Autoscroll
1 Column 
Text size
Transpose 0
Capo: 1 Tuning: E A D G B E
Song: More I Cannot Wish You Artist: Paul McCartney Album: Kisses On The Bottom, 2012 URL: https://www.youtube.com/watch?v=K38EhTEcfXc Tempo: Slow Ballad-style Tuning: Standard Capo 1 Chords EADGBe D XX0232 D3add4 XX0032 Em 022000 A X02220 G 320003 F#m 244222 Bm X24432 C#m X46654 [Intro](Acoustic guitar riff over) e||———8————2————2——-—2———|——0——|——0—-| B||———9————3————3—-——3———|——0——|——2—-| G||——10——-—4————0——-—2———|——0——|——2—-| D||——10————4————0——-—0———|——2——|——2—-| A||———X————X————X——-—X———|——2——|——0—-| E||———X————X————X——-—X———|——0——|——X—-| Fm Bm D3add4 D Em A (smooth jazz-like) (arpeggiated) [Verse 1] D D3add4 D D3add4 Velvet, I can wish you, for the collar of your coat,
GAnd fortune smiling Aall aloGng your Dway.A D D3add4 D F#m But more I cannot wish you, than to wish you, find your love, BmYour own Gtrue F#mlove this Dday.Em A G
[Verse 2]
AMansions, I can Gwish Ayou, Gseven Afootmen Gall in Ared, GAnd calling cards upon a silver Dtray, ABut more I cannot wish ya, tDhan to wish you fF#mind your love, BmYour own Gtrue F#mlove, this day.Bm A D
[Verse 3]
C#mStanding Emthere, Agazing at you, DFull of the Embloom __of Ayouth, Emstanding Athere.C#m AGazing at F#myou, Emwith a sheepish eye,A EmAnd a look of the truth. A
[Verse 4] D D3add4 A Music, I can wish you, merry music while you're young,
GAnd wisdom, when your Ahair has Gturned to Dgray. A D A D D3add4 F#m G A But more I cannot wish you, than to wish you find your love, DYour own F#mtrue love this Bmday.D
[Refrain]
EmWith a sheepish Aeye, Emand a look of the truth,A DAnd the strong arms, F#mto carry Dyou Em__ Daway.
[Coda] (Piano) F#m Bm Em A D(sustained) [End] NOTES 1. A sensitive and distinctive cover based on the song from the 1950’s musical, ’Guys & Dolls’, with music and lyrics by Frank Loesser. A favourite of Paul McCartney’s Dad and my father. https://en.wikipedia.org/wiki/Guys_and_Dolls 2. The chords are very lightly strummed on nylon strings and arpegiatted at the accented fills at the ’end of line’. 3. This version doesn’t pretend to map all of the intricacies and subtleties of the jazz-style accompaniment, but gives my interpretation of the overall scheme of the song’s chords. :-R