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Tuning- Standard play these chords G - 320033 or 3x0033 Em- 022033 D - xx0233 A - x02233 B - x2x233 F#- 2x0233 intro: D B x2 verse 1:
Subjects are thrDown around the room Looking foBr the ones that got away D B A feeling of sDoft anticipation AnotheBr confrontation I won'tD make B But how Ddo we do itB We turned intDo something else eBntirely We Dfake it B D B G (then strike D once) But I wanted it so desperately to be real
Chorus 1:
GRun, run, holding on to some pieceEms that you left behind DHold now, as I walk away, you're Athe one that finds me out EmRun from the only thing left thGat I hold close I'll be Dletting you in You've got the fBeeling you've been followed uDnder your skin It will be weighBing on your shoulder, beliDeve it. B D B
verse 2 (same as first verse) If I could express it in a different dialect or in a delicate way I'd capture the phrases inside the cage beneath my chest And keep it locked for days I wanted you so desperately to believe me chorus 2 ( same as first chorus) Run, run, why are you running from another conversation? Someone that I've been planning on, you're the one that finds me out. There's nowhere, now I found you, that I won't go. I'm always letting you in. You've got the feeling you've been followed under your skin. It will be weighing on your shoulder. You've got that seed in you. You've got that seed in you. Bridge: B A G A
BRun, run, Awhat are you running frGom? A Let all your smBall steps expoAse your secrets. GYou don't have to speAak for me to believe it. Em F# But what do you mGean? A
Chorus:
GShaken and faint, you've got the feeling you've been followed Emunder your skin.
It will be weighing on your shoulder.
DYou've got that seed in you. AYou've got that seed in EmI'm letting you in.
You've got the feeling you've been followed. G D(1) G Em Are you listening to anything I've said?
DYou've got that seed in you. A GShaken and faint, it was the hardest thing to swallow. EmPretending you don't miss me. DYou've got that seed in you. AYou've got that seed in
GWhile letting you in, I'll be thinking about tomorrow. EmAnd every time we cross those lines. DYou've got that seed in you. AYou've got that seed in Em G A(1)D(1) --strum those once Oh no, as I walk away, everyone had found me out. to end it.