Steel Panther - Pussywhipped
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Song: Pussywhipped
Band: Steel Panther
Album: All You Can Eat
Tabbed by: iloveamanda12
Intro
gtr 1 (acoustic)
x3
d#|--------------------------------------------------|
A#|--------------------------------------------------|
F#|-2h3p2p0------------0-----0---0-------------------|
C#|---------3-2-0---------------------------3--2--0--|
G#|------------------1-----2---3---------------------|
C#|--------------------------------------------------|
gtr 2 (acoustic)
x3
d#|--------------------------------------------------|
A#|--------------------------------------------------|
F#|--------------------------------------------------|
C#|--------------------------------------------------|
G#|--------------------------------------------------|
C#|--------------------------------------------------|
=
gtr 1 (acoustic)
x6
d#|--------------------------------------------------|
A#|--------------------------------------------------|
F#|-2h3p2p0------------0-----0---0-------------------|
C#|---------3-2-0---------------------------3--2--0--|
G#|------------------1-----2---3---------------------|
C#|--------------------------------------------------|
gtr 2 (acoustic)
x6
d#|--------------------------------------------------|
A#|--------------------------------------------------|
F#|-----------14~---15-14-12-------------14----------|
C#|------12------------------15-14-12-------15-14-12~|
G#|-12--------------------------------15-------------|
C#|--------------------------------------------------|
======
Pre-verse 1
. . . . .
d#|------------------------------------------------------|
A#|------------------------------------------------------|
F#|------------------------------------------------------|
C#|-----7---8---7---6---7---6h7p6p5---------5------------|
G#|-0-0---5---5---5---5---5---------8---7-8---8-7--------|
C#|-0-0-------------------------------8-----------8-
Pre-verse 1 (cont'd)
gtr 1
d#|--------------------------------------------|
A#|--------------------------------------------|
F#|--------------------------------------------|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*|
G#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*|
gtr 2
d#|--------------------------------------------|
A#|-13--------------------6--------------------|
F#|-15b-------------------8b-------------------|
C#|--------------------------------------------|
G#|--------------------------------------------|
C#|--------------------------------------------|
=
gtr 1
d#|--------------------------------------------------|
A#|--------------------------------------------------|
F#|--------------------------------------------------|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
G#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
gtr 2
d#|--------------------------------------------|
A#|-13--------------------6--------------------|
F#|-15b-------------------8b-------------------|
C#|--------------------------------------------|
G#|--------------------------------------------|
C#|--------------------------------------------|
======
Verse 1 ("Hey, you said...")
gtr 1
d#|-----------------|
A#|-----------------|
F#|---------------8-|
C#|-3----3-3-3-3--8-|
G#|-3----3-3-3-3--6-|
C#|-3----3-3-3-3----|
gtr 2
d#|-----------------|
A#|-----------------|
F#|-----------------|
C#|-----------------|
G#|-----------------|
C#|-----------------|
=
gtr 1
d#|--------------------------------------------------|
A#|--------------------------------------------------|
F#|--------------------------------------------------|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
G#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
gtr 2
d#|--------------------------------------------|
A#|-13--------------------6--------------------|
F#|-15b-------------------8b-------------------|
C#|--------------------------------------------|
G#|--------------------------------------------|
C#|--------------------------------------------|
=
gtr 1
d#|-----------------|
A#|-----------------|
F#|---------------8-|
C#|-3----3-3-3-3--8-|
G#|-3----3-3-3-3--6-|
C#|-3----3-3-3-3----|
gtr 2
d#|-----------------|
A#|-----------------|
F#|-----------------|
C#|-----------------|
G#|-----------------|
C#|-----------------|
=
gtr 1
d#|--------------------------------------------------|
A#|--------------------------------------------------|
F#|--------------------------------------------------|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
G#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
gtr 2
d#|--------------------------------------------|
A#|-13--------------------6--------------------|
F#|-15b-------------------8b-------------------|
C#|--------------------------------------------|
G#|--------------------------------------------|
C#|--------------------------------------------|
======
Pre-chorus 1 ("Your excuses are getting...")
d#|-----------------------------------------------------|
A#|-----------------------------------------------------|
F#|------5-------------3--------------------------------|
C#|-5----5-----3*3*3*3-3----1----6----3-5-6-3-5-6-3h5h6-|
G#|-5----3-----3*3*3*3-1----1----6----3-5-6-3-5-6-3h5h6-|
C#|-5----------3*3*3*3------1----6----3-5-6-3-5-6-3h5h6-|
======
Chorus 1 ("Pussywhipped... Your balls don't have a chance")
. . . . . . x2
d#|--------------------------------------------------------|
A#|--------------------------------------------------------|
F#|--------------------------------------------------------|
C#|-----7---8---7---6---7---6h7p6p5---------5-------7--3-3-|
G#|-0-----5---5---5---5---5---------8---7-8---8-7---7--3-3-|
C#|-0-0-------------------------------8-----------8-7--3-3-|
======
Pre-verse 2
gtr 1
d#|----------------------------------|
A#|----------------------------------|
F#|----------------------------------|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-|
G#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-|
gtr 2
d#|--------------------------------------------|
A#|-13--------------------6--------------------|
F#|-15b-------------------8b-------------------|
C#|--------------------------------------------|
G#|--------------------------------------------|
C#|--------------------------------------------|
=
gtr 1
. . . . . . . . . .
d#|--------------------------------------------------------|
A#|--------------------------------------------------------|
F#|--------------------------------------------------------|
C#|------------------------------------3-4-5-4-3-----------|
7
~-| ======G#|-------
gtr 2
d#|--------------------------------------------------------|
A#|--------------------------------------------------------|
F#|--------------------------------------------------------|
C#|--------------------------------------------------------|
G#|--------------------------------------------------------|
C#|--------------------------------------------------------|
======
Verse 2 ("Your new bitch...")
gtr 1
d#|-----------------|
A#|-----------------|
F#|---------------8-|
C#|-3----3-3-3-3--8-|
G#|-3----3-3-3-3--6-|
C#|-3----3-3-3-3----|
gtr 2
d#|-----------------|
A#|-----------------|
F#|-----------------|
C#|-----------------|
G#|-----------------|
C#|-----------------|
=
gtr 1
d#|--------------------------------------------------|
A#|--------------------------------------------------|
F#|--------------------------------------------------|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
G#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
gtr 2
d#|--------------------------------------------|
A#|-13--------------------6--------------------|
F#|-15b-------------------8b-------------------|
C#|--------------------------------------------|
G#|--------------------------------------------|
C#|--------------------------------------------|
=
gtr 1
d#|-----------------|
A#|-----------------|
F#|---------------8-|
C#|-3----3-3-3-3--8-|
G#|-3----3-3-3-3--6-|
C#|-3----3-3-3-3----|
gtr 2
d#|-----------------|
A#|-----------------|
F#|-----------------|
C#|-----------------|
G#|-----------------|
C#|-----------------|
=
gtr 1
d#|--------------------------------------------------|
A#|--------------------------------------------------|
F#|--------------------------------------------------|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
G#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
C#|-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6*-0-0-3-5-6-5-3-0-|
gtr 2
d#|--------------------------------------------|
A#|-13--------------------6--------------------|
F#|-15b-------------------8b-------------------|
C#|--------------------------------------------|
G#|--------------------------------------------|
C#|--------------------------------------------|
======
Pre-chorus 2 ("Yeah, shes pretty...")
d#|-----------------------------------------------------|
A#|-----------------------------------------------------|
F#|------5-------------3--------------------------------|
C#|-5----5-----3*3*3*3-3----1----6----3-5-6-3-5-6-3h5h6-|
G#|-5----3-----3*3*3*3-1----1----6----3-5-6-3-5-6-3h5h6-|
C#|-5----------3*3*3*3------1----6----3-5-6-3-5-6-3h5h6-|
======
Chorus 2 ("Pussywhipped, your girl locked up...")
. . . . . . x2
d#|--------------------------------------------------------|
A#|--------------------------------------------------------|
F#|--------------------------------------------------------|
C#|-----7---8---7---6---7---6h7p6p5---------5-------7--3-3-|
G#|-0-----5---5---5---5---5---------8---7-8---8-7---7--3-3-|
C#|-0-0-------------------------------8-----------8-7--3-3-|
======
Interlude ("Pussywhipped, yeah, pussywhipped.")
gtr 1
. . . . . . . . . . . . . . . . . x2
d#|-------------------------------------------------------------|
A#|-------------------------------------------------------------|
F#|-------------------------------------------------------------|
C#|-0---4h5-4~-2-4-5-4-2---5----0----4h5-4~---------------------|
G#|-0--------------------5-3----0-----------0-1-3-0-1---0-------|
C#|-0-0-------------------------0-0-------------------3---1-3-0-|
gtr 2
. . . . . . . . . . . . . . . . . x2
d#|-------------------------------------------------------------|
A#|-------------------------------------------------------------|
F#|-----2h3-2~-0-2-3-2-0-------------2h3-2~---------------------|
C#|-0--------------------3-5----0-------------------------------|
G#|-0----------------------3----0-----------0-1-3-0-1---0-------|
C#|-0-0-------------------------0-0-------------------3---1-3-0-|
=
("I was in a situation...")
Satchel actually plays it like this:
. . . . . . . x4
d#|-------------------------------|
A#|-------------------------------|
F#|-------------------------------|
C#|-----7---8---5---7---3---5-3-2-|
G#|-0-0---0---0---0---0---0-------|
C#|-------------------------------|
Can try these instead, if you like:
. . . . . . . x4
d#|--------------------------------|
A#|--------------------------------|
F#|-----2----3---0---2-------------|
C#|----------------------3---5-3-2-|
G#|-0-0---0----0---0---0---0-------|
C#|--------------------------------|
. . . . . . . x4
d#|-------------------------------|
A#|-------------------------------|
F#|-------------------------------|
C#|-----7---8---5---7-------5-----|
G#|-0-0---0---0---0---0-8-0---8-7-|
C#|-------------------------------|
=
("But I was pussywhipped like you...")
. . . . . . . . . . . . . . .
d#|-----------------------------------------------------------------|
A#|-----------------------------------------------------------------|
F#|-----------------------------------------------------------------|
C#|-3----2---0---2---3---2---0---2---3----2---0---2---3---2---0---2-|
G#|----1---1---1---1---1---1---1---2----2---2---2---2---2---2---2---|
C#|-----------------------------------------------------------------|
=
. . . . . . . . . . . . . . .
d#|-------------------------------------------------------------------|
A#|-------------------------------------------------------------------|
F#|-------------------------------------------------------------------|
C#|---3----2---0---2---3---2---0---2---3----2---0---2---3---2---3---5~|
G#|-3----3---3---3---3---3---3---3---4----4---4---4---4---4---4---4---|
C#|-------------------------------------------------------------------|
=
gtr 1
. . . . . . . . . . . . . . . . .
d#|------------------------------------------------------------------------|
A#|------------------------------------------------------------------------|
F#|------------------------------------------------------------------------|
C#|-0----4h5-4~-2-4-5-4-2---5----0----4h5-4~------------------------1----5-|
G#|-0---------------------5-3----0-----------0-1-3-0-1---0----------1----5-|
C#|-0-0--------------------------0-0-------------------3---1-3-0----1----5-|
gtr 1
. . . . . . . . . . . . . . . . .
d#|------------------------------------------------------------------------|
A#|------------------------------------------------------------------------|
F#|------2h3-2~-0-2-3-2-0-------------2h3-2~-------------------------------|
C#|-0---------------------3-5----0----------------------------------1----5-|
G#|-0-----------------------3----0-----------0-1-3-0-1---0----------1----5-|
C#|-0-0--------------------------0-0-------------------3---1-3-0----1----5-|
======
Solo Rhythm
gtr 1 (rhythm)
x3
d#|-------------------------------------------------|
A#|-------------------------------------------------|
F#|-2-2-2-2-2-2-2-2-2-2-2-2-3-3-3-3-3-3-------------|
C#|-2-2-2-2-2-2-2-2-2-2-2-2-3-3-3-3-3-3-3-3-3-3-3-3-|
G#|-0-0-0-0-0-0-0-0-0-0-0-0-1-1-1-1-1-1-3-3-3-3-3-3-|
C#|-------------------------------------3-3-3-3-3-3-|
======
gtr 2
d#|-17~-17-16-17----16---------------------------------------------------------|
A#|--------------18----17-18-15-17-18-15-17b-15h17p15\14-15-17-14b-14-15-14/10-|
F#|----------------------------------------------------------------------------|
C#|----------------------------------------------------------------------------|
G#|----------------------------------------------------------------------------|
C#|----------------------------------------------------------------------------|
=
gtr 2 (cont'd)
d#|---------------------------------------------------|
A#|-10-10-10-10-10-10-11-10-8-------------------------|
F#|-trm pick------------------10-8-7------------------|
C#|----------------------------------10-8-7-----------|
G#|-----------------------------------------10-8-7/4~-|
C#|---------------------------------------------------|
=
gtr 2 (cont'd)
d#|--------------10-12-13-12h13p12p10\9-9b---------9-10/17~-|
A#|-----------10---------------------------10---10----------|
F#|---------7---------------------------------9-------------|
C#|-------7-------------------------------------------------|
G#|-5~--8---------------------------------------------------|
C#|---------------------------------------------------------|
=
gtr 2 (cont'd)
d#|-17b18r17----------15-17-18----------17-18-20-20b--20br\-|
A#|----------15-17-18----------17-18-20---------------------|
F#|---------------------------------------------------------|
C#|---------------------------------------------------------|
G#|---------------------------------------------------------|
C#|---------------------------------------------------------|
======
Post-solo
. . . . . . . . . . . . . .
d#|------------------------------------------------------------|
A#|------------------------------------------------------------|
F#|------------------------------------------------------------|
C#|-0----2---3-----5---6-----5---3-0----2---3-----5---6--------|
5
-------5
------5
-----------------5-4-3-----| C#|-7
~------7
~------7
~-----7
~------------------5-3~|G#|-0----2---3-----5---6-----5---3-0----2---3-----5---6---
=
. . . . . . . . . . . . . .
d#|------------------------------------------------------------|
A#|------------------------------------------------------------|
F#|------------------------------------------------------------|
C#|-0----2---3-----5---6-----5---3-0----2---3-----5---6--------|
3
~-| C#|-0--0-2-0-3-0-0-5-0-6-0-0-5-0-3-0--0-2-0-3-0-0-5-0-6-0------|G#|-0----2---3-----5---6-----5---3-0----2---3-----5---6---
=
. . . . . . . . . . . . . .
d#|------------------------------------------------------------|
A#|------------------------------------------------------------|
F#|------------------------------------------------------------|
C#|-0----2---3-----5---6-----5---3-0----2---3-----5---6--------|
3
b-| C#|-0--0-2-0-3-0-0-5-0-6-0-0-5-0-3-0--0-2-0-3-0-0-5-0-6-0------|G#|-0----2---3-----5---6-----5---3-0----2---3-----5---6---
=
. . . . . . . . . . . .
d#|--------------------------------------------------------------------------|
A#|--------------------------------------------------[7]---------------------|
F#|------------------------------------------------------[7]-----[7]---------|
C#|-0----2---3-----5---6-----5---3-0----2---3-----6----------[7]-----[7]-----|
G#|-0----2---3-----5---6-----5---3-0----2---3-----6----------------------[7]-|
C#|-0--0-2-0-3-0-0-5-0-6-0-0-5-0-3-0--0-2-0-3-0-0-6--------------------------|
======
Pre-chorus 3 ("We're all getting...")
d#|-----------------------------------------------------|
A#|-----------------------------------------------------|
F#|------5-------------3--------------------------------|
C#|-5----5-----3*3*3*3-3----1----6----3-5-6-3-5-6-3h5h6-|
G#|-5----3-----3*3*3*3-1----1----6----3-5-6-3-5-6-3h5h6-|
C#|-5----------3*3*3*3------1----6----3-5-6-3-5-6-3h5h6-|
======
Chorus 3 ("Pussywhipped... your balls don't have a chance")
. . . . . . x4
d#|--------------------------------------------------------|
A#|--------------------------------------------------------|
F#|--------------------------------------------------------|
C#|-----7---8---7---6---7---6h7p6p5---------5-------7--3-3-|
G#|-0-----5---5---5---5---5---------8---7-8---8-7---7--3-3-|
C#|-0-0-------------------------------8-----------8-7--3-3-|
======
"Outro"
d#|----------------|
A#|----------------|
F#|-----------5/7\-|
C#|-0*0*0*0*0-5/7\-|
G#|-0*0*0*0*0-3/5\-|
C#|-0*0*0*0*0------|
==========================================================================================================
LEGEND
------
Layout Notation:
====== - Section, such as Bridge or solo, closed (after correct number of plays, move to the next section)
= - Section, such as Bridge or solo, still active: after correct number of plays, move to next bar.
x(#) - Repeat as indicated (x3 indicates repeating the riff twice more, etc.)
Grid Notation:
~ - vibrato (bend the string and release rapidly)
* - deaden note (stop notes from ringing)
# - pick slide (#\ indicates sliding lower in pitch, #/ indicates higher in pitch)
X - dead string (Mute string with your fretting hand)
3
~-| C#|-0--0-2-0-3-0-0-5-0-6-0-0-5-0-3-0--0-2-0-3-0-0-5-0-6-0------| - pinch harmonic (bring the picking thumb across the string after picking note)
[] - natural harmonic (lightly rest fretting finger on string, then pick)
/ - slide up (higher in pitch)(2/4 indicates fretting the 2nd fret, then sliding to the 4th without
a 2nd pick-stroke)
\ - slide down (lower in pitch)(4\2 indicates fretting the 4th fret, then sliding to the 2nd without
a 2nd pick-stroke)
b - bend ("16b" would indicate bending the 16th fret)
r - release bend ("16br" would indicate bending the 16th fret up, then releasing back to neutral position)
br - bend, then release
brp - bend, release, then pull; usually in a fluid motion
h - hammer-on to indicated fret (0h2 indicates picking open string, then fretting the 2nd fret without
a second pick-stroke)
p - pull-off to indicated fret (12p10 indicates picking the twelfth fret, then lifting your finger to
a pre-fretted 10th fret without a second pickstroke)
pb - pre-bend, in some cases signifies a previous bend being held (bend the string before picking)
pbr - pre-bend release (bend the string before picking, then release string after picking)
T - Tap note with pick or a picking hand finger, usually in a quick hammer-on/pull-off section
TR - trill (10TR12 would indicate to hammer and pull continually between the two specified notes)
trm - tremolo pick (pick very rapidly)
Above Grid Notation:
. - palm mute (mute the strings with your picking hand while picking)
\/ - use tremolo bar ("whammy" bar)(either raise or lower the pitch dramatically)
^ - Upstroke (use an up pick-stroke)