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At my most beatiful - R.E.M.
One of the many great songs from the new album, I just picked it out,
believe it's correct. The bass notes on F/A and Bb/F sound a lot better
if played on a real bass and/or a piano, but if you only have a guitar,
I guess that's better then nothing...
Chords used:
F: 133211
Am: x02210
D: xx0232
Gm: 355333
Bb: x13331
C: x35553
(F/A:x03211)
(Bb/F: 113331)
Intro:
F Am D
Gm F/A Bb/F
Gm F/A Bb/F
Gm F/A Bb C
F Am D
GmI'veF/A found a Bb/Fway to make you
GmI'vF/Ae found a Bb/Fway
Gm F/Aa way toBb make yCou
Fsmile.Am I read bad poetrBby
Gminto your mFachine
I save your messagAmes
Bbjust to hear your voice Gm
You always listen cFarefully Am
to aBbwkard rhymes Gm
You always say yourF name
Amlike I wouldn't knoBbw it's you
at yGmour most beaCtiful F Am D
GmI'veF/A found a Bb/Fway to make you
GmI'vF/Ae found a Bb/Fway
Gm F/Aa way toBb make yCou
Fmine. AmAt my most beatifuBbl Gm
I count you eyelashFes, secretly Am Bb Gm
with every one, wFhisper I love you Am
I Bblet you sleep Gm
I know you're closed eFye watching me Am
Bblistening
I Gmthought I saCw a smileF Am D
GmI'veF/A found a Bb/Fway to make you
GmI'vF/Ae found a Bb/Fway
Gm F/Aa way toBb make yCou
Fsmile.
Gm F/A Bb
Gm F/A Bb
Gm F/A Bb C
F
----
Lyrics:
I've found a way to make you
I've found a way
a way to make you smile
I read bad poetry
into your machine
I save your messages
just to hear your voice.
you always listen carefully
to awkwards rhymes.
you always say your name.
like I woulden't know it's you,
at your most beautiful.
I've found a way to make you
I've found a way
a way to make you smile
at my most beautiful
I count your eyelashes secretly.
with every one, whisper I love you.
I let you sleep.
I know you're closed eye watching me,
listening.
I thought I saw a smile.
I've found a way to make you
I've found a way
a way to make you smile
--------------------------------------------------------------------------------
THE APOLOGIST
From: ROBERT OAG (Ppxrmo@nottingham.ac.uk)
(NOTE: I'm not sure whether the second 'Am' is actually a 'C', as they
both work. So I've put them both in).
INTRO: | Am/Bm | Am(C)/Bm | Am/Bm | Am(C)/Bm |
Am Bm Am(C) Bm Am Bm Am(C) Bm
They call me the apologist, and now that I'm at peak,
Am Bm Am(C) Bm Am Bm Am(C) Bm
You know at first it really hurt, we joke about these things,
Am Bm Am(C) Bm Am Bm Am(C) Bm
I've skirted all my differences, but now I'm facing up,
Am Bm Am(C) Bm Am Bm Am(C) Bm
I wanted to apologise for everything I was, So,
CI'm sorry, So sDorry, So sorryF, So sorry, G
CI'm sorry, So soDrry, So sorry, F F
Am Bm Am(C) Bm Am Bm Am(C) Bm
Did you understand me right The people here are good.
Am Bm Am(C) Bm Am Bm Am(C) Bm
They tell me what I should have done, and offer what I could,
Am Bm Am(C) Bm Am Bm Am(C) Bm
I'm good, all is good, All's well, no complaints,
Am Bm Am(C) Bm Am Bm Am(C) Bm
When I feel regret, I get down on my knees and pray,
CI'm sorry (So sorry), So sorry (SoD sorry),
FSo sorry (So sorry), So sorry (SoG sorry),
IC'm sorry (So sorry), So sorry (DSo sorry),
F So sorry (So sorry), F
| Am/Bm | Am(C)/Bm | Am/Bm | Am(C)/Bm |
CI live a simple Dlife, unfettered Fby complex sweets, G
CYou think this isn't me Don't bDe weak, There I go. F F
Am Bm Am(C) Bm Am Bm Am(C) Bm
I'm so sorry,
Am Bm Am(C) Bm Am Bm Am(C) Bm
Thank you for being there for me, thank you for listening, goodbye,
Am Bm Am(C) Bm Am Bm Am(C) Bm
Am Bm Am(C) Bm Am Bm Am(C) Bm
I can forfeit selfishness, I hope for you that you apply,
Am Bm Am(C) Bm Am Bm Am(C) Bm
This happiness, This peacefulness.
C I'm sorry (So sorry), So sorry (SDo sorry),
SFo sorry (So sorry), So sorry (SoG sorry),
IC'm sorry (So sorry), So sorry (DSo sorry),
F So sorry (So sorry), F
CI live a simple Dlife, unfettered Fby complex sweets, G
C You think this isn't me Don't Dbe weak, There I go. F F
Am Bm Am(C) Bm Am Bm Am(C) Bm
I'm so sorry,
Am Bm Am(C) Bm Am Bm Am(C) Bm
Thank you for being there for me, thank you for listening, goodbye,
Am Bm Am(C) Bm Am Bm Am(C) Bm
Am Bm Am(C) Bm Am Bm Am(C) Bm
------
Solo:
Tabbed by Chris Lawrence (mustang@islandnet.com)
Use finger vibrato on most of the notes..
E---------------------------------------
B---------------------------------------
G--2--4--5---12-11-9/7-9---7-5-5/7-5-4--
D---------------------------------------
A---------------------------------------
E---------------------------------------
E------------------------------------------
B------------------------------------------
G--2--4--5---12-11-9/7-9---7-5-7b-7b-7^5-5- b = bend
D------------------------------------------ ^ = pull-off
A------------------------------------------
E------------------------------------------
then stipe begins singing the "i live a simple life" part, and the solo
continues..
E---------------------------------------------------------------------
B---------------------------------------------------------------------
G--7\9-7--9-7-10--7--10\12-12--9-10/----5--7\9-7---7-10--7--10\12-12b-
D---------------------------------------------------------------------
A---------------------------------------------------------------------
E---------------------------------------------------------------------
----
THE APOLOGIST
tabbed by miKe. (ericseis@hotmail.com)
second half of solo from Chris Lawrence
This is a cool song played mostly by jamming on Am (open or fifth fret).
Just pile on the distortion and hit single or pairs of strings in the chord
pretty much at random. As long as you keep the 'feel' of the song you can't go
far wrong.
Near the end of the song, as things lose what little definition they had,
just attack the Am(V) and interject with little riffs and jams.
Little Riffs:
e|--7-8b-7-5----5---- or e|--7-8-/11-- perhaps e|-5-5-5-5-5-5-5---
b|-----------8-(5)--- maybe b|----------- this b|-5-5-5-5-5-5-5---
Am riff: (this is the odd organ backing)
g|--6-8--6/8/6--
d|--7-9--7/9/7--
End riff: (this is the riff that gets played in the final 'bridge')
g|------4--4-5
d|--7--7------
AmThey call me the apologist, and now that I'm at peak,
You know at first it really hurt, we joke about these things,
I've skirted all my differences, but now I'm facing up,
I wanted to apologise for everything I was, so,
CI'm sorry, DSo sorry, FSo sorry, GSo sorry,
CI'm sorry, DSo sorry, FSo sorry,
Am (+Am riff)
Did you understand me right The people here are good.
They tell me what I should have done, and offer what I could,
breakI'm good, all is good,
All's well, no complaints,
Am (+Am riff)
When I feel regret, I get down on my knees and pray,
CI'm sorry (So sorry), DSo sorry (So sorry),
FSo sorry (So sorry), GSo sorry (So sorry),
CI'm sorry (So sorry), DSo sorry (So sorry),
FSo sorry (So sorry),
Solo:
e|---------------------------|---------------5-----------------
b|-------8-7-5---5-----------|-------8-7-5---5-----------------
g|---4-5-------7---7-5-7-5-4-|---4-5-------7---7-5-7b-7b-7p5-5-
d|-7-------------------------|-7-------------------------------
this part is played under the "I live a simple life")
b|-----------------------------------|-----------------------------
g|-7/9-7--9-7-10--7--10/12-12--9-10/-|-5--7/9-7--7-10--7-10/12-12b-
d|-----------------------------------|-----------------------------
CI live a Dsimple life,F unfettered by Gcomplex sweets,
CYou think this isn't Dme Don't be wFeak, there I go.
Am(V)
I'm so sorry,
Thank you for being there for me, thank you for listening, goodbye,
with little riffsI can forfeit selfishness, I hope for you that you apply
this happiness, this peacefulness, this peacefulness.
CI'm sorry (So sorry), DSo sorry (So sorry),
FSo sorry (So sorry), GSo sorry (So sorry),
CI'm sorry (So sorry), DSo sorry (So sorry),
FSo sorry (So sorry),
CI live a Dsimple life,F unfettered by Gcomplex sweets,
CYou think this isn't Dme That's so sFweet, there I go.
Am(V) (with little riffs and End riffs)
I'm so sorry,
Thank you for being there for me, thank you for listening, goodbye.
end on picking up through the open Am
--------------------------------------------------------------------------------
SAD PROFESSOR
From: JamieWire@postmaster.co.uk
Here's the correct version as played by Mike Mills on Rockpalast.
Tuning - some kind of open D.
E (bass string) A D A D D (treble string)
Performance notes: the double tuning of the 'b' and the 'e' to get two 'd'
notes gives a really ethnic kind of drone. Mike has strong hands - this
song is not easy to play unless you're a barre master!
Mix up and down strokes. Listen to the rhythm - these are the notes but
they're tabbed wrong!
verse structure: D G D A
d-D0-0-0-0-0-0-0-0-G5-5-5-5-5--
d-0-0-0-0-2-0-2-5-5-5-5-5-5--
a-0-0-0-0-0-0-0-0-5-5-5-5-5--
d-0-0-0-0-0-0-0-0-5-5-5-5-5--
a-0-0-0-0-0-0-0-0-5-5-5-5-5--
e----------------------------
D A
d-0-0-0-0-0-0-0-0-7-7-7-7-7-
d-0-0-0-0-2-0-2-5-7-7-7-7-7-
a-0-0-0-0-0-0-0-0-7-7-7-7-7-
d-0-0-0-0-0-0-0-0-7-7-7-7-7-
a-0-0-0-0-0-0-0-0-7-7-7-7-7-
e---------------------------
pre-chorus:
d-G5-5-5slideA7-7-7-F3-3-3---
d-5-5-5--/--7-7-7-3-3-3---
a-5-5-5--/--7-7-7-3-3-3---
d-5-5-5--/--7-7-7-3-3-3---
a-5-5-5--/--7-7-7-3-3-3---
e-------------------------
chorus: this bit's cool!
G A G D
d-----------------------0-0-0-0---
d-----------------------0-0-0-0---
a-5-----7-7-7-7-5-------0-0-0-0---
d-5slide7-7-7-7-5-4-5-4-4-4-4-4---
a-0-----0-0-0-0-0-0-0-0-5-5-5-5---
e---------------------------------