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Capo: 2 Tuning: E A D G B E
Tupelo Jason Isbell and the 400 Unit from The Nashville Sound Capo: 2 [Chords] D* (Dadd4add9) = x54030 (C shape, raised two frets) Em7 = 010000 (the one finger E7) [Intro] | G . . D* | C | G . . D* | C | [Verse 1] |G D* |C | . Haven't been wasted in a long time |G D* |C . . But tonight it feels just fine C/B |Am Ridin' home with windows up |Em |D |D Alone with a plastic cup of real good wine . . . [Chorus 1] |G D* |C When I get out of this hole I'm goin' to Tupelo |G |D There's a girl down there that'll treat me fair |G D* |C C/B Get about a week of spring and the summer is blistering . . . |Am D |Em Em7 There ain't no one from here that'll follow me there . . . |C D |G . . D* | No, there ain't no one from here that'll follow me there | C | G . . D* | C | [Verse 2] |G D* |C | . She said there's nothin' left to talk about |G D* |C C/B . And at my age I should've figured out . . . |Am Which drawer to put the good knives in |Em |D | D | The war between weekends tore our playhouse down [Verse 3] |G D* |C | . Kept her close, and way too close to me |G D* |C . She never lived up to my memory C/B |Am Drivin' fast with the windows down |Em |D |D A past I don't belong to now, a mystery . . . [Chorus 2] |G D* |C When I get out of this hole I'm goin' to Tupelo |G |D There's a girl down there that'll treat me fair |G D* |C C/B Get about a week of spring and the summer is blistering . . . |Am D |Em Em7 So, there ain't no one from here that'll follow me there . . . |C D |G | No, there ain't no one from here that'll follow me there [Break] | Bm | G | Bm | C | C | [Chorus 3] |G <> D* |C When I get out of this hole I'm goin' to Tupelo |G |D There's a girl down there that'll treat me fair |G D* |C C/B Get about a week of spring and the summer is blistering . . . |Am D |Em Em7 There ain't no one from here that'll follow me there . . . |C D |G . . D* | Well, there ain't no one from here that'll follow me there [Outro] | C | G . . D* | C | G <> | Charted by Dexex ... with thanks to kgemeinhart. This chart owes a lot to the chart produced by kgemeinhart, who correctly identified the D-chord in the 3rd line of the chorus. That chord, a C-chord shape played up two frets, is the backbone of this song, and is used more than kgemeinhart realized. That, along with lyric and chord tweaks, and measure marks, is why I made a new chart. Kgemeinhart identified the chord as "Dadd9add11." I've seen it more often as "Dadd4add9" which I've shortened to D* to get you to look at the chord diagram. If you research the chord, there is no consensus about what to call it, and no symbol for "add". ("+" means "augmented.") Just remember, it's a C-chord played up two frets to make it a D-chord.