The Rolling Stones - Factory girl

FACTORY GIRL As recorded by The Rolling Stones (From the 1968 Album BEGGARS BANQUET) Words and Music by Mick Jagger & Keith Richards Transcribed by Slowhand Gtr I (E A D G B E) - 'Keith Richards - Acoustic Guitar' Gtr II (E A D G B E) - 'Ric Grech - Fiddle' Intro Q=116 D 4/4 Gtr I (Ac. Gtr.) S S S S +S S E S S S S +S S E S S S S +S S E S S S S +S S E |---------------------------------|-0h2---0-(0)---------------------| |-------------0---0h3---0-(0)-3---|-------------0---0h3---------3---| |-0h2---2-(2)---------------------|-----------------------2-(2)-----| |-----0---------0-----0---------0-|-----0---------0-----0---------0-| |---------------------------------|---------------------------------| |---------------------------------|---------------------------------| S S S S +S S E S S S S +S S E |----------------------------------| |-------------0---0h3---0-(0)-3----| |-0h2---2-(2)----------------------| |-----0---------0-----0---------0--| |----------------------------------| |----------------------------------| S S S S +S S E S S S S +S S E S S S S +S S E S S S S +S S E |-0h2---------0---0h2---------2---|---------------------------------| |-------3-(3)-0-0-0h3---3-(3)-----|-------------0---0h3---0-(0)-3---| |---------------0-0h2---2-(2)---2-|-0h2---2-(2)---------------------| |-----0---------------0-----------|-----0---------0-----0---------0-| |---------------------------------|---------------------------------| |---------------------------------|---------------------------------| S S S S +S S E S S S S +S S E |-0h2---0-(0)-----------------------| |-------------0---0h3---------3-----| |-----------------------2-(2)-------| |-----0---------0-----0---------0---| |-----------------------------------| |-----------------------------------| 1st - 4th Verses $ S S S S +S S E S S S S +S S E |-0h2---0-(0)---------------------| |-------------0---0h3---------3---| |-----------------------2-(2)-----| |-----0---------0-----0---------0-| |---------------------------------| |---------------------------------| S S S S +S S E S S S S +S S E S S S S +S S E S S S S +S S E |---------------------------------|-0h2---------0---0h2---------2---| |-------------0---0h3---0-(0)-3---|-------3-(3)-0-0-0h3---3-(3)-----| |-0h2---2-(2)---------------------|---------------0-0h2---2-(2)---2-| |-----0---------0-----0---------0-|-----0---------------0-----------| |---------------------------------|---------------------------------| |---------------------------------|---------------------------------| S S S S +S S E S S S S +S S E |-----------------------------------| |-------------0---0h3---0-(0)-3-----| |-0h2---2-(2)-----------------------| |-----0---------0-----0---------0---| |-----------------------------------| |-----------------------------------| To Coda 1.,D.S. 2. Fiddle Solo | | Gtr II (Fiddle arr. for Gtr.) | W S S S S +S E. Q S E. |-------------------------------||----------10-(10)--------------------------| |-------------------------------||-10-12-10---------12----10-------10--12----| |-------------------------------||-------------------------------------------| |-------------------------------||-------------------------------------------| |-------------------------------||-------------------------------------------| |-------------------------------||-------------------------------------------| S S S S +S S E S S S S +S S E |--0h2-----0-(0)-----------------------| |----------------0-----0h3---------3---| |----------------------------2-(2)-----| |-------0-----------0------0---------0-| |--------------------------------------| |--------------------------------------| | | E S S S S E H |-10-----------------------------------| |------12-10-10------------------------| |----------------9-10------------------| |---------------------12---------------| |--------------------------------------| |--------------------------------------| S S S S +S S E S S S S +S S E S S S S +S S E S S S S +S S E |---------------------------------------------|--0h2----------0-----0h2---------2---| |------------------0------0h=3----0-(0)--3----|--------3-(3)--0--0--0h3---3-(3)-----| |--0h=2-----2--(2)----------------------------|------------------0--0h2---2-(2)---2-| |--------0------------0---------0-----------0-|------0------------------0-----------| |---------------------------------------------|-------------------------------------| |---------------------------------------------|-------------------------------------| | | S S S S +E E +E E S E. Q S E. H |----------17-(17)---19-(19)---17-------------|-------------------------------------| |----17-19--------------------------19--17----|-------------------------------------| |-19------------------------------------------|-19-----------16----19---------------| |---------------------------------------------|----------19-------------------------| |---------------------------------------------|-------------------------------------| |---------------------------------------------|-------------------------------------| S S S S +S S E S S S S +S S E |-----------------------------------------------| |------------------0------0h=3----0-(0)--3------| |--0h=2-----2--(2)------------------------------| |--------0------------0---------0-----------0---| |-----------------------------------------------| |-----------------------------------------------| | | S S S S +E E +E E S E. |-----------------------------------------------| |-19-17----19-(19)---17-(17)--------------------| |-------19---------------------19---16----------| |---------------------------------------19------| |-----------------------------------------------| |-----------------------------------------------| | | S E. E E +H S S S S +E E E E Q |----------------------------------------|-----------------------------------------| |----------------------------------------|-19-17----19-(19)---17-------------------| |----16------16----19-(19)---------------|-------19--------------19---16-----------| |-19-------------------------------------|---------------------------------19------| |----------------------------------------|-----------------------------------------| |----------------------------------------|-----------------------------------------| | | S S S S +E E H |------------------------------------------| |------------------------------------------| |----16------------------------------------| |-19----19-16-(16)-------------------------| |--------------------19-17-----------------| |------------------------------------------| D.S. al Coda & | | +W |-------------------------------------|| |-------------------------------------|| |-------------------------------------|| |-------------------------------------|| |-(17)--------------------------------|| |-------------------------------------|| Outro | | W W W |---------------------------------|--------------------|--------*| |---------------------------------|--------------------|--------*| |---------------------------------|--------------------|--------*| |---------------------------------|--------------------|--------*| |---------------------------------|--------------------|--------*| |---------------------------------|--------------------|--------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths