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[Alternate Db is used in second part, as a slide from G#.] x688xx - D# x466xx - Db (91111xxx) Pretty Machines - Parkay Quarts(Parquet Courts) 466xxx - G# Content Nausea - 2014 688xxx - A# ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( D# - Db - G# - D# - ) x2
Ah D#moonlight, it's hard to believeDb it, and it's harder to nG#eed it but so easily wanD#ted Pretty machines, expensive magazines, I've bDbeen tricked into buying quite a number of things yeah, G#Bullshit and dreams, urban ease, it means I was the D#taunted and
A#You think you're a modern person, you think that you can't ignore, Silent isolation, my emancipation's G#in the same place you get yours D# A# G# Db G# (D#) Oh whiskey sips upon me while my secrets escaped, in the skyline I've held her and my fire escaped
( D# - Db - G# - D# - ) x1
D#Punk songs, I thought that they were Dbdifferent and I thought that they could G#end it, no, no it was a decD#eption Well the number of tears, and the number of beers were Dbdried out and uncounted for a number of years but G#these days I feel that my window was just a reflD#ection
Still, A#you think that you're not a servant, you think that you can avoid Stylish institution, worship and illusions, G#things you thought you could destroy D# A# G# Db G# (D#) Oh crowded, loud, and crimson was my view from the pit, I was wild, I was weird, I was shouting to it
~Solo bit~ ( D# - Db - G# - D# - ) x2 ( A# - G# - ) x1
D#Wartime, it's so easy the Dbfourth time, but this side of the G#shoreline, we've already recD#overed Pretty machines, expensive routines, Dbcrowded and obstructed quite a number of things BeG#lieve me it's harder to feel, these days its harder to sD#uffer
AndA# you think you're a modern person, think you can watch something change And move on without ya, side by side without ya, G#listen to the world exchange Oh D#conversation starters over A#various meats, in the G#skyline of Dbhell where G#the tired retD#reat
( D# - Db - G# - D# - ) x1 Let these chords ring ( A# - Db - G# - ) x1 Also here's an interpretation of the lead riff: e|6-8-9-8-6-------6-8-9-8-6-------------------------6-------------------4-6---8---4-----4-6---8---| B|------------8---------------8---8-9-8-9-8-------8---8-9-8---------6-8-------------6-8-----------| G|--------------------------------------------6---------------6---6-------------------------------| D|------------------------------------------------------------------------------------------------| A|------------------------------------------------------------------------------------------------| E|------------------------------------------------------------------------------------------------|