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GET DOWN TONIGHT (Bassline)
As recorded by KC And The Sunshine Band
(From the 1975 Album KC AND THE SUNSHINE BAND)
Words and Music by Harry Casey & Richard Finch
Transcribed by Slowhand
Gtr I (E A D G) - 'Richard Finch - Bass'
Intro
Q=110
4/4
Gtr I
H. S S E E. S +E E +Q. E H +Q S S E
|-------------0-|--------------------|-----------------|
|-----------1---|-3--1-(1)---------1-|-3----(3)--3-1---|
|---------3-----|----------3-(3)-----|---------------3-|
|-1-------------|--------------------|-----------------|
H +Q. S S H. S S E E. S +E E +Q. E H +Q S S E
|----------------|-------------0-|--------------------|------------------|
|-3----(3)---1---|-----------1---|-3--1-(1)---------1-|-3----(3)--3-1----|
|--------------3-|---------3-----|----------3-(3)-----|---------------3--|
|----------------|-1-------------|--------------------|------------------|
1st & 2nd Verses
W S S E S S S S E E E E E E E S S S S E Q
|----------||------------------------|--------------------|
|-3--------||o-----------------------|--------------------|
|----------||o-----------------------|--------------------|
|----------||--1-1---1-1---1-1---1---|-1---1---1-1--------|
S S E S S S S E E E E E E E S S S S E Q S S E S S S S E E E E
|-----------------------|--------------------|------------------------|
|-----------------------|--------------------|------------------------|
|-----------------------|--------------------|------------------------|
|-1-1---1-1---1-1---1---|-1---1---1-1--------|-1-1---1-1---1-1---1----|
E E E S S S S E Q S S E S S S S E E E E E E E S S S S E Q
|--------------------|-----------------------|--------------------||
|--------------------|-----------------------|--------------------||
|--------------------|-----------------------|--------------------||
|-1---1---1-1--------|-1-1---1-1---1-1---1---|-1---1---1-1--------||
Chorus
$
E E E S S E E Q E E E S S E E Q E S S +S S E Q S S E
|------------------|------------------|------------------------|
|------------------|------------------|-----1-(1)---3----3-1---|
|-3-------3-3------|-1-------1-1------|----------------------3-|
|------------------|------------------|-1----------------------|
E S S +S S E E S S Q E E E S S E E Q E E E S S E E Q
|-------------------0-2--|------------------|------------------|
|-----1-(1)---3---3------|------------------|------------------|
|------------------------|-3-------3-3------|-1-------1-1------|
|-1----------------------|------------------|------------------|
1. 2.
To Coda
E S S +S S E Q S S E E S S +S S E E S S Q E S S +S S E E S S Q
|-------------------------|-------------------0-2---||-------------------0-2--||
|-----1-(1)---3----3-1----|-----1-(1)---3---3------o||-----1-(1)---3---3------||
|----------------------3--|------------------------o||------------------------||
|-1-----------------------|-1-----------------------||-1----------------------||
Interlude
S S E S S S S E E E E E E E S S S S E Q S S E S S S S E E E E
||------------------------|--------------------|-----------------------|
||o-----------------------|--------------------|-----------------------|
||o-----------------------|--------------------|-----------------------|
||--1-1---1-1---1-1---1---|-1---1---1-1--------|-1-1---1-1---1-1---1---|
1. 2.
D.S. al Coda &
E E E S S S S E Q E E E S S S S E Q E S S +S S E E S S Q
|---------------------||--------------------||-------------------0-2--||
|--------------------o||--------------------||-----1-(1)---3---3------||
|--------------------o||--------------------||------------------------||
|-1---1---1-1---------||-1---1---1-1--------||-1----------------------||
Horn Solo
S S E S S S S E E E E E E E S S S S E Q S S E S S S S E E E E
|-----------------------|--------------------|------------------------|
|-----------------------|--------------------|------------------------|
|-----------------------|--------------------|------------------------|
|-1-1---1-1---1-1---1---|-1---1---1-1--------|-1-1---1-1---1-1---1----|
E E E S S S S E Q S S E S S S S E E E E E E E S S S S E Q
|--------------------|-----------------------|--------------------|
|--------------------|-----------------------|--------------------|
|--------------------|-----------------------|--------------------|
|-1---1---1-1--------|-1-1---1-1---1-1---1---|-1---1---1-1--------|
Outro
S S E S S S S E E E E E E E S S S S E Q E S S +S S E Q S S E
|-----------------------|--------------------||--------------------------|
|-----------------------|--------------------||o-----1-(1)---3----3-1----|
|-----------------------|--------------------||o----------------------3--|
|-1-1---1-1---1-1---1---|-1---1---1-1--------||--1-----------------------|
E S S +S S E E S S Q S S E S S S S E E E E E E E S S S S E Q
|-------------------0-2--|-----------------------|---------------------|
|-----1-(1)---3---3------|-----------------------|---------------------|
|------------------------|-----------------------|---------------------|
|-1----------------------|-1-1---1-1---1-1---1---|-1---1---1-1---------|
S S E S S S S E E E E E E E S S S S E Q
|-----------------------|--------------------|
|-----------------------|--------------------|
|-----------------------|--------------------|
|-1-1---1-1---1-1---1---|-1---1---1-1--------|
S S E S S S S E E E E E E E S S S S E Q 3x
|-----------------------|---------------------||
|-----------------------|--------------------o||
|-----------------------|--------------------o||
|-1-1---1-1---1-1---1---|-1---1---1-1---------||
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths