EmI saw a house in the country Cbeing torn from within. GI heard my ancestoBmrs calling fEmrom the land faDr beCyond.
Chorus:
And them CCaribbean Dwinds still blow from GNassau to MexiCco GFanning the flames in the Cfurnace of Ddesire And them Cdistant ships of Dliberty on them Giron waves so bold and Cfree, GBringing everything that's Cnear to me Dnearer to the Gfire.
G Bm Em C G Bm Em D C (This is the Biograph version released in 1985. I tried my best to correct the lyrics where possible. Bob has been known to mumble a little - sometimes.)