STAGE FRIGHT As recorded by The Band (From the 1970 Album STAGE FRIGHT) Words and Music by Robbie Robertson Transcribed by Slowhand Gtr I (E A D G B E) - 'Robbie Robertson - Electric Guitar' Intro Q=116 N.C. 4/4 Gtr I Wx4 |--------| |--------| |--------| |--------| |--------| |--------| Q H. Q H. Q H. Q Q +E S S S S E |-------------|----3-------|----1-------|---------------------| |-------------|------------|------------|---------------------| |-------------|------------|------------|---------------------| |-------------|------------|------------|---------------------| |-/2----------|-1----------|------------|-------------------2-| |-----3-------|------------|-1----------|-3--3--(3)-3-3-3-3---| 1. 2.

^C5H. Q ^Bb5Q H. ^F5Q H. ^G5Q H. ^DQ Q +E E S E. ||-------------|----3-------|----1-------|-------------||----2--(2)----------|| ||o------------|------------|------------|------------o||----3--(3)----------|| ||--5-------5--|-3----------|------------|-------------||-2--2--(2)----------|| ||--5-------5--|-3----------|-3----------|-5--5--------||-0---------0-1-1----|| ||o-3-------3--|-1----------|-3----------|-5----------o||--------------------|| ||-------------|------------|-1----------|-3-----------||--------------------||

1st - 3rd Verses $

^EmW ^AW ^Em/GH ^DQ. ^CE +H ^BmQ ^DQ ||--0--------|-0--------|-0----2------|--------2--2---| ||o-0--------|-2--------|-0----3----5-|-(5)----3--3---| ||--0--------|-2--------|-0----2----5-|-(5)----4--2---| ||--2--------|-2--------|-2----0----5-|-(5)----4--0---| ||o-2--------|-0--------|-2---------3-|-(3)----2------| ||--0--------|----------|-3-----------|---------------|

^EmH. +E ^AE +W ^Em/GH ^DH ^CH ^BmQ ^DQ |-0-------(0)-0-|-(0)--------|-0----2----|------2--2--|| |-0-------(0)-2-|-(2)--------|-0----3----|-5----3--3--|| |-0-------(0)-2-|-(2)--------|-0----2----|-5----4--2--|| |-2-------(2)-2-|-(2)--------|-2----0----|-5----4--0--|| |-2-------(2)-0-|-(0)--------|-2---------|-3----2-----|| |-0-------(0)---|------------|-3---------|------------||

Chorus

^GW ^AmH a Q Q ^FH ^F/DH ^GH

N.C.

E E E E |-3--------|-0------------|-1----1----|-3---------------| |-0--------|-1------------|-1----1----|-0---------------| |-0--------|-2----0h2--0--|-2----2----|-0-------5----5--| |-0--------|-2------------|-3----0----|-0---------------| |-2--------|-0------------|-3---------|-2----/7---/7----| |-3--------|--------------|-1---------|-3---------------|

^GW ^AmH Q ^Am/GQ ^FH Q ^F/EQ |----------|-0----------|-1----1--1--| |----------|-1----1--1--|-1----1--1--| |-0--------|-2----2--2--|-2----2--2--| |-0--------|-2----2--2--|-3----3--2--| |-2--------|-0----0-----|-3----------| |-3--------|---------3--|-1----------|

1. To Coda D G Q E E E E E E W W |-2--2-2-2-2-2-2--|-3--------|-------|| |-3--3-3-3-3-3-3--|-0--------|------o|| |-2--2-2-2-2-2-2--|-0--------|-------|| |-0--0-0-0-0-0-0--|-0--------|-------|| |-----------------|-2--------|------o|| |-----------------|-3--------|-------|| Bridge 2.

^F#mH H ^BmQ Q Q Q ^CH ^DH ^GW |-2----2----|-2--2--2--2--|------2----|-3----| |-2----2----|-3--3--3--3--|-5----3----|-0----| |-2----2----|-4--4--4--4--|-5----2----|-0----| |-4----4----|-4--4--4--4--|-5----0----|-0----| |-4----4----|-2--2--2--2--|-3---------|-2----| |-2----2----|-------------|-----------|-3----|

^F#mH H ^BmQ Q Q Q ^CH ^C#H ^DH ^D#H |-2----2----|-2--2--2--2--|-----------|-----------|| |-2----2----|-3--3--3--3--|-5----6----|-7----8----|| |-2----2----|-4--4--4--4--|-5----6----|-7----8----|| |-4----4----|-4--4--4--4--|-5----6----|-7----8----|| |-4----4----|-2--2--2--2--|-3----4----|-5----6----|| |-2----2----|-------------|-----------|-----------||

Organ Solo Em C C Gm/BbF G C Q Q Q Q H. Q H H H. Q Q H. |-0--0--0--0--|------------|-3----1----|-3-------3--||-----------| |-0--0--0--0--|-5-------5--|-3----1----|-0-------0--||o-5--5-----| |-0--0--0--0--|-5-------5--|-3----2----|-0-------0--||--5--5-----| |-2--2--2--2--|-5-------5--|------3----|-0-------0--||--5--5-----| |-2--2--2--2--|-3-------3--|-5----3----|-2-------2--||o-3--3-----| |-0--0--0--0--|------------|-6----1----|-3-------3--||-----------| 1.,2. 3.

^Gm/BbQ H. ^FQ H. ^GQ H. 3x ^DQ H ^D#Q |-3--3-------|-1--1-------|-3--3--------||------------| |-3--3-------|-1--1-------|-0--0-------o||-7--7----8--| |-3--3-------|-2--2-------|-0--0--------||-7--7----8--| |------------|-3--3-------|-0--0--------||-7--7----8--| |-5--5-------|-3--3-------|-2--2-------o||-5--5----6--| |-6--6-------|-1--1-------|-3--3--------||------------|

Outro D.S. al Coda &

^EmH. ^AmQ ^EmQ

N.C.

Q a +S +S +S +S S E. ^GQ H Q |-0-------0--|-------------------------------------||-3--3----3--| |-0-------1--|----3--------------------------------||-0--0----0--| |-0-------2--|-------2b4==(2)r(2)b4==(2)r(2)-------||-0--0----0--| |-2-------2--|-2-----------------------------2p0---||-0--0----0--| |-2-------0--|-2-----------------------------------||-2--2----2--| |-0----------|-0-----------------------------------||-3--3----3--|

^FQ Q ^DQ ^CQ ^GQ H Q ^FQ Q ^DQ ^CQ ^GQ H Q |-1--x--------|-3--3----3--|-1--x--------|-3--3----3--| |-1--x--7--5--|-0--0----0--|-1--x--7--5--|-0--0----0--| |-2--x--7--5--|-0--0----0--|-2--x--7--5--|-0--0----0--| |-3--x--7--5--|-0--0----0--|-3--x--7--5--|-0--0----0--| |-3--x--5--3--|-2--2----2--|-3--x--5--3--|-2--2----2--| |-1--x--------|-3--3----3--|-1--x--------|-3--3----3--|

H.=H

^FH ^DQ ^CQ ^GQ H Q ^FH ^DQ ^CQ ^GQ H. |-1----------|-3--3----3--|-1----------|-3--3-----*| |-1----7--5--|-0--0----0--|-1----7--5--|-0--0-----*| |-2----7--5--|-0--0----0--|-2----7--5--|-0--0-----*| |-3----7--5--|-0--0----0--|-3----7--5--|-0--0-----*| |-3----5--3--|-2--2----2--|-3----5--3--|-2--2-----*| |-1----------|-3--3----3--|-1----------|-3--3-----*|

Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

The Band - Stage fright