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ANYWAY, ANYHOW, ANYWHERE (Bassline) As recorded by The Who (From the 1965 Album MEATY BEATY BIG AND BOUNCY) Words and Music by Pete Townshend & Roger Daltrey Transcribed by Slowhand Gtr I (E A D G) - 'John Entwistle - Bass' Intro Q=134 1. 2. 3/4 4/4 Gtr I TP TP H. H. H. H. W ||----------|---------|---------|----------||------|| ||o---------|---------|---------|---------o||------|| ||o-5-------|-5-------|-3-------|---------o||------|| ||----------|---------|---------|-5--------||-5----|| 1st Verse Faster Q=152 W W H H Q. H +E |----------|----------|-----------|----------------| |----------|----------|-----------|-5----7----(7)--| |----------|----------|-5----5----|----------------| |----------|----------|-----------|----------------| Chorus H E Q. E Q Q. E E H H E Q E +H +W |-------------|---------------||-----------|---------------|--------|| |-------------|---5--7--------||------5----|---5--7-(7)----|-(7)----|| |-5----5-5----|-5---------5-5-||-5---------|-3-------------|--------|| |-------------|---------------||-----------|---------------|--------|| 2nd & 3rd Verses $ H H Q. H +E H H Q. H +E |-----------|---------------|-----------|----------------| |-----------|-5----7----(7)-|-----------|-5----7----(7)--| |-5----5----|---------------|-5----5----|----------------| |-----------|---------------|-----------|----------------| Chorus To Coda 2/4 3/4 H H Q. H +E H H E Q E +H +E E |-----------|---------------||-----------|--------|-----------------| |-----------|-5----7----(7)-||------5----|---5--7-|-(7)----(7)-7----| |-5----5----|---------------||-5---------|-3------|-----------------| |-----------|---------------||-----------|--------|-----------------| 4/4 +W +H. +E E E E E E E E E E E E E E E E E E |------------|----------------|-----------------|-----------------|| |-(7)--------|-(7)------(7)-7-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|| |------------|----------------|-----------------|-----------------|| |------------|----------------|-----------------|-----------------|| Bridge E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|------------------| |-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7--| |-----------------|-----------------|-----------------|------------------| |-----------------|-----------------|-----------------|------------------| Interlude E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------||-----------------|------------------| |-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-||-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7--| |-----------------|-----------------||-----------------|------------------| |-----------------|-----------------||-----------------|------------------| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|------------------| |-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7--| |-----------------|-----------------|-----------------|------------------| |-----------------|-----------------|-----------------|------------------| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|------------------| |-7-7-7-7-7-7-7-7-|-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5-|-7-7-7-7-7-7-7-7--| |-----------------|-----------------|-----------------|------------------| |-----------------|-----------------|-----------------|------------------| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|------------------| |-5-5-5-5-5-5-5-5-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7--| |-----------------|-----------------|-----------------|------------------| |-----------------|-----------------|-----------------|------------------| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|------------------| |-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|-5-5-5-5-5-5------| |-----------------|-----------------|-----------------|-------------5-5--| |-----------------|-----------------|-----------------|------------------| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|------------------| |-7-7-7-7-7-7-7-7-|-5-5-5-5-5-5-5-5-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7--| |-----------------|-----------------|-----------------|------------------| |-----------------|-----------------|-----------------|------------------| D.S. al Coda E E E E E E E E E E E E E E E E E E E E E E E E E S E S H +E |-----------------|-----------------|-----------------|--------------------|| |-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-|-7---5---7----(7)---|| |-----------------|-----------------|-----------------|--------------------|| |-----------------|-----------------|-----------------|--------------------|| Outro & 3/4 4/4 H. E E E E E E E E E E E E E E E E E E E E E E E E 10x |---------|-----------------||------------------|-------------------|| |-7-------|-7-7-7-7-7-7-7-7-||o-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7--o|| |---------|-----------------||o-----------------|------------------o|| |---------|-----------------||------------------|-------------------|| |-3-| e e e e q q Q Q H. +W |---------------|------------|--------*| |-7-7-7-7-7-7-7-|-7--7-------|-(7)----*| |---------------|------------|--------*| |---------------|------------|--------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths