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Tuning:
COME ON (Bassline)
As recorded by The Rolling Stones
(From the 1966 Album BIG HITS (HIGH TIDE AND GREEN GRASS))
Words and Music by Chuck Berry
Arranged by The Rolling Stones
Transcribed by Slowhand
Gtr I (E A D G) - 'Bill Wyman - Bass'
Intro
Q=168
4/4
Gtr I
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------||
|-3-3-3-3-3-3-3-3-|-6-6-6-6---------|-3-3-3-3-3-3-3-3-|-6-6-6-6---------||
|-----------------|-----------4---3-|-----------------|-----------4---3-||
|-----------------|-----------------|-----------------|-----------------||
1st Verse
Q. E Q. E Q. E Q. E Q. E Q. E Q. E Q. E
|---------------|---------------|---------------|---------------|
|-3----3--------|---------------|-3----3--------|---------------|
|--------3----3-|-5----5--------|--------3----3-|-5----5--------|
|---------------|--------5----5-|---------------|--------5----5-|
Q. E Q. E Q. E Q. E E E E E E E E E E E E E E E E E
|---------------|---------------|-----------------|-----------------||
|-3----3--------|---------------|-----------------|-----------------||
|--------3----3-|-5----5--------|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-||
|---------------|--------5----5-|-----------------|-----------------||
Chorus
Q. E Q. E Q. E Q. E Q. E Q. E Q. E Q. E
|---------------|---------------|---------------|---------------|
|-3----3--------|---------------|-3----3--------|---------------|
|--------3----3-|-5----5--------|--------3----3-|-5----5--------|
|---------------|--------5----5-|---------------|--------5----5-|
Q. E Q. E Q. E Q. E E E E E E E E E E E E E E E E E
|---------------|---------------|-----------------|-----------------||
|-3----3--------|---------------|-----------------|-----------------||
|--------3----3-|-5----5--------|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-||
|---------------|--------5----5-|-----------------|-----------------||
2nd Verse
Q. E Q. E Q. E Q. E Q. E Q. E Q. E Q. E
|---------------|---------------|---------------|---------------|
|-3----3--------|---------------|-3----3--------|---------------|
|--------3----3-|-5----5--------|--------3----3-|-5----5--------|
|---------------|--------5----5-|---------------|--------5----5-|
Q. E Q. E Q. E Q. E E E E E E E E E E E E E E E E E
|---------------|---------------|-----------------|-----------------||
|-3----3--------|---------------|-----------------|-----------------||
|--------3----3-|-5----5--------|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-||
|---------------|--------5----5-|-----------------|-----------------||
Chorus
Q. E Q. E Q. E Q. E Q. E Q. E Q. E Q. E
|---------------|---------------|---------------|---------------|
|-3----3--------|---------------|-3----3--------|---------------|
|--------3----3-|-5----5--------|--------3----3-|-5----5--------|
|---------------|--------5----5-|---------------|--------5----5-|
Q. E Q. E Q. E Q. E E E E E E E E E E E E E E E E E
|---------------|---------------|-----------------|-----------------||
|-3----3--------|---------------|-----------------|---------------3-||
|--------3----3-|-5----5--------|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3---||
|---------------|--------5----5-|-----------------|-----------------||
Interlude
E E E E E E E E +E E Q H E E E E E E E E E E E E E E E E
|-----------------|---------------|-----------------|-----------------|
|-5---5---5-5-----|---------------|-3-3-3-3-3-3-3-3-|-6-6-6-6---------|
|---------------3-|-(3)-----------|-----------------|-----------4---3-|
|-----------------|---------------|-----------------|-----------------|
3rd Verse
E E E E E E E E E E E E E E E E Q. E Q. E Q. E Q. E
|-----------------|-----------------||---------------|---------------|
|-4-4-4-4-4-4-4-4-|-7-7-7-7---------||-4----4--------|---------------|
|-----------------|-----------5---4-||--------4----4-|-6----6--------|
|-----------------|-----------------||---------------|--------6----6-|
Q. E Q. E Q. E Q. E Q. E Q. E Q. E Q. E
|---------------|---------------|---------------|---------------|
|-4----4--------|---------------|-4----4--------|---------------|
|--------4----4-|-6----6--------|--------4----4-|-6----6--------|
|---------------|--------6----6-|---------------|--------6----6-|
Chorus
E E E E E E E E E E E E E E E E Q. E Q. E Q. E Q. E
|-----------------|-----------------||----------------|---------------|
|-----------------|-----------------||o-4----4--------|---------------|
|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-||o--------4----4-|-6----6--------|
|-----------------|-----------------||----------------|--------6----6-|
Q. E Q. E Q. E Q. E Q. E Q. E Q. E Q. E
|---------------|---------------|---------------|---------------|
|-4----4--------|---------------|-4----4--------|---------------|
|--------4----4-|-6----6--------|--------4----4-|-6----6--------|
|---------------|--------6----6-|---------------|--------6----6-|
Outro
E E E E E E E E E E E E E E E E Q. E Q. E Q. E Q. E
|-----------------|------------------||---------------|---------------|
|-----------------|-----------------o||-4----4--------|---------------|
|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-o||--------4----4-|-6----6--------|
|-----------------|------------------||---------------|--------6----6-|
Q. E Q. E Q. E Q. E Q. E Q. E Q. E Q. E
|---------------|---------------|---------------|---------------|
|-4----4--------|---------------|-4----4--------|---------------|
|--------4----4-|-6----6--------|--------4----4-|-6----6--------|
|---------------|--------6----6-|---------------|--------6----6-|
Q. E Q. E Q. E +H +W
|---------------|---------------|--------*|
|-4----4--------|---------------|--------*|
|--------4----4-|-6----6-(6)----|-(6)----*|
|---------------|---------------|--------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Everything is wrong since me and my baby parted
All day long I'm walkin 'cause I couldn't get my car started.
Laid off from my job and I can't afford to check it,
I wish somebody'd come along and run into it and wreck it.
Come on, since me and my baby parted,
Come on, I can't get started
Come on, I can't afford to check it,
I wish somebody'd come along and run into
It and wreck it
Everything is wrong since I've been without you
Ev'ry night I lay aake thinkin' about you.
Ev'ry time the phone rings it sounds like thunder
Some stupid guy try'n to reach another number.
Come on, since I've been without you
Come on, always thinkin' about you.
Come on, phone sounds like thunder
Some stupid guy try'n to reach another number.
Everything is wrong since I last saw you, baby
I really wanna see you and I don't mean maybe.
I'm doin' ev'rything try'n to make you see
That I belong to you, hon, and you belong to me.
Come on, I gotta see you, baby
Come on, I don't mean maybe.
Come on, I'm try'n to make you see
That I belong to you, hon, and you belong to me.
Come on, I gotta see you, baby
Come on, I don't mean maybe.
Come on, I'm try'n to make you see
That I belong to you, hon, and you belong to me.
Come on, come on, come on, come on