Autoscroll
1 Column 
Text size
Transpose 0
Capo: 5 Tuning:
------------------------------------------------------------------------------- YES I'M CHANGING - Tame Impala ------------------------------------------------------------------------------- Tabbed by:majorseventh E-mail:cwarner3000@gmail.com There is no guitar on this song but it sounds great on guitar Tuning:Standard EADGBe Chords C x32010 Cadd9 x3203x Cmaj7 x3200x Am x02210 G 32000x Fm 13311x Intro chords e|--0-------------------0------------------| B|--1----3----0----1----1-----1------------| G|--0----0----0----0----2-----0------------| D|--2----2----2----2----2-----2------------| A|--3----3----3----3----0-----3------------| E|-----------------------------------------| alternatively you could play with capo on 5th fret making the major seventh chord sound closer to the actual song by hitting the higher b note on 7th fret of high e string capo 5th fret e|--x---------2----3----0------------------| B|--0----0----0----0----0-----0------------| G|--0----2----0----0----0-----0------------| D|--0----0---------0----2-----0------------| A|--2----x----x----2----2-----2------------| E|--3----3----3----3----0-----3------------| [Verse]
CI was raging, Cadd9it was late Cmaj7In the world my demons Ccultivate AmI felt the strangest emotion but it wasnt hate,C for once
CYes Im changing, yCadd9es I'm gone Cmaj7Yes Im older, yes I'm Cmoving on And if youAm dont think it's a crime you can come along, with Cme
CLife is moving, Cadd9can't you see Cmaj7There's no future left for Cyou and me I was Amholding and I was searching endlessly But Cbaby, now theres nGothing left that I can dCo so Cadd9So don't be Cmaj7blue C There is Amanother future waiting there for Cyou
CI saw it different, Cadd9I must admit Cmaj7I caught a glimpse, I'm going Cafter it They say Ampeople never change, but thats bullshit, they Cdo
CYes Im changing, cCadd9ant stop it now Cmaj7And even if I wanted I wouldCnt know how Another Amversion of myself I think I found, at Clast
CAnd I cant always hCadd9ide away Cmaj7Curse indulgence and desCpise the fame Theres a wAmorld out there and its calling my name And its cCalling yours, gGirl its calling yours too
CIts Fcalling Fmyours too, Cits Fcalling Fmyours too, Cits Fcalling Fmyours too CIts Fcalling Fmout for you
[Outro] (you can hear it most clearly at 3:14) C F Fm Played like this e|---------------------------------------------------------------------------| B|--0h1-0h1-0h1-0h1---0---0---0---0------------------------------------------| G|--0---0---0---0---2---2---1---1--------------------------------------------| D|------------------3---3---3---3--------------------------------------------| A|--3---3---3---3---3---3---3---3--------------------------------------------| E|---------------------------------------------------------------------------|
CArFise and Fmwalk, come Cthrough FSomeone beFmyond that dCoor is Fcalling Fmout for Cyou AFrise and Fmwalk, come Cthrough Its Fcalling Fmout for Cyou ArFise and Fmwalk, come Cthrough FSomeone beFmyond that Cdoor Fis calling Fmout for Cyou
“The man who comes back through the Door in the Wall will never be quite the same as the man who went out. He will be wiser but less sure, happier but less self-satisfied, humbler in acknowledging his ignorance yet better equipped to understand the relationship of words to things, of systematic reasoning to the unfathomable mystery which it tries, forever vainly, to comprehend” Aldous Huxley - The Doors of Perception ************************************ | h hammer-on | x Mute note ************************************