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[Intro] E A E A [Verse 1]
A sEingle note passes Bout of the Eashes A flC#mickering ember begBins It’s the cEourage to turn when the pBages have bEurned And your stAory now sEeems at an Bend SC#measons stay and sG#measons gC#mo SAending your mEemories adBrift It’s the bEeautiful longing, embrBace the unknEown That’s the mAystery of your gEift A E A
[Chorus]
And the C#mechoes of your mG#melo--dC#my will Aalways lEive in these wBalls And the lC#messons that you gG#mave to mC#me, befAore you can flEy, you must fBall It’s the bEeautiful longing, embrBace the unknEown That’s the mAystery of your gEift A E A E A E A
[Verse 2]
There’s a vEoice in the shadow cBalling for mEore There’s a rhAythm that bEeats from withBin LEending your voice to the wBarmth of the sEong There’s a strAength in the chEoir of Bone PC#mure as the voice that sG#mees the plC#mace where the wAeight of your pEast may now lBift It’s the bEeautiful longing, embrBace the unknEown That’s the mAystery of your gEift A E A
[Chorus]
And the C#mechoes of your mG#melo--dC#my will Aalways lEive in these wBalls And the lC#messons that you gG#mave to mC#me, befAore you can flEy, you must fBall So sAing higher & higher, a thEousand new voices ring thrBough If you sAing out of the fire, the cEourage you need comes frBom you
[Bridge] F# C# F# B F# C# F# C# F# B F# C# **[Chorus]
And the D#mechoes of your mA#melo--dD#my will Balways lF#ive in these waC#lls And the lD#messons that you gA#mave to mD#me, befBore you can flF#y, you must faC#ll It’s the bF#eautiful longing, embraC#ce the unknowF#n That’s the mBystery of your gF#ift B F# B It’s the bF#eautiful longing, embrC#ace the unknown That’s the mBystery of your gF#iftB F# B F# B
** The last part of the last chorus is played different in the actual recording: [Chorus]
And the D#mechoes of your mA#melo--dD#my will Balways lF#ive in these waC#lls And the lD#messons that you gA#mave to mD#me, befBore you can flF#y, you must faC#ll It’s the bF#eautiful lBonging, embrF#ace the unknBown That’s the mBystery of your gF#ift B F# B
Over the second half he plays his intro piano lick. For
[....] the mBystery [....] you can hear that he plays it aggressively to make it stand out from the intro lick.