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MUSTANG SALLY (Bassline)
As recorded by Wilson Pickett
(From the 1967 Album THE VERY BEST OF WILSON PICKETT)
Words and Music by Bonny Rice
Transcribed by Slowhand
Gtr I (E A D G) - 'Tommy Cogbill - Bass'
Intro
Q=120
4/4
Gtr I
W Q. E +E Q E Q. E +E Q E
|----------|-----------------|-----------------|
|----------|-----------------|-----------------|
|----------|-3-------------1-|-3-------------1-|
|----------|------2-(2)-3----|------2-(2)-3----|
Q. E +E Q E Q. E +E Q E
|-----------------|-------------------||
|-----------------|-------------------||
|-3-------------1-|-3-------------1---||
|------2-(2)-3----|------2-(2)-3------||
1st & 2nd Verses
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E
||------------------|-----------------|-----------------|------------------|
||o-----------------|-----------------|-----------------|------------------|
||o-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1--|
||-------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3-----|
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E E E E E
|-----------------|-----------------|-----------------|----------------|
|-----------------|-----------------|-----------------|----------------|
|-3-------------1-|-3-------------1-|-3-------------1-|-3--------3-----|
|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-3---2-2-|
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E
|-----------------|-----------------|-----------------|-----------------|
|---------------1-|-3-------------1-|-3-------------1-|-3-------------1-|
|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|
|-1---------------|-----------------|-----------------|-----------------|
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E E Q
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-3-------------1-|-3-------------1-|-3-------------1-|-3------------3--|
|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|
Q. E +E Q E Q. E E E E E q Q H W
|-----------------|-0--------------|------------|------|
|------------0--3-|--------0-0-----|------------|------|
|------4-(4)------|------4---------|------------|------|
|-3---------------|------------2-2-|-1----------|------|
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E
|-----------------|-----------------|-----------------|-----------------||
|-----------------|-----------------|-----------------|-----------------||
|-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1-||
|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----||
Chorus
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1-|
|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E E E E E
|-----------------|-----------------|-----------------|----------------|
|-----------------|-----------------|-----------------|----------------|
|-3-------------1-|-3-------------1-|-3-------------1-|-3--------3-----|
|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-3---2-2-|
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E
|-----------------|-----------------|-----------------|-----------------|
|---------------1-|-3-------------1-|-3-------------1-|-3-------------1-|
|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|
|-1---------------|-----------------|-----------------|-----------------|
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E E Q
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-3-------------1-|-3-------------1-|-3-------------1-|-3------------3--|
|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|
Q. E +E Q E Q. E E E E E q Q H W
|-----------------|-0--------------|------------|------|
|------------0--3-|--------0-0-----|------------|------|
|------4-(4)------|------4---------|------------|------|
|-3---------------|------------2-2-|-1----------|------|
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E
|-----------------|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------|-----------------o||
|-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1-o||
|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3-----||
Outro
Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E
||------------------|-----------------|-----------------|-------------------||
||o-----------------|-----------------|-----------------|------------------o||
||o-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1--o||
||-------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3------||
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths