Taking Back Sunday - Great romances of the 20th century
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Taking Back Sunday
Great Romances Of 20th Century
Tell All Your Friends
2002
Submitted by: jeremyudnerground41@yahoo.com
Key: B
Tuning: Standard EADGBe
Chords used:
G#m - 466444
E - 022100
B - x24442
F# - 244322
F#/Bb - x143xx
Intro: B--E--F#--G#m-E- x4
Verse 1:
G#m September Enever
stays this Bcold
where I F#come from
And you G#mknow
I’m not one
(I'm Enot one)
for comBplaining
(for comF#plaining)
But I G#mlove the way you’d
Eroll excuses Boff the
tip of your F#tongue
G#m E B F# G#m-E-B-F#-
as I slowly fall apart
(slowly quietly slowly)
fall apart
Verse 2:
I said BThis F#/Bb won’ G#mt mean
a thing come toEmorrow
and that’sB exactly
how I’lF#l make it seem
BCause F#/BbI'm sG#mtill not sleeping
Ethinking I’ve crawled
Bhome from worse than F#this
BSoF#/Bb G#mpleaseE please (please)
I’Bm running out oF#f sympathy
(I'm running out of sympathy!)
Band F#/BbI G#mnever said
I’Ed take this
I Bnever said I'd
F#take this Bly-F#/Bbing-
Chorus:
-G#mdown She says
F# "come on Ecome on let’s
just get this over G#mwith
She saysF# "come on, Ecome on
let’s just get this oveG#mr with
I never F#said I’d take this
Elying down let's just
get this over with,
and I've crawled home
from G#mworseF# than Ethis
(She says "come
on come on
let’s just get
this over with
She says
"come on come on")
Bridge:
You G#malways come close
but this F#never comes easy
EI still know everything
You G#malways come close
but you F#never come easy
I sEtill know everything
This G#malways comes close
but you F#never come easy
EI still know everything
G#m F# E--
You always come so close
I still know everything I
still know everything
I still EknowB E B
Verse 3:
You Ealways come close
but this never comes easy
You Balways come close
but you never come easy
You're Ecoming in
I Bnever said I'd
take this lying G#mdownF# G#m F# G#m F# E
I never said I'd
take this G#mlying F#downG#m F# G#m F# E
but I've crawled
home from worse
than G#mthisF# G#m F# G#m F# E
If it's not keeping
you up G#mnightsF# G#m F# G#m F# E
E--
then what’s the point
then what’s the point
then what’s the point
then what’s the point
Outro:
G#m I'm in your F#room
now is this Eturning you
on am I turning you on?
I'm in your G#mroom
are you F#turned on?
I'm on the Ecorner of
your bed I'm thinking
maybe are you turned on
G#m F# G#m F# G#m F# E(hold)
are you turned on?