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CAN'T STAND LOSING YOU (Bassline)
As recorded by The Police
(From the 1978 Album OUTLANDOS D'AMOUR)
Words and Music by Sting
Transcribed by Slowhand
Gtr I (E A D G) - 'Sting - Bass'
Intro
Moderately Q=140
4/4
Gtr I
E E E E E E E E E E E E E E E E E E E E E E E E
|-------2-0---2-2-|-------2-0-0-----|-------2-0---2-2--|
|---0-3-----------|---0-3-------3-0-|---0-3------------|
|-----------------|-----------------|------------------|
|-----------------|-----------------|------------------|
1st & 2nd Verses
E E E E E E E E E E q Q Q E E q Q Q E E q Q Q
|-------2-0-0-----||---------------|--------------|--------------|
|---0-3-------3-0-||o-----------7--|---5-5-----5--|-----------7--|
|-----------------||o---5-5--------|--------------|---5-5--------|
|-----------------||---------------|--------------|--------------|
E E q Q Q E E q Q Q E E q Q Q E E q Q Q
|--------------|--------------|--------------|--------------|
|---5-5-----5--|-----------7--|---5-5-----5--|-----------7--|
|--------------|---5-5--------|--------------|---5-5--------|
|--------------|--------------|--------------|--------------|
Pre-Chorus
$
E E q Q Q Q. E Q. E Q. E Q. E Q. E Q. E
|--------------||---------------|---------------|---------------|
|---5-5-----5--||---------------|---------------|---------------|
|--------------||-1-------------|-1-------------|-3-------------|
|--------------||------1-1----1-|------1-1----1-|------3-3----3-|
Chorus
Q. E Q. E E E E E E E E E E E E E E E E E E E E E E E E E
|---------------||-----------------|-----------------|-----------------|
|---------------||-----------------|-----------------|-----------------|
|-3----0-0----0-||-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-1-1-|-----------------|
|---------------||-----------------|-----------------|-3-3-3-3-3-3-3-3-|
1.
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-------2-0---2-2-|
|-----------------|-----------------|-----------------|---0-3-----------|
|-----------------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-----------------|
|-3-3-3-3-3-3-3-3-|-----------------|-----------------|-----------------|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-------2-0-0-----|-------2-0---2-2-|-------2-0-0-----|-------2-0---2-2-|
|---0-3-------3-0-|---0-3-----------|---0-3-------3-0-|---0-3-----------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
E E E E E E E E E E E E E E E E E E E E E E E E
|-------2-0-0-----|-------2-0---2-2-|-------2-0-0------||
|---0-3-------3-0-|---0-3-----------|---0-3-------3-0-o||
|-----------------|-----------------|-----------------o||
|-----------------|-----------------|------------------||
2.,D.S.
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-0-0-0-0-0-0-0-0-|-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-1-1-|-----------------|
|-----------------|-----------------|-----------------|-3-3-3-3-3-3-3-3-|
Interlude
To Coda
E E E E E E E E E E E E E E E E E E E E E E E E E E Q E E +E E
|-----------------|------------------|-----------------||------------------|
|-----------------|------------------|-----------------||------------------|
|-----------------|-0-0-0-0-0-0-0-0--|-0-0-0-0-0-0-0-0-||----------------2-|
|-3-3-3-3-3-3-3-3-|------------------|-----------------||---1-1--1-4-(4)---|
E E Q E E E E E E Q E E +E E E E Q E E E E E E Q E E +E E
|----------------|------------------|----------------|------------------|
|----------------|------------------|----------------|------------------|
|--------------2-|----------1-(1)-4-|----------1-1-4-|----------------2-|
|---1-1--1-4-4---|---3-3--3---------|---3-3--3-------|---1-1--1-4-(4)---|
E E Q E E E E E E Q E E +E E E E Q E E E E
|----------------|------------------|----------------||
|----------------|------------------|----------------||
|--------------2-|----------1-(1)-4-|----------1-1-4-||
|---1-1--1-4-4---|---3-3--3---------|---3-3--3-------||
Bridge
E E E E E E E E E E E E E E E E 6x
|-----------------||-------------------||
|-----------------||o-----------------o||
|-5-5-5-5-5-5-5-5-||o-5-5-5-5-5-5-5-5-o||
|-----------------||-------------------||
Outro
D.S. al Coda &
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|------------------||-----------------||------------------|-----------------|
|------------------||-----------------||o-----------------|-----------------|
|-5-5-5-5-5-5-5-5--||-0-0-0-0-0-0-0-0-||o-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
|------------------||-----------------||------------------|-----------------|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E 3x
|-----------------|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------|-----------------o||
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-1-1-o||
|-----------------|-----------------|-----------------|------------------||
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths