Tuning: E A D G B E

The F is really bent up from the D, but since we're in standard, we can't do that. I honestly think it's sounds better to leave out this subtlety and play the Intro like the Verse (except without palm muting). Intro Em D Em D Em D Em D e|---------------|---------------| B|---------------|---------------| G|---------------|---------------| x2 D|---------------|---------------| A|------5------5-|------5------5-| E|-1--0---1--0---|-1--0---1------| Verse Em D Em D e|---------------| B|---------------| G|---------------| D|---------------| A|------5------5-| E|-0--0---0--0---| . . . . . . G/D xx000x D5 xx02(3)x (is often the easiest choice) Interlude A5 x02xxx Fmaj7 1x2xxx F5 13xxxx G5 35xxxx G6 37xxxx Emaddb9 023xxx Bm x204xx Bm/A x004xx The E5 and F5 at the end of the Chorus line are really fast and obviously a whole lot easier to play when you're in some Drop-tuning. You may want to leave them out. I must have listened to this song about a hundred times by now. But it occurred to me just now when tabbing this what absolute genius it is that the accented parts in the vocal line in Bridge Part C first are out of sync with the rest of the band and then simultaneous. It works so well! [Intro] | Em D Em D | Em D Em D | (x2) [Verse 1]

^Em Something^D ^Em has to chan^Dge^Em, unden^Dia^Emble dil^Demma^Em. Boredom's^D not a burde^Dn ^Emanyone ^Dshould b^Emear.^D ^Em Const^Dan^Emt ove^Dr-^Em--stimu^Dla^Emtion numbs ^Dme^Em, but I^D wou^Emld not want yo^Du ^Emany oth^Der ^Emway.

[Pre-Chorus]

^G/DJust^E5 not enough^G/D. ^E5 I need more^G/D. ^E5 Nothing seems ^D5to sa^E5tisfy. I ^G/Dsaid: ^E5 I don't want it^G/D, ^E5 I just need it^D5 ^E5 to breathe,^G/D to ^E5feel, to know I'm^D5 alive.

[Chorus] | E5 C5 D5 | D5 E5 F5 |

^E5Finger ^C5deep within the ^D5borderline. ^E5 ^F5 ^E5Show me that you ^C5love me and that ^D5we belong together. ^E5 ^F5 ^E5Relax,^C5 turn ar^D5ound and take my hand.

[Instrumental] | Em D Em D | Em D Em D | (x2) [Verse 2]

^Em I can^D ^Em help you ch^Dange^Em tire^Dd ^Emmoments into^D ^Em pleasure. Say ^Dthe ^Emword and we'll ^Dbe ^Emwell upon ^Dour ^Emway. ^D ^Em Blend and^D ^Em balance^D, ^Em pain and^D co^Emmfort^D. ^Em Deep with^Din^Em you till you^D ^Em will not want me^D ^Emany other^D way.

[Pre-Chorus]

^G/DBut ^E5 it's not enough^G/D. ^E5 I need more^G/D. ^E5 Nothing seems ^D5to sa^E5tisfy. I ^G/Dsaid: ^E5 I don't want it^G/D, ^E5 I just need it^D5 ^E5 to breathe,^G/D to ^E5feel, to know I'm^D5 alive.

[Chorus] | E5 C5 D5 | D5 E5 F5 |

^E5Knuckle ^C5deep within the ^D5borderline. ^E5 ^F5 ^E5This may hurt a ^C5little but it's ^D5something you'll get used to. ^E5 ^F5 ^E5Relax,^C5 slip aw^D5ay.

[Interlude] (slide) | A5 Fmaj7 F5 | G5 G6 G5 | | Emaddb9 | % | % | % | % | % | % | % | | Em | % | Emaddb9 | % | (x3) | Em | % | % | E5 | | E5 Esus2 E5 D5 | % | Bm Bm/A Bm Bm/A | Bm Bm/A Bm D5 | | E5 Esus2 E5 D5 | % | Bm Bm/A Bm Bm/A | Bm Bm/A Bm (Bm/A) | [Bridge Part A]

^Bm/AThere's ^Csus2something kinda ^Dsus2sad about^Bsus2 ^D5the ^E5way that things have come to be. ^D5 De^Csus2sensitized to ^Dsus2everything.^Bsus2 ^D5 ^E5What became of subtlety? ^D5

| Csus2 Dsus2 Bsus2 D5 | [Bridge Part B]

^Asus2 Now how can this mean anything to me ^Csus2 ^Dsus2 ^Bsus2 ^Asus2 If I really don't feel anything at all? ^Csus2 ^Dsus2 ^Bsus2

[Bridge Part C]

^E5 I'll^E5 keep^E5 digging^G5 ^A5 ^F#5 till ^E5I ^E5feel ^E5something. ^G5 ^A5 ^F#5

[Chorus]

^E5Elbow ^C5deep within the ^D5borderline. ^E5 ^F5 ^E5Show me that you ^C5love me and that ^D5we belong together. ^E5 ^F5 ^E5Shoulder ^C5deep within the ^D5borderline. ^E5 ^F5 ^E5Relax,^C5 turn ar^D5ound and take my hand.

Tool - Stinkfist