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GENIE WITH THE LIGHT BROWN LAMP (Bassline) As recorded by The Shadows (From the 1965 Album THE SOUND OF THE SHADOWS) Music by Hank Marvin, Bruce Welch, Brian Bennett & John Rostill Transcribed by Slowhand Gtr I (E A D G) - 'John Rostill - Bass' Q=176 4/4 Gtr I W W W H H |----------|----------|----------|-----------|| |----------|-7--------|----------|-7---------|| |-5--------|----------|-5--------|------5----|| |----------|----------|----------|-----------|| Q Q Q Q Q Q Q Q Q Q Q Q Q E E Q Q ||--------------|-------4-----|-------------|---------------| ||o-------------|-2--------2--|-------------|--------7------| ||o-------5-----|-------------|-------7-----|-5----5----5---| ||--3-----------|-------------|-5--------5--|---------------| 1. 2. Q Q Q Q Q Q Q Q Q Q Q Q Q E E Q Q Q Q Q Q |-------------|-------4-----|-------------|---------------||-------------|| |-------------|-2--------2--|-------------|--------7-----o||-------------|| |-------5-----|-------------|-------7-----|-5----5----5--o||-5-----5-----|| |-3-----------|-------------|-5--------5--|---------------||-------------|| $ Q Q Q Q Q E E +Q Q Q Q Q Q Q Q Q Q |-------------|----------------|-------------|-------------| |-------3-----|----------------|-------3-----|-------------| |-3-----------|-1----3-(3)-----|-3--------1--|-3-----3-----| |-------------|----------------|-------------|-------------| Q Q Q Q Q E E +Q Q Q Q Q Q Q Q Q Q |-------------|----------------|-------------|-------------|| |-------3-----|----------------|-------------|-------------|| |-3-----------|-1----3-(3)-----|-5--5--5--5--|-5--5--5--5--|| |-------------|----------------|-------------|-------------|| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------| |-------------|-------------|-------------|-------------| |-5--5--5--5--|-5--5--5--5--|-5--5--5--5--|-5--5--5--5--| |-------------|-------------|-------------|-------------| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------|| |-------------|-------------|-------------|-------7-----|| |-5--5--5--5--|-5--5--5--5--|-5--5--5--5--|-5--5-----5--|| |-------------|-------------|-------------|-------------|| Q Q Q Q Q Q Q Q Q Q Q Q Q E E Q Q ||--------------|-------4-----|-------------|---------------| ||o-------------|-2--------2--|-------------|--------7------| ||o-------5-----|-------------|-------7-----|-5----5----5---| ||--3-----------|-------------|-5--------5--|---------------| 1. 2. To Coda D.S. al Coda Q Q Q Q Q Q Q Q Q Q Q Q Q E E Q Q Q Q Q Q |-------------|-------4-----|-------------|---------------||-------------|| |-------------|-2--------2--|-------------|--------7-----o||-------------|| |-------5-----|-------------|-------7-----|-5----5----5--o||-5-----5-----|| |-3-----------|-------------|-5--------5--|---------------||-------------|| & Q E E +Q Q Q E E +Q Q Q E E +Q Q Q E E +Q Q |----------------|----------------|----------------|----------------|| |----------------|----------------|----------------|----------------|| |----------------|----------------|-5----5-(5)--5--|-5----5-(5)--5--|| |-5----5-(5)--5--|-5----5-(5)--5--|----------------|----------------|| Q Q Q Q Q E E +Q Q Q Q Q Q Q Q Q Q |-------------|----------------|-------------|-------------| |-5-----------|-3----3-(3)-----|-5--------3--|-5-----5-----| |-------3-----|----------------|-------3-----|-------------| |-------------|----------------|-------------|-------------| Q Q Q Q Q E E +Q Q Q Q Q Q Q Q Q Q |-------------|----------------|-4--4--4--4--|-4--4--4-----|| |-5-----------|-3----5-(5)-----|-------------|----------2--|| |-------3-----|----------------|-------------|-------------|| |-------------|----------------|-------------|-------------|| Q Q Q Q Q Q Q Q Q Q Q Q Q E E Q Q |-2-----------|-------------|-------------|---------------| |-------2-----|-4--------4--|-------4-----|-2----2----2---| |-------------|-------4-----|-2--------2--|--------2------| |-------------|-------------|-------------|---------------| Q Q Q Q Q Q Q Q Q Q Q Q Q E E Q Q |-2-----------|-------------|-------------|--------4------| |-------2-----|-4--------4--|-------4-----|-2----2----2---| |-------------|-------4-----|-2--------2--|---------------| |-------------|-------------|-------------|---------------| Q Q Q Q Q Q Q Q Q Q Q Q Q E E Q Q |-2-----------|-------------|-------------|---------------| |-------2-----|-4--------4--|-------4-----|-2----2----2---| |-------------|-------4-----|-2--------2--|--------2------| |-------------|-------------|-------------|---------------| Q Q Q Q Q Q Q Q Q E E +Q Q Q E E +Q Q |-2-----------|-------------|----------------|-----------------| |-------2-----|-4--------4--|----------------|-----------------| |-------------|-------4-----|-2----2-(2)--2--|-2----2-(2)--2---| |-------------|-------------|----------------|-----------------| Q E E +Q Q Q E E +Q Q Q Q Q Q |----------------|----------------|-------------| |-2----2-(2)--2--|-2----2-(2)--2--|-------------| |----------------|----------------|-------7-----| |----------------|----------------|-5-----------| Q E E +Q Q Q Q Q Q W +W |----------------|-------------|----------|--------*| |----------------|-------------|----------|--------*| |----------------|-------5-----|----------|--------*| |-3----5-(5)-----|-5--------3--|-5--------|-(5)----*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths