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alright today were doing Midwest midnight an incredible song by and incredible band who never got the attention they deserved this is off the stagepass album which was recrded live at the agora ballroom in Cleveland ohio in 1976 Intro A (Michael drones on an a chord while Jonah Koslen plays some little licks around the chords) A D E A D E (these can be played two different ways if you have a full band they are single stokes like the album if your doing this song solo I do triplets on the D and E to give it a fuller sound)
AWith thirteen lovers ID hid beneaEth the covers A got staples in mDy hands fEor my time A With the radio low F#so the folks don't know I pDroceed with my pEassion of crime... A And though somewhat Dobtuse, I'veE been told this abuse A will more than liDkely make Eme go blind A But with a heart that's achingF#, it's a risk worth taking 'cauDse true love, they say, iEs so hard to find.A..
A D E A D E
A Why can't she see whDat she's dEoing to me A If that bandstandD girl onlEy was here A And I'm living the dreamF#, getting lost on the screen, D doing Presley in Efront of the mirror... A Hanging around, Dgetting high oEn the sounds A of the ladiesD and electriEc guitars A Cross a double yellow line toF# who knows where wDith six sets of gloryE a night in sAome bar...
(CHORUS:) D A E A AAA Midwest midnight]
DTen thousandA watts oEf holy lAight F#m from my DradiAo so cElear... D A E A AAA D A E A Bodies glistening, everybody's listening F#m D E (hold and drone on this E) as the man plays all the hits that you want to hear.
A With a will to belieDve, and my songsE on my sleeve A If only I'd Dknown from thEe start A Such a sensitive toF#y, for a suburban boy whDo believed he was sufEfering for art... A But thenD something Ewent wrong A and he Dwatched as Ehis songs A met a slow death oDf silence, Ebut worse A He was taken to task,F# by some critic who asked, &qDuot;Do you write the Ewords or lyrics Afirst..."
BRIDGE: A (HOLD AND DRONE) I hear 'em callin': (everything on the bridge is played in single not chops with two part call and answer vocals)
A "Boy, you should be grateful D to get your foot inside the door. G You know there's thousands out there A who would take your place... A This attitude of yours, my son, D well, it lacks the due respect... G You bite thG/F#e hand that feeds you-- D E (CONTINUE TO STRUM) even if you're never fed..."
A Chasing the famDe keeps 'em all Ein the game A But money's stilDl the way they Ekeep score A And nobody told you thatF# you would get older stDrung out like someE Avenue whore... A Waiting release, gDetting shot through Ethe grease, A some LD.A. madonnaE's maligned A And New York's calling just to F#see if you've heard 'Dbout the great English band tEhey just signeAd....
Take me back to... (CHORUS:) Midwest midnight Ten thousand watts of holy light from my radio so clear... Bodies glistening, is anybody listening? Does the man still play all the hits that you want to hear
F#mE-X A-4 D-4 G-2 B-2 E-2
Ok guys hope you dig it just listen to the song for the timing but its really easy and any solo work that is in this song can be easily learned and crafted to your playing style. I hope your guys enjoy this and have no problem with it being shared or reposted so long as you give me the proper credit for the work that I have done myself....