I've been having a little problem recently

Which is q^Bbuite distur^Abing musicall^Dmy Involving ^Bba semi-t^Aonal dis^Dmcrepancy Vocally an^Bbd Instru^Amental^Dmly Gm A

You see musicians of different varieties

Prefer p^Bblaying in par^Aticular ke^Dmys And sing^Bbers too tr^Aeat prefere^Dmntially Thos^Bbe notes they ^Atackle^Dm more proficiently Gm A

Now, you, don't have to be a member of MENSA

To understand th^Bbe depth of my^A dilemma ^Dm The^Gm two elements of me favour ^Atwo different keys Thus the^Bb rift betwee^Dmn m^Gmy fingers and my Teno^Dmr

I love nothing more than playing songs in F

^BbIt warms the very cockles^F of my heart The^Gm problem is that F can lea^Ave me vocally bereft, you see I li^Bbke playing in F Major, but I li^Fke singing in... E7 A7 F Sharp.... F Sharp.... F Sharp... Dm Dm Dm

I refuse to be beholden to my hands

^BbI don't see why my Larynx s^Fhould give in to their demand ^GmI will not be forced to compromis^Ae my art ^BbSo I'll keep playing in F Major, an^Fd singing in... E7 A7 F Sharp... F Sharp... F Sharp... Dm Dm Dm

I'll keep playing in F Major, but I'll keep singing in F Sharp!!!! Gm C7 F

Tim Minchin - F sharp