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I SAW HER AGAIN (Bassline) As recorded by The Mamas & The Papas (From the 1966 Album THE MAMAS & THE PAPAS) Words and Music by John Phillips & Denny Doherty Transcribed by Slowhand Gtr I (E A D G) - 'Joe Osborn - Bass' Intro 1st - 3rd Verses Q=122 $ 4/4 Gtr I W +W E E Q E E +E E |----------|------------||-------------------| |----------|------------||o------------------| |----------|------------||o----------4-(4)-5-| |-0--------|-(0)--------||--5-5-5--5---------| +E E E E +Q E E E E E E E E E E E E E E +Q. E E E Q E E +E E |--------------------|-----------------|-----------------|-------------------| |-----4-7-5-(5)--5-7-|---------------5-|-----------------|-------------------| |-(5)----------------|---4-7-------5---|-----------------|----------4-(4)-5--| |--------------------|-5-----5-3-7-----|-2-2-2-0-(0)-----|-5-5-5--5----------| +E E E E +Q E E E E E E E E E E E E E E +E E E E Q Q E E E E |--------------------|-----------------|-------------------|----------------| |-----4-7-5-(5)--5-7-|-----------------|-------------------|----------------| |-(5)----------------|---4-7-------5---|-------------------|-2-----2-2-2-2--| |--------------------|-5-----5-3-7---3-|-2-2-2-2-(2)-2-2-2-|----------------| To Coda Q E E +E E E E Q E E Q E E Q E E Q Q Q Q E E E E |------------------|---------------|--------------|----------------| |-2----6-(6)-7-9---|-7--7-7-6--6-6-|-4--4-4-3--3--|-7--7-----------| |----------------7-|---------------|--------------|-------7-7-5-6--| |------------------|---------------|--------------|----------------| Bridge 1. 2. $$ W Q E E Q E E E E E E E E E E |-----------||---------------||-----------------| |----------o||---------------||-----------------| |-7--------o||---------------||-----------------| |-----------||-5--5-5-5--5-5-||-4---4-4-4---0-0-| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-4---4-4-4---4-4-|-6---6-6-6---6-6-|-6---6-6-6---6-4-|-2---2-2-2---2-2-| E E E E E E E E E E E E E E E E E E E E E E E E Q Q Q E E |-----------------|-----------------|-----------------|--------------| |-----------------|-----------------|-----------------|--------------| |-----------------|-----------------|-------------9-7-|-6--6--6--6-6-| |-4---4-4-4---4-6-|-7---7---7---7-7-|-7---7---7-------|--------------| To Dbl. CodaD.S. al Coda Q Q Q E E E E E E E E E E H +H |--------------|------------------|-------------|| |--------------|------------------|-------------|| |--------------|---------------5--|-7----(7)----|| |-4--4--4--4-6-|-7-7-7-7-7-7-7----|-------------|| Interlude & W E E Q E E +E E +E E E E +Q E E E E E E E E E E |----------||------------------|--------------------|------------------| |----------||------------------|-----4-7-5-(5)--5-7-|---------------5--| |-7--------||----------4-(4)-5-|-(5)----------------|---4-7-------5----| |----------||-5-5-5--5---------|--------------------|-5-----5-3-7------| E E E E +Q. E E E Q E E +E E +E E E E +Q E E E E E E E E E E |-----------------|------------------|--------------------|------------------| |-----------------|------------------|-----4-7-5-(5)--5-7-|------------------| |-----------------|----------4-(4)-5-|-(5)----------------|---4-7-------5----| |-2-2-2-0-(0)-----|-5-5-5--5---------|--------------------|-5-----5-3-7---3--| E E E E +E E E E Q Q E E E E Q E E +E E E E Q E E +E E E E |-------------------|---------------|------------------|-------------------| |-------------------|---------------|-2----6-(6)-7-9---|------6-(6)-7-9----| |-------------------|-2-----2-2-2-2-|----------------7-|-7--------------7--| |-2-2-2-2-(2)-2-2-2-|---------------|------------------|-------------------| D.S.S. al Dbl. Coda Q E E Q E E Q E E Q Q Q E E Q E E E E E E E E E E |---------------|--------------|---------------|------------------|| |-7--7-7-6--6-6-|-4--4-4-3--3--|-7--7-7-7--7-7-|-7-7-7-7-7-7-7-7--|| |---------------|--------------|---------------|------------------|| |---------------|--------------|---------------|------------------|| Outro && W +W E E Q E E +E E |----------|------------||-------------------| |----------|------------||o------------------| |----------|------------||o----------4-(4)-5-| |-0--------|-(0)--------||--5-5-5--5---------| +E E E E +Q E E E E E E E E E E E E E E +Q. E |--------------------|-----------------|-----------------| |-----4-7-5-(5)--5-7-|---------------5-|-----------------| |-(5)----------------|---4-7-------5---|-----------------| |--------------------|-5-----5-3-7-----|-2-2-2-0-(0)-----| E E Q E E +E E +E E E E +Q E E E E E E E E E E E E E E +Q. E |------------------|--------------------|-----------------|-------------------|| |------------------|-----4-7-5-(5)--5-7-|---------------5-|------------------o|| |----------4-(4)-5-|-(5)----------------|---4-7-------5---|------------------o|| |-5-5-5--5---------|--------------------|-5-----5-3-7-----|-2-2-2-0-(0)-------|| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths