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MUSTANG SALLY (Bassline) As recorded by Wilson Pickett (From the 1967 Album THE VERY BEST OF WILSON PICKETT) Words and Music by Bonny Rice Transcribed by Slowhand Gtr I (E A D G) - 'Tommy Cogbill - Bass' Intro Q=120 4/4 Gtr I W Q. E +E Q E Q. E +E Q E |----------|-----------------|-----------------| |----------|-----------------|-----------------| |----------|-3-------------1-|-3-------------1-| |----------|------2-(2)-3----|------2-(2)-3----| Q. E +E Q E Q. E +E Q E |-----------------|-------------------|| |-----------------|-------------------|| |-3-------------1-|-3-------------1---|| |------2-(2)-3----|------2-(2)-3------|| 1st & 2nd Verses Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E ||------------------|-----------------|-----------------|------------------| ||o-----------------|-----------------|-----------------|------------------| ||o-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1--| ||-------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3-----| Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E E E E E |-----------------|-----------------|-----------------|----------------| |-----------------|-----------------|-----------------|----------------| |-3-------------1-|-3-------------1-|-3-------------1-|-3--------3-----| |------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-3---2-2-| Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E |-----------------|-----------------|-----------------|-----------------| |---------------1-|-3-------------1-|-3-------------1-|-3-------------1-| |------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----| |-1---------------|-----------------|-----------------|-----------------| Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E E Q |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-3-------------1-|-3-------------1-|-3-------------1-|-3------------3--| |------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----| Q. E +E Q E Q. E E E E E q Q H W |-----------------|-0--------------|------------|------| |------------0--3-|--------0-0-----|------------|------| |------4-(4)------|------4---------|------------|------| |-3---------------|------------2-2-|-1----------|------| Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E |-----------------|-----------------|-----------------|-----------------|| |-----------------|-----------------|-----------------|-----------------|| |-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1-|| |------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|| Chorus Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1-| |------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----| Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E E E E E |-----------------|-----------------|-----------------|----------------| |-----------------|-----------------|-----------------|----------------| |-3-------------1-|-3-------------1-|-3-------------1-|-3--------3-----| |------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-3---2-2-| Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E |-----------------|-----------------|-----------------|-----------------| |---------------1-|-3-------------1-|-3-------------1-|-3-------------1-| |------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----| |-1---------------|-----------------|-----------------|-----------------| Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E E Q |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-3-------------1-|-3-------------1-|-3-------------1-|-3------------3--| |------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3----| Q. E +E Q E Q. E E E E E q Q H W |-----------------|-0--------------|------------|------| |------------0--3-|--------0-0-----|------------|------| |------4-(4)------|------4---------|------------|------| |-3---------------|------------2-2-|-1----------|------| Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E |-----------------|-----------------|-----------------|------------------|| |-----------------|-----------------|-----------------|-----------------o|| |-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1-o|| |------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3-----|| Outro Q. E +E Q E Q. E +E Q E Q. E +E Q E Q. E +E Q E ||------------------|-----------------|-----------------|-------------------|| ||o-----------------|-----------------|-----------------|------------------o|| ||o-3-------------1-|-3-------------1-|-3-------------1-|-3-------------1--o|| ||-------2-(2)-3----|------2-(2)-3----|------2-(2)-3----|------2-(2)-3------|| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths