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Capo: 2 Tuning: E A D G B E
Artist: Maggie Rogers Song: Light On Album: Heard It In A Past Life Key: D major BPM: 100 Maggie has been KILLING IT with these new songs recently. This one's pretty straight forward with a nice palm muted rhythm. If you want it a bit easier, put your Capo on 2, transpose this down 2 semitones and you can use the C shape set of chords instead but. The reaon I could see people doing that is to avoid barring the Bm. A nice harmonic alternative for the B minor that does change the sound but still keep it beautiful is to add your index finger to the second fret on the A string, adding this to a D chord. It looks like this. e|--2--| B|--3--| G|--2--| D|--0--| A|--2--| E|--x--| My acoustic is very hard at barring so I feel your pain if you want to avoid it, I use this a lot of the time. [Verse 1]
Would you belDieve me now if I tAold you I got caught up in a wGave? Almost gave it aGway Would you Dhear me out if I toAld you I was terrified for dGays? Thought I was gonna bGreak
[Pre-Chorus]
OBmh, I couldn't stop it Tried to Aslow it all down GCrying in the bathroom Had to fGigure it out With eBmveryone around me saying A"You must be so happy nGow"
[Chorus]
Oh, if you keep Dreaching out Then I'll keep cAoming back And if you're Ggone for good Then I'm oGkay with thatBm If you leave the light oAn Then I'll leave the light oGn (Light on, light on, light on) And I am fDinding out There's just no Aother way That I'm Gstill dancing at the Gend of the dayBm If you leave the light Aon Then I'll leave the light Gon (Light on, light on, light on)D
[Verse 2]
DAnd do you believe me now that I alAways had the best intentions, Gbabe? Always wantGed to stay Can you Dfeel me now that I'm vulnAerable in oh-so many Gways? Oh, and I'll never cGhange
[Pre-Chorus]
BmOh, I couldn't stop it Tried to Afigure it out But eGverything kept moving
And the noise got too loud
With eBmveryone around me saying A "You should be so hGappy now"
[Chorus]
Oh, if you keep Dreaching out Then I'll keep cAoming back And if you're Ggone for good Then I'm okGay with that Bm If you leave the light Aon Then I'll leave the light Gon (Light on, light on, light on) And I am fDinding out There's just no Aother way That I'm Gstill dancing at the end of the dayBm If you leave the light Aon Then I'll leave the light Gon (Light on, light on, light on) Bm
[Bridge]
ODh, leave the light oGn Oh, Bmwould you Dleave the light oGn?
[Chorus]
Oh, if you keep Dreaching out Then I'll keep cAoming back And if you're Ggone for good Then I'm okGay with that Bm If you leave the light Aon Then I'll leave the light Gon (Light on, light on, light on) And I am fDinding out There's just no Aother way That I'm Gstill dancing at the eGnd of the day Bm If you leave the light Aon Then I'll leave the light Gon (Light on, light on, light on)
[Outro]
DOh, if you leave the light on A Then I'll leave the lightG on DOh, if you leave the light oAn G GMmh