Standard tuning. You can put a capo on the first fret and remove the sharps and play it accordingly, but Jack likes to play bar chords, so no capo is needed. INTRO Gm VERSE

^A#As I was saying^Fm Just before you left the r^D#oom Before ^A#I assumed That y^G#ou might ^D#not come aro^A#und

^A#As I was saying^Fm Just after I took m^D#y foot from My m^A#outh and put it b^G#ack ^D#On the gr^A#ound

CHORUS

^D#I don't want to disapp^Foint you ^A#I don't want to disapp^D#ear From h^Cmere or n^Fow or y^A#ou

VERSE

^A#This is worth saving^Fm Because the sum of us is m^D#ore than us If you ^A#add us up

Then subtr^G#act my l^D#ack of sl^A#eep ^A#My mind feels crazy^Fm When all these thoughts come ^D#rushing in Should I be tr^A#usting them Or ^G#only l^D#et them b^A#e?

CHORUS

^D#I don't want to disapp^Foint you ^A#I don't want to disapp^D#ear From h^Cmere or n^Fow or y^A#ou

BRIDGE

^CmIs it just a matter of t^Fime? ^CmOr does it even matter at ^Dmall? ^D#Because even if this st^A#ory should f^Cmall From the sk^D#y to the s^A#ea ^A#If I should ^Cmfall Would you f^D#all down with me^Gm? Would you fall?^F

VERSE

^A#Found my foundatio^Fmn It was underneath me ^D#all along ^A#On this path I'm on, Now I n^G#ever w^D#alk al^A#one

^A#I've been erasing^Fm Rewrote the second h^D#alf like this So my prot^A#agonist Might f^G#ind his w^D#ay back h^A#ome

CHORUS

^D#I don't want to disapp^Foint you ^A#I don't want to disapp^D#ear From h^Cmere or n^Fow or y^A#ou No not from h^Cmere or n^Fow or yo^A#u

Jack Johnson - As i was saying