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Succexy - Metric Tabbed by: Stouffer Email: Stouffer2003@hotmail.com Tuning:EADGBe This was tabbed on an acoustic guitar. If playing electric, subsitute bar chords for powerchords.
F# Lonesome for Gno one F#when F# The room was Gempty aF#nd F# War as we kneGw it was oF#bsolete F# Nothing couldG beat AcompleteF# deniGal F# G A F# All we do is tF#alk, sGit, swiF#tch screens As the hGomeland Aplans F#enemies All we do is tF#alk, sGtatic sF#plit screens G A F# (F#) (Whammy/bend strings if on electric) As the homeland plans enemies
At 14s this keyboard riff kicks in and continues until the chorus: e|---------------------------------------------------------------------------| B|---------4-5/4-2---6/5-2---4-2---2--------------0-5/4-2---6/5-2------------| G|-------2---------4-------4-----4---4----------2---------4-------444--44----| D|-----4-------------------------------4------4------------------------------| A|---4-----------------------------------4--4--------------------------------| E|---------------------------------------------------------------------------| Chorus Invasion's so succexxy.... e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4----------x2--------------| D|--------6------6------6------6-------6------6-----444-44-------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------|
Let's drink to the GmilitaryF# The glass iGs empty F# Faces to fiGll and cars to feedF# Nothing could bGeat coAmplete deF#nial G F# G A F#
All we do is F#talk, Gstatic F#split screens As the hGomeland Aplans F#enemies
All we do is F#talk, Gstatic F#split screens As the hGomeland Aplans F#enemies
Invasion's so succexxy.... e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4------------x4------------| D|--------6------6------6------6-------6------6-----444-44-------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------| Passive attraction, programmed reaction Passive attraction, programmed reaction Action distraction, more information Flesh saturation, lips on a napkin Ass ass ass Bass fill e|-------------------------------------------------------------------------------------------------------------------| B|-------------------------------------------------------------------------------------------------------------------| G|-------------------------------------------------------------------------------------------------------------------| D|------------------------------------------------------------------------99-9----------------99-9-------------------| A|--22--2/44-4/99-9-9-9----22--2/44-4/99-9-9-9----22-2/44-4/99-9-9-9----------77-7/99-9-9---------77-7/99-9-9--------| E|-------------------------------------------------------------------------------------------------------------------| Where does the time go' We're waking up so slowly Days are horizontal lately Out of body, watched from above Out of body, watched from above This kicks in at 2:09 e|-----------------------|-----------------------------------------------| B|-10-10----10-12-10-----|--7-7---9-9---10-10--10-12-10------------------| G|-11-11-------------11--|--7-7---9-9---11-11-----------11-----x5--------| D|-10-10-----------------|--7-7---9-9---10-10----------------------------| A|-----------------------|-----------------------------------------------| E|-----------------------|-----------------------------------------------| Passive attraction, programmed reaction More information, cash masturbation Follow the pattern- the hemlines, the headlines Action distraction,faster than fashion Faster than fashion,faster than fashion Then an occasional Metric trademark: finishing the song on the intro
F# Lonesome for Gno one F#when F# The room was Gempty aF#nd F# War as we kneGw it was oF#bsolete F# G B#m (strum slowly for full effect!) Nothing could beat complete denial
Thats it, comments/suggestions welcome | / slide up | \ slide down | h hammer-on | p pull-off | ~ vibrato | + harmonic | x Mute note ===============================================================================