Autoscroll
1 Column 
Text size
Transpose 0
Motorhead by Ian Kilmister Eddie Clarke Phil Taylor performed by Motorhead from the albums: No Remorse, Best Of Motorhead, No sleep Til Hammersmith One of the definitive Motorhead tunes by Lemmy and the boiz- was shocked it wasn't already in the data base! Tuning: Standard (on the album) (Eb if you want to play along with the live version) (These are power chords so actually D5 Eb5 E5 F#5 and G5) D X Eb X E X F# X G X X X X X X 7 8 9 11 12 7 8 9 11 12 5 6 7 9 10 X X X X X Note that Lemmy's bass follows the root note for all the chords but he does a little riff on the F# (sorry but you bass players will have to suss that out- it's based on the A string between the 10th and tweflth frets but I haven't quite gotten it sufficently to put down what I definitively think it is) Intro: E/////////D//Eb// Verse:
ESunrise, wrong side of another daD/Ey ESky high, six thousand miles awaD/Ey EDon't know how long I been awakD/Ee EWound up in an amazin' state
(prechorus):
GAnd I can't enDough GAnd you know it's riDghteous stuff Ggoes up like prices at F#Christmas
Chorus:
GMotorhead, rDemember me GMotorhead, all rF#ight!
E////////D//Eb// Verse:
EBrained out, total amnesD/Eia EGet some mental anaestheD/Esia EDon't move I'll shut the door an kill the liD/Eghts EIf I can be wrong I must be right
(prechorus)
GAll good clean fDun GHave another stick of Dgum GMan you look better aF#lready!
Chorus:
GMotorhead, remember Dme I'm GMotorhead, AlF#right!
Solo break (built around the verse/prechorus/chorus pattern) E/////////D//Eb//
Efourth day five day maraD/Ethon EWe're moving like a parallelD/Eogram EDon't move the morning's not a pretty D/Esight EI guess I'll see you all on the ice
(prechorus)
GI should be tiDred GBut you know I'm fucking Dwired Gain't felt this good for F#an hour
Chorus:
GMotorhead, remember Dme GI'm Motorhead, alF#right!
the band continues to echo the "Motorhead" chorus for an outro adlibbing "yeah yeah yeahs" etc to the final chainsaw guitar F# chord with all the glorious feedback and bomber take off sound effects . . .