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The other tab is a half-step too high, and had a few chord changes out of place or lacking. You could play this with a Capo on 2: B = A shape F# = E shape E = D shape G#m = F#m shape
That Bmeans no where I come F#from. I am cold, out waiting for the day to come. I chBew my lips,B oh anF#d I scratch mEy nose, feels so good to be a rose.
Oh Bdon't, don't you lift me up like I'm that shy, no no no no no, just give it F#up – There areE bats F#all disBsolving in a row intoE the F#wishy-G#mwashy dark that cannot let go. I cannot let Bgo, so I thank the lord, and I thank his sword! 'tho iF#t be mincing up the mornG#ming, slightly bored. O, Bmorning witEhout warning Blike a hole, and I Ewatch you go.
There are Bsome moF#rnings whEen the sky looks like a road. There are Bsome drF#agons whoE were built to have and hold. And sBome machinF#es are droppeEd from great heights lovingly. and some Bbellies Eache with mBany bF#umblebees. (anEd they sting so terribly).
I do as I Bplease. Now I'm on my knees. Your skin is somethiF#ng that IG#m stir into my tea. And I am Ewatching you and you G#mare starry, starry, starry and IB'm tumblF#ing down, aEnd I check a frown. IBt's why I love this town. Well, just look around: to seG#me me serenaded hourly! celebrated sourly! dEedicatedF# dourly; waltziBng with the open sea – F#clam, crEab, cocF#kle, cowrie : wG#mill you just look at me' B D B F# E x3 (3rd time) F# B Oh… Hmm