MGMT - Siberian Breaks Chords by Ryan McGrath 100% transcribed by me. Please inform me of any mistakes, however I don't think there are any, if at all. Lyrics taken from - http://artists.letssingit.com/mgmt-lyrics-siberian-breaks-ztjs1l1 - and slightly edited for grammar and corrections. Chords are listed as regular or flat, never sharp, for ease of playing. This is regardless of key. Examples of chords and their notations: Am = A minor Bbm = B flat minor C = C major Gb = G flat major G7 = G dominant 7 Amaj7 = A major 7 Email: ryan15693@hotmail.com Part A (O0:00 - 01:22): Here, A minor, C major, and Amaj7 are played with the two top strings (B and high E) being open, but still strummed. Am C Am C Bbm Cm Bbm Cm A

^Am Sleep as the goer ^C the ^Ambridge that watches the ^Clight speed through

^BbmAnd cries while the ^Cmspirit stumbles ^Bbmand inside mi^Cmssile for the protectio^Amaj7n of you

Maybe ^Amit's silent ^C the ^Amvoice can't bear any^Cmore strain

^Bbmbut speaks without ^Cmeven knowing and ^Bbmstreams out of ^Cmsight in the direction of ^Amaj7truth

Amaj7 Em Amaj7 Em Part B (01:23 - 01:51): Transition: -----5-----5------| ---5-----5-----10-| -6-----7-----9----| ------------------| ------------------| ------------------|

^Gm There's no reason^C there's no secret^Dm to decode ^Gm if you can't save i^Ct, leave it dying ^Dmon the road ^G

^Gm wide open arms c^Can feel so cold, ^Dmso cold ^C Feel so cold

Part C (01:52 - 02:09): Em Gb D Dbm Bm E Part D (02:10 - 04:44): Transition - Play A major until the singing comes in.

^ABalance the books, the ledges, the loons the disappointed look on the ^Gbmfaces

that squint at the ^Emoon ^DbmI've seen it with shadows ^Bmenhanced

and then ^Dbmvote to decide who'll ^Dadvance

^ASilver jet plane, making a turn exciting the brain that ^Gbmexpects it to crash and then ^Eburn

^Dbmit's not the life lesson I'd've ^Bmguessed ^Dbmif you're conscious you must be ^Ddepressed

or at least ^Acynical ^Dbm

^EmBut someone might still eat the steaks ^Gbeven if they're tough

^DSpending the day ^Dbmchewing the fat

^Bmfloating away isn't ^Erough but it's not enough^A

^AOh Marianne, pass me the joint

the sandpaper's tan

go-^Gbmgetters are surfing the ^Epoint and ^DbmLondon's a scratch on the^Bm lens

it's ^Dbmover before it ^Dbegins ^ASilk 'round her neck falls down to her shoulders

the older I get, the ^Gbmmore I suspect there's a ^Etrick but ^Dbmreally there's no trick at ^Bmall

that ^Dbmdoesn't result in a ^Dfall or a ^Afaltering ^Dbm

^EmBut something might spit out the bait ^Gbeven if it's real

^DRolling away ^Dbmmissing the spoke

^Bmclose to the ground like a ^Ewheel but it's not ^Ajoke ^Dbm

^DHolding the line ^Dbmclutching the phone

^Bmnobly wasting the ^Enight, but it isn't ^Aright it's not right ^Gb

^DSmelling for blood ^Dbmpraying for rain

^Bmrunning away isn't ^Erough, but it's not ^Aenough

Let the last A chord ring. Part E (04:56 - 05:59):

^Eb The low tide is tellin^Gmg me that it's over, ^Cm ^Fm ^Cm ^Bb to breathe in everyt^Dmhing exposed ^Gm

^Eb and comes back to cove^Gmr me with a breaker ^Cm ^Fm ^Cm ^Bb being here's always ^Dmchanging too ^Gm

Cm Bb F Eb Dm G Am G Em Part F (06:07 - 08:21) Dm G7 Am G Em A Dm G7 Am G Em A Dm G7 Am G Em A Dm G7 Am G Em A

^Dm The empty sky su^G7rrounds me but I can^Am't see at all ^G ^Em ^A ^Dm wide open arms c^G7an feel so cold ^Am ^G ^Em ^A

^Dm and you can si^G7t beside me and te^Amll me what it's wo^Grth ^Em ^A ^Dm but I hope I die be^G7fore I get sold ^Am ^G ^Em ^A

^Dm I hope I di^G7e before I get so^Amld ^G ^Em ^A ^Dm I'd rather di^G7e before I get so^Amld ^G ^Em ^A

Part G (08:22 - 08:58): Dm C Bdim. If you find the soul that you lost

^E frozen in a starry^Am void ^DmTake it ^Cwithin and hope the ^Gsight of blood

can will signs of ^Clife to return Dm C Bdim. Back to the way that it was

^E long before it made a^Am noise ^DmTo keep on ^Cquietly ^Greminding you

what's never ^Cmaj7created or destroyed

Part H (08:59 - 09:11): Fmaj7 x8 - Cmaj7 x8 - Fmaj7 x8 Part A (09:12 - 09:52): Same as the first Part A, A minor, C major, and Amaj7 are played with the two top strings (B and high E) being open, but still strummed.

^Am Wake as the swell ^Cpeaks the ^Amclose-outs drowning the ^Cbirds with roars

^Bbm and howls scare the new un^Cmkindness that ^Bbmpicks and laughs ^Cmat the carrion ^Amaj7scene

^Am Forces you see br^Ceathe can ^Amalways go into ^Chiding

^Bbm and wait 'til it passes^Cm over or ^Bbmstay far gone for all ^Cmeternity

Let the final Cm chord ring. Part I (09:55 - 12:10): A major x8 - A flat minor x8 Repeat these two chords until the fade-out.

Mgmt - Siberian breaks