Reba McEntire - Fancy
Autoscroll
1 Column
Text size
Transpose 0
CAPO at II
Intro:
E/ G//A//E/ / ///// / ///// / //// /
I Eremember it all very well lookin' back
It wAas the summer I turned eighteen
We Alived in a one room, rundown shack
OCn thEe outskirts of New Orleans
We Edidn't have money for food or rent
To saAy the least we were hard pressed
Then AMama spent every last penny we had
To Cbuy meE a dancin' dress
MEama washed and combed and curled my hair
aAndD she painted my eyes and lips then I stepped into a satin
dAanEcin' dress that had a split on the side clean up to my hip
EIt wAas red velvet trim and it fit me good
StDandin' back from the lookin' glass
ThereA sEtood a woman where a half grown kid had stood
C A E run#1
She said here's your one chance Fancy don't let me down
G A E run#2 E
Here's your one chance Fancy don't let me down
Mama Edabbed a little bit of perfume on my neck
AAnd she kissed my cheek
TAheCn I saw the tears wellin' up in her troubled eyes
When Eshe started to speak
She Elooked at a pitiful shack
And thenA she looked at me and took a ragged breath
She saiAd your Pa's run off and I'm real sick
ACndE the baby's gonna starve to death
She Ehanded me a heart shaped locket that said
&quoAt;To thine own self be true"
ADnd I shivered as I watched a roach crawl across
the Atoe Eof my high heeled shoe
It Esounded like somebody else that was talkin'
AG#skin' MamC#a what do I do
SAhe said just be nice to the gentlemen Fancy
And BthEey'll be nice to you
C A E run#1
She said, here's your one chance Fancy don't let me down
G A E run#2
Here's your one chance Fancy don't let me down
LGorAd forgivCe me for what I do, but if you want out
Well it's uDp to you
Now CdoBn'Et let me down you better start movin' uptown
Well Ethat was the last time I saw my Ma
TAhe night I left that rickety shack
TAhe welfare people came and took the baby
Mama Cdied Eand I ain't been back
But Ethe wheel of fate had started to turn
AAnd for me there was no way out
AAnd it wasn't very long 'til I knew exactly
WChat myE Mama'd been talkin' about
I Eknew Awhat I had to do but I made myself this solemn vow
That ID's gonna be a lady someday
TAhough IE didn't know when or how
I Ecouldn't see spending the rest of my life
WG#ith mC#y head hung down in shame you know
IA might have been born just plain white trash
But FBancyE was my name
C A E run#1
Here's your one chance Fancy don't let me down
G A E run#2 E
Here's your one chance Fancy don't let me down
* Guitar in next verse is played almost as percussion
* Fret-hand dampens strings, pick-hand keeps tempo
It wasn't long after a benevolent man
Took me off the street
And one week later I was pourin' his tea
In a five room hotel suite
I charmed a king, a congressman
And an occasional aristocrat
Then I got me a Georgia mansion
In an elegant New York townhouse flat
* Guitar comes back in...
E repeat intro E G A E
And I ain't done bad
NEow iAn this world there's a lot of self-righteous hippocrits
That would call me bad
And Dcriticize Mama for turning me out
No AmaEtter how little we had
BEut though I ain't had to worry 'bout nothin'
For G#nigh onC# fifteen years
I can Astill hear the desparation in my poor
MBama'sE voice ringin' in my ear
C A E run#1
She said, here's your one chance Fancy don't let me down
G A E run#2
Here's your one chance Fancy don't let me down
LGorAd forgive me for what I do
BCut if Dyou want out well it's up to you
Now dCon't let me down
Your BMama'Es goina help you uptown
E repeat intro/outro to end...
I guess she did
--------------------------------------------------------------
Comments:
Play the following sequence of notes (open strings correspond
to CAPO at II).
Run#1 -f#-||---------- Run#2 -f#-||----------
-c#-||---------- -c#-||-0--------
-a -||-----0---- -a -||---2-0----
-e -||-0-2---0-2 -e -||-------0-2
-b -||---------- -b -||----------
-F#-||---------- -F#-||----------
Similar note runs occur throughout the song, so listen for them.
Or make up your own, like me (i.e., whenever I hit a wrong note --
which is pretty often).
What else... the song is performed with a lot of attitude, so the
strumming/pickin' tempo is reflective of that.