Bob Dylan - Blonde On Blonde ---------------------------- Rainy Day Women #12&35 Pledging My Time Visions Of Johanna One Of Us Must Know (Sooner Or Later) I Want You Stuck Inside Of Mobile With The Memphis Blues Again Leopard-Skin Pill-Box Hat Just Like A Woman Most Likely Yoy Go Your Way (And I'll Go Mine) Temporary Like Achilles Absolutely Sweet Marie 4th Time Around Obviously 5 Believers Sad-Eyed Lady Of The Lowlands *All words and music by Bob Dylan ------------- Rainy Day Women #12&35 ---------------------- I haven't heard any guitars on the album version, just a lot of brass and a weird organ, so this is actually the organ part. It can also be played on the guitar.

Well, they'll ^Fstone ya when you're ^Fdimtrying to ^Edimbe so ^Fgood They'll stone ya just ^Fdimlike they ^Edimsaid they ^Fwould They'll ^Bbstone ya when you're ^Edimtryin' to ^Cdimgo home Then they'll ^Fstone ya when you're ^Fdimthere ^Edimall a-l^Fone But I ^C7would not feel so all alone ^FEverybody ^Fdimmust ^Edimget ^Fstoned.

Well, they'll stone ya when you're walkin' 'long the street. They'll stone ya when you're tryin' to keep your seat. They'll stone ya when you're walkin' on the floor. They'll stone ya when you're walkin' to the door. But I would not feel so all alone, Everybody must get stoned. They'll stone ya when you're at the breakfast table. They'll stone ya when you are young and able. They'll stone ya when you're tryin' to make a buck. They'll stone ya and then they'll say, "good luck." Tell ya what, I would not feel so all alone, Everybody must get stoned. Well, they'll stone you and say that it's the end. Then they'll stone you and then they'll come back again. They'll stone you when you're riding in your car. They'll stone you when you're playing your guitar. Yes, but I would not feel so all alone, Everybody must get stoned. Well, they'll stone you when you walk all alone. They'll stone you when you are walking home. They'll stone you and then say you are brave. They'll stone you when you are set down in your grave. But I would not feel so all alone, Everybody must get stoned. ------------- Pleding My Time --------------- This is just played with the standard blues progression.

Well, early in the ^Amorning 'Til late at night, I got a poison ^Dheadache,

But I feel all right.

I'm pledging my ^Atime to y^Eou, Hopin' you'll come through, ^Atoo. ^D ^A ^E

Well, the hobo jumped up, He came down naturally. After he stole my baby, Then he wanted to steal me. But I'm pledging my time to you, Hopin' you'll come through, too. Won't you come with me, baby? I'll take you where you wanna go. And if it don't work out, You'll be the first to know. I'm pledging my time to you, Hopin' you'll come through, too. Well, the room is so stuffy, I can hardly breathe. Ev'rybody's gone but me and you And I can't be the last to leave. I'm pledging my time to you, Hopin' you'll come through, too. Well, they sent for the ambulance And one was sent. Somebody got lucky But it was an accident. Now I'm pledging my time to you, Hoping you'll come through, too. ------------- Visions Of Johanna ------------------ Capo: 2nd fret *Intro: G Gsus4 2x (This is also played between the verses)

Aint it j^Gust like the night, to play ^Ctricks when you're ^Dtrying to be so ^Gquiet. ^Gsus4 ^G We sit here stranded, though we're ^Call doing our ^Dbest to de^Gny it. ^Gsus4 ^G And ^DLouise, holds a handful of rain, tempting you to de^Gfy it. ^Gsus4 ^G Lights f^Clicker, from the opposite l^Goft. In t^Chis room, the heat pipes just c^Gough. The ^Ccountry music station, plays ^Gsoft but there's nothing, really nothing to turn o^Dff. ^Dsus4 ^D ^Dsus2 ^D Just ^GLouise, and her ^Clover ^Dso int^Gwined. ^Gsus4 ^G And these ^Cvisions, of Jo^Ghanna have ^Dconquered my ^Gmind.^Gsus4

In the empty lot where the ladies play blindman's bluff with the key chain And the all-night girls they whisper of escapades out on the D-train We can hear the night watchman click his flashlight Ask himself if it's him or them that's insane Louise, she's all right, she's just near She's delicate and seems like the mirror But she just makes it all too concise and too clear That Johanna's not here The ghost of electricity howls in the bones of her face Where these visions of Johanna have now taken my place Now, a little boy lost, he takes himself so seriously He brags of his misery, he likes to live dangerously And when bringing her name up He speaks of a farewell kiss to me He's sure got a lotta gall to be so useless and all Muttering small talk at the wall while I'm in the hall How can I explain? Oh, it's so hard to get on And these visions of Johanna, they kept me up past the dawn Inside the museums, Infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa musta had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say, "Jeeze I can't find my knees" Oh, jewels and binoculars hang from the head of the mule But these visions of Johanna, they make it all seem so cruel The peddler now speaks to the countess who's pretending to care for him Sayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him" But like Louise always says "Ya can't look at much, can ya man?" As she, herself, prepares for him And Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes ev'rything's been returned which was owed On the back of the fish truck that loads While my conscience explodes The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain ------------- One Of Us Must Know(Sooner Or Later) ------------------------------------ Capo: 5th fret

I ^Cdidn't mean to treat you ^Fso ^Cbad ^FYou shouldn't ^Ctake it so ^Gpersonal I ^Cdidn't mean to make you ^Fso ^Csad ^FYou just ^Chappened to ^Gbe there, that's all ^AmWhen I saw you say "goodbye"^Em; to your friend and smile ^DmI thought that it was well ^Cunderstood ^AmThat you'd be comin' back in a ^Emlittle while ^DmI didn't know that you were sayin' "^F;goodbye"^G for good

But, ^Csooner or ^Glater, ^Fone of us must ^Cknow ^FThat you just ^Cdid what you're sup^Gposed to do ^CSooner or ^Glater, ^Fone of us must ^Cknow ^FThat I really ^Cdid try to get ^Gclose to you

I couldn't see what you could show me Your scarf had kept your mouth well hid I couldn't see how you could know me But you said you knew me and I believed you did When you whispered in my ear And asked me if I was leavin' with you or her I didn't realize just what I did hear I didn't realize how young you were But, sooner or later, one of us must know You just did what you're supposed to do Sooner or later, one of us must know That I really did try to get close to you I couldn't see when it started snowin' Your voice was all that I heard I couldn't see where we were goin' But you said you knew an' I took your word And then you told me later, as I apologized That you were just kiddin' me, you weren't really from the farm An' I told you, as you clawed out my eyes That I never really meant to do you any harm But, sooner or later, one of us must know You just did what you're supposed to do Sooner or later, one of us must know That I really did try to get close to you ------------- I Want You ----------- Capo: 5th fret There are two guitars in this song. The "3rd" guitar is actually the organ. In the the Lead and the Organ play the same. The "F" of the rhytm- guitar must be played as a bar and the E minor must be played with the "B" as bass note to empathize the descending bass line of the song. *Intro: Leadguitar/Organ: |0-0-1p0---0-|0-0-1p0---0-|0-0-1p0-----|------------| |--------3---|--------3---|--------3--1|3-1p0-------| |------------|------------|------------|------2p0---| |------------|------------|------------|------------| |------------|------------|------------|------------| |------------|------------|------------|------------| Rhythm: C Em/B Am G *Verse: The Lead guitar guitar plays the intro until the F chord. Then it plays: F G Am G |------------|------------|0-0-1p0-----|-----------| |1-1-0-1-0---|3-3-1-3-1-0-|--------3-1-|-3-1p0-----| |----------2-|------------|------------|-------2p0-| |------------|------------|------------|-----------| |------------|------------|------------|-----------| |------------|------------|------------|-----------|

The ^Cguilty undertaker sighs, The ^Em/Blonesome organ grinder cries, The ^Amsilver saxophones say I should re^Gfuse you. The ^Fcracked bells and washed-out horns ^GBlow into my face with scorn, But it's ^Amnot that way, I wasn't born to ^Glose you.

*Chorus: Leadguitar and Organ play the intro

I^C want you, I^Em/B want you, I ^Amwant you so ^Gbad, Honey, I ^Cwant you.

*"Middle Eight":

N^Em/Bow all my fathers, they've gone down True ^Amlove they've been without it. But ^Em/Ball their daughters put me down 'Cause ^FI don't think a^Gbout it. -------------

Stuck Inside Of Mobile With The Memphis Blues Again --------------------------------------------------- Capo: 4th fret The "F" should again be played as a bar chord. This is important since Dylans Guitar isn't very prominent in his "Rock"songs. You will most likely hear the deeper tones of his guitar with lots of bass strings but not the higher tones - they are covered by the electric lead guitar or/and the organ. If you want to play the songs as close as possible to the original versions then I recco- mend to empathize the deeper strings. *Intro: C Csus4 4x

Oh, the ^Cragman draws ^Amcircles ^CUp and down the bloc^Amk. I'd ^Cask him what the ^Ammatter was But I ^Fknow that he don't ^Gtalk. And the ^Fladies treat me ^Ckindly And ^Amfurnish me with ^Ctape, But ^Amdeep inside my ^Cheart I ^Fknow I can't e^Cscape. ^EmOh, Mama, can this really be the end, To be ^Cstuck in^Gside of ^FMobile ^CWith the ^GMemphis blues ^Cagain.

Well, Shakespeare, he's in the alley With his pointed shoes and his bells, Speaking to some French girl, Who says she knows me well. And I would send a message To find out if she's talked, But the post office has been stolen And the mailbox is locked. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Mona tried to tell me To stay away from the train line. She said that all the railroad men Just drink up your blood like wine. An' I said, "Oh, I didn't know that, But then again, there's only one I've met An' he just smoked my eyelids An' punched my cigarette." Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Grandpa died last week And now he's buried in the rocks, But everybody still talks about How badly they were shocked. But me, I expected it to happen, I knew he'd lost control When he built a fire on Main Street And shot it full of holes. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Now the senator came down here Showing ev'ryone his gun, Handing out free tickets To the wedding of his son. An' me, I nearly got busted An' wouldn't it be my luck To get caught without a ticket And be discovered beneath a truck. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Now the preacher looked so baffled When I asked him why he dressed With twenty pounds of headlines Stapled to his chest. But he cursed me when I proved it to him, Then I whispered, "Not even you can hide. You see, you're just like me, I hope you're satisfied." Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Now the rainman gave me two cures, Then he said, "Jump right in." The one was Texas medicine, The other was just railroad gin. An' like a fool I mixed them An' it strangled up my mind, An' now people just get uglier An' I have no sense of time. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. When Ruthie says come see her In her honky-tonk lagoon, Where I can watch her waltz for free 'Neath her Panamanian moon. And I say, "Aw come on now, You must know about my debutante." And she says, "Your debutante just knows what you need But I know what you want." Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Now the bricks lay on Grand Street Where the neon madmen climb. They all fall there so perfectly, It all seems so well timed. And here I sit so patiently Waiting to find out what price You have to pay to get out of Going through all these things twice. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. ------------- Leopard-Skin Pill-Box Hat ------------------------- Easy. Just play the Chords with the standard blues pattern and use the "Riff" tabbed below: "Riff 1": |---9-----8-----7---|-5-5--| |-------------------|------| |-9---9-8---8-7---7-|-6-6--| |-------------------|------| |-------------------|------| |-------------------|------| The Chords are played like this (in shuffle style of course) A: D |2-2-4-4-5-5-4-4| A |0-0-0-0-0-0-0-0| D: G |2-2-4-4-5-5-4-4| D |0-0-0-0-0-0-0-0| E: D |2-2-4-4-5-5-4-4| E |0-0-0-0-0-0-0-0| Use these patterns for all chords *Intro: A D A A D A

^A&q^Euot;Riff 1"

Well, I^A see you got your^D brand new leopard-skin pill-box^A hat Yes, I ^Dsee you got your brand new leopard-skin pill-box ^Ahat Well, you must ^Etell me, baby How your head feels under somethin' like ^Athat "Riff 1" Under your brand new leopard-skin pill-box hat

Well, you look so pretty in it Honey, can I jump on it sometime? Yes, I just wanna see If it's really the expensive kind You know it balances on your head Just like a mattress balances On a bottle of wine Your brand new leopard-skin pill-box hat Well, if you wanna see the sun rise Honey, I know where We'll go out and see it sometime We'll both just sit there and stare Me with my belt Wrapped around my head And you just sittin' there In your brand new leopard-skin pill-box hat Well, I asked the doctor if I could see you It's bad for your health, he said Yes, I disobeyed his orders I came to see you But I found him there instead You know, I don't mind him cheatin' on me But I sure wish he'd take that off his head Your brand new leopard-skin pill-box hat Well, I see you got a new boyfriend You know, I never seen him before Well, I saw him Makin' love to you You forgot to close the garage door You might think he loves you for your money But I know what he really loves you for It's your brand new leopard-skin pill-box hat ------------- Just Like A Woman ----------------- Capo: 4th fret

No^Cbody ^Ffeels ^Gany ^Cpain To^Cnight as I ^Fstand in^Gside the ^Crain ^FEv'rybody ^Gknows That ^FBaby's got new ^Gclothes But ^Flate^Emly ^DmI ^Csee her ^Gribbons and her bows Have ^Amfallen ^Cfrom ^Fher ^Gsus4curls.^G ^Gsus2 ^G She ^Ctakes ^Emjust ^Dmlike a ^Fwoman, yes she does, she ^Cmakes love ^Emjust ^Dmlike a ^Fwoman, yes she does, And she ^Caches ^Emjust ^Dmlike a ^Fwoman, but she ^Gsus4breaks ^Gjust ^Gsus2like a ^Glittle ^Cgirl.

Queen Mary, she's my friend Yes, I believe I'll go see her again Nobody has to guess That Baby can't be blessed Till she sees finally that she's like all the rest With her fog, with her amphetamine and her pearls. She takes just like a woman, And she makes love just like a woman, And she aches just like a woman But she breaks just like a little girl.

It was ^Eraining from the first And I was dying there of thirst So I ^Ccame in here ^Csus4 ^C And your ^Elong-time curse hurts

But what's worse

Is this ^Fpain in here ^Gsus4I can't ^Gstay in ^Gsus2here ^G ^Gsus4Ain't i^Gt clear ^Gsus2that ^G

^CI ^Fjust ^Gdon't ^Cfit Yes, I believe it's time for us to quit And when we meet again Introduced as friends Please don't let on that you knew me when I was hungry and it was your world. You take just like a woman, And you make love just like a woman And you ache just like a woman, But you break just like a little girl. -------------

Most Likely You Go Your Way (And I'll Go Mine) ---------------------------------------------- *"Riff 1": |--------------| |--------------| |0-3-0-3-0-3-0-| |--------------| |--------------| |--------------| That's the Trumpet/Harmonica part. It's played between the verses, in the solo and in the Intro/Outro

^AmYou say you love me And you're thinking of me, But you know you could be ^Gwrong. ^AmYou say you told me

That you wanna hold me,

But you know you're not that ^Gstrong. ^BmI just can't do what I done before, ^AmI just can't beg you any more. I'm gonna ^Glet you pass And ^DI'll go last. Then ^Gtime will ^Bmtell ju^Cst who^G has fell And ^Amwho's been^D left behind,

N.C.

When you go your way and I go ^Gmine.

You say you disturb me And you don't deserve me, But you know sometimes you lie. You say you're shakin' And you're always achin', But you know how hard you try. Sometimes it gets so hard to care, It can't be this way ev'rywhere. And I'm gonna let you pass, Yes, and I'll go last. Then time will tell just who has fell And who's been left behind, When you go your way and I go mine.

The ^Emjudge, he holds a grudge, He's gonna ^Dcall on you. But he's ^Embadly built

And he walks on stilts,

Watch out he don't ^Dfall on you.^Dsus4 You say you're sorry For tellin' stories That you know I believe are true. You say ya got some Other kinda lover And yes, I believe you do. You say my kisses are not like his, But this time I'm not gonna tell you why that is. I'm just gonna let you pass, Yes, and I'll go last. Then time will tell who fell And who's been left behind, When you go your way and I go mine. -------------

Temporary Like Achilles ----------------------- *"Riff 1" |-3------3-----3-----3---|-3-----2---2-------------| |-0----3---3-2---2-1---1-|-0-----1---1-------------| |-0----------------------|-------2---2-------------| |-0----------------------|-------0---0-------------| |-2----------------------|-------------------------| |-3----------------------|-------------------------| This is the Riff that finishes all verses

^GStanding on your window, honey, ^CYes, I've been ^D7here bef^Gore. ^GFeeling so harmless, I'm ^Clooking at your ^D7second d^Goor. ^D7How come you don't send me no regards? ^G You ^Gknow I want your ^D7lovin', G Riff 1 Honey, why are you so hard?

Kneeling 'neath your ceiling, Yes, I guess I'll be here for a while. I'm tryin' to read your portrait, but, I'm helpless, like a rich man's child. How come you send someone out to have me barred? You know I want your lovin', Honey, why are you so hard?

Like a ^Empoor fool in his prime, Yes, I know you can ^Bmhear me walk, But is your ^Emheart made out of stone, or is it lime, ^Bm Or is it just ^D7solid rock?^D7sus4

Well, I rush into your hallway, Lean against your velvet door. I watch upon your scorpion Who crawls across your circus floor. Just what do you think you have to guard? You know I want your lovin', Honey, but you're so hard. 'chilles is in your alleyway, He don't want me here, He does brag. He's pointing to the sky And he's hungry, like a man in drag. How come you get someone like him to be your guard? You know I want your lovin', Honey but you're so hard. ------------- Absolutely Sweet Marie ---------------------- Here's the Organ part, it can also be played on the guitar: |-----2---1-2---3-|-----2---1-2-----| |-----3---2-3---3-|-----3---2-3-----| |-----2---1-2---4-|-----2---1-1-----| |-----------------|-----------------| |-----------------|-----------------| |-----------------|-----------------|

Well, your ^Drailroad gate, you ^Gknow I ^Ajust can't ^Djump it ^GSometimes it ^Dgets so hard, you ^Asee I'm just ^Dsitting here ^Gbeating ^Aon my ^Dtrumpet ^Bm With ^F#mall these promises you ^Dleft for ^Ame But ^Gwhere are you to^Anight, sweet Ma^Drie?

Well, I waited for you when I was half sick Yes, I waited for you when you hated me Well, I waited for you inside of the frozen traffic When you knew I had some other place to be Now, where are you tonight, sweet Marie?

Well, ^Bbanybody can be just like ^Dme, obviously But ^Bbthen, now again, not too many can be like ^Dyou, fortunate^Aly.

Well, six white horses that you did promise Were fin'lly delivered down to the penitentiary But to live outside the law, you must be honest I know you always say that you agree But where are you tonight, sweet Marie? Well, I don't know how it happened But the river-boat captain, he knows my fate But ev'rybody else, even yourself They're just gonna have to wait. Well, I got the fever down in my pockets The Persian drunkard, he follows me Yes, I can take him to your house but I can't unlock it You see, you forgot to leave me with the key Oh, where are you tonight, sweet Marie? Now, I been in jail when all my mail showed That a man can't give his address out to bad company And now I stand here lookin' at your yellow railroad In the ruins of your balcony Wond'ring where you are tonight, sweet Marie. ------------- 4th Time Around ---------------- Capo: 4th fret

^CWhen ^Csus4she said,"Don't^C waste your ^Csus4words, they're just lie^Cs," I ^Csus4cried she was dea^Cf. ^Csus4 ^C ^Csus4 And ^Cshe ^Csus4worked on my fac^Ce until ^Csus4breaking my eye^Cs, Then said, ^Csus4"What else you got^C left?^Csus4" ^C ^Csus4 It was ^Emthen that I got up to leave But she said, "Don'^Dmt forget, Every^Cbody must ^Csus4give something back^C For ^Csus4something they get^C." ^Csus4 ^C ^Csus4

I stood there and hummed, I tapped on her drum and asked her how come. And she buttoned her boot, And straightened her suit, Then she said, "Don't get cute." So I forced my hands in my pockets And felt with my thumbs, And gallantly handed her My very last piece of gum. She threw me outside, I stood in the dirt where ev'ryone walked. And after finding I'd Forgotten my shirt, I went back and knocked. I waited in the hallway, she went to get it, And I tried to make sense Out of that picture of you in your wheelchair That leaned up against . . . Her Jamaican rum And when she did come, I asked her for some. She said, "No, dear." I said, "Your words aren't clear, You'd better spit out your gum." She screamed till her face got so red Then she fell on the floor, And I covered her up and then Thought I'd go look through her drawer. And, when I was through I filled up my shoe And brought it to you. And you, you took me in, You loved me then You didn't waste time. And I, I never took much, I never asked for your crutch. Now don't ask for mine. That's the Leadguitar during the C - Csus4 progression: |--------7-----9--7--|---------9------10--9--| |-----9-----9--------|-----10-----10---------| |--9-----------------|--9--------------------| |--------------------|-----------------------| |--------------------|-----------------------| |--------------------|-----------------------| And this is during the Em - Dm progression: |--------9--7---------| |-----9--------10--9--| |--8------------------| |---------------------| |---------------------| |---------------------| played four times during Em |---------9--7--------| |--7--10-------10--9--| |---------------------| |---------------------| |---------------------| |---------------------| played four times durin Dm ----------------------| Obviously 5 Believers ------------------------------ *"Riff 1": |----------------------| |----------------------| |----------------------| |----0-2-0-------------| |0h2-------2-----------| |-------------5p3-0----|

^AEarly in the mornin', early in the mornin' I'm callin' ^Dyou to, I'm callin' you to Please come ^Ahome Yes, I guess I could ^Emake it without you D A "Riff 1" two times If I just didn't feel so all a-lone

Don't let me down Don't let me down I won't let you down I won't let you down No I won't You know I can if you can, honey But, honey, please don't I got my black dog barkin' Black dog barkin' Yes it is now Yes it is now Outside my yard Yes, I could tell you what he means If I just didn't have to try so hard Your mama's workin' Your mama's moanin' She's cryin' you know She's tryin' you know You better go now Well, I'd tell you what she wants But I just don't know how Fifteen jugglers Fifteen jugglers Five believers Five believers All dressed like men Tell yo' mama not to worry because They're just my friends Early in the mornin' Early in the mornin' I'm callin' you to I'm callin' you to Please come home Yes, I could make it without you If I just did not feel so all alone ------------- Sad-Eyed Lady Of The Lowlands ----------------------------- Capo: 2nd fret

With your ^Cmercury ^Gmouth in the ^Fmissionary ^Gtimes, And your ^Ceyes like ^Gsmoke and ^Fyour prayers ^Glike rhymes, And your ^Fsilver ^Ccross, and your ^Dmvoice ^Glike ^Cchimes, Oh, ^Cwho do they ^Dmthink could ^Gsus4bury y^Gou^Gsus2? ^G With your ^Cpockets ^Gwell ^Fprotected at l^Gast, And your ^Cstreetcar ^Gvisions which you ^Fplace on the ^Ggrass, And your ^Fflesh like s^Cilk, and your ^Dmface l^Gike ^Cglass, ^Cwho could they ^Dmget to ^Gsus4carry ^Gyo^Gsus2u? ^G

^DmSad-eyed lady of the l^Cowl^Gands, ^DmWhere the sad-eyed prophet says that ^Cno man ^Gcomes, My w^Care^Ghouse ^Feyes, ^Cmy A^Frabi^Can ^Gdrums, ^DmShould I put them by your g^Gsus4ate, ^G ^Gsus2 ^G ^DmOr, sad-eyed lady, should I ^Cwait?

With your sheets like metal and your belt like lace, And your deck of cards missing the jack and the ace, And your basement clothes and your hollow face, Who among them can think he could outguess you? With your silhouette when the sunlight dims Into your eyes where the moonlight swims, And your match-book songs and your gypsy hymns, Who among them would try to impress you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? The kings of Tyrus with their convict list Are waiting in line for their geranium kiss, And you wouldn't know it would happen like this, But who among them really wants just to kiss you? With your childhood flames on your midnight rug, And your Spanish manners and your mother's drugs, And your cowboy mouth and your curfew plugs, Who among them do you think could resist you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? Oh, the farmers and the businessmen, they all did decide To show you the dead angels that they used to hide. But why did they pick you to sympathize with their side? Oh, how could they ever mistake you? They wished you'd accepted the blame for the farm, But with the sea at your feet and the phony false alarm, And with the child of a hoodlum wrapped up in your arms, How could they ever, ever persuade you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? With your sheet-metal memory of Cannery Row, And your magazine-husband who one day just had to go, And your gentleness now, which you just can't help but show, Who among them do you think would employ you? Now you stand with your thief, you're on his parole With your holy medallion which your fingertips fold, And your saintlike face and your ghostlike soul, Oh, who among them do you think could destroy you Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? --------------------------------------------------------------------------------------------

Bob Dylan - Blonde on blonde