Tuning: E A D G B E

[Author's Notes] These chords represent the tones heard in the song pretty well, but they may not sound right depending on how you play them. The placement, volume, and octave of the bass notes are especially important. In the C D D7 Fadd9 progression, the C and D7 chords have a heavy bass note. The Fadd9's bass note is relatively quiet in comparison, so if you don't like the sound of the F, you can replace the Fadd9 with an Am7 or similar. The D chord doesn't have an audible bass note. Another thing worth noting is that the chords sort of fade into each other - for example, between the C and D chord, there is a brief period where notes from both chords are heard at once. Finally, these chords are based off of the instrumental part. The vocal harmonies sometimes imply more complex chords - notably, they turn the Fadd9 into Fmaj9#11. [Intro] C D D7 Fadd9 C D D7 Fadd9 [Verse 1]

^C Before it falls into to^Dtal disarray ^D7 You'll have to learn to live a ^Fadd9different way ^C Too late to look back on a^Dpocryphal verse ^D7 And to be something beyond ^Fadd9kinder than words

[Chorus]

^C This evil spirit, man, it's ^Dbringing me down ^D7 It tells me not to do the ^Fadd9things that I should ^C It graduated to the ^Dback of the bus ^D7 They say you let it in when ^Fadd9you took the drugs

[Interlude] C/G D/A F#dim/A Am7 C/G D/G F#dim/A Am7 [Verse 2]

^C Now that the question is not ^Deven a thought ^D7 Another portrait you can ^Fadd9hang on the wall ^C Dissolve into a state of ^Dawful inverse ^D7 The truth is not something that ^Fadd9you have not heard

[Chorus]

[Outro] C/G D/G F#dim/A Am7

^C/GOhh, oh, ^D/Gohhh, ^D7ohhh, ^Fadd9ohhh ^COhh, oh, ^D/Gohhh, ^D7ohhh, ^Fadd9ohhh

^COhh, ^Dohh, ^D7ohh, ^Fadd9ohh ^COhh, ^Dohh, ^D7ohh, ^Fadd9ohh ^COhh, ^Dohh, ^D7ohh, ^Fadd9ohh ^COhh, ^Dohh, ^D7ohh, ^Fadd9ohh Fmaj9

Low - Disarray