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Capo: 1 Tuning: E A D G B E
Looking at the NPR Tiny Desk Concert on YouTube, I saw that she actually frets some chords differently and plays without a capo. My version lets you use more open strings, which I prefer for acoustic guitars. See my notes at the very end if you want to play it without a capo. First, let's talk about some of the CHORDS (Noted chord names and frets are relative to the capo position, so capo 1st plus noted 7 equals 8th fret.) Most importantly the opening chord, which I will call Dsus4b5/F# (I'm terrible at this) until somebody corrects me. e|----------| B|--(0)-----| G|---0------| D|--(0)-----| A|---9------| E|----------| When this chord is played, the 4& time is usally an Em chord that just leads into the C, played like this: (Vary the amout of open string sound depending on the part of the song and/or your liking.) e|----------| B|--(0)-----| G|---0------| D|----------| A|---7------| E|----------| Since this is just a one stroke lead and not strictly necessary, I will not include it in the tab to keep it more focussed. There's also a lot of root + third chords, sometimes played over a (optional) different bass note. I'l write these down as "3" chords. Example: Chord: D3 D3/A e|------------| B|------------| G|------------| D|--4----4----| A|--5----5----| E|-------5----| I like fattening it up a bit with the 4th notes in the bass when playing only on one guitar. But these are not taken from the main guitar line, so just take them as a suggestion and ignore them at will. The song rarely uses full chords with all strings played, it focusses more on the low strings. I will try to mark that by using *. An example from the second verse/Chorus-type thing: Chord: G* e|---------| B|---------| G|--4------| D|--5------| A|--5------| E|--3------| The Cm is played as an Em shape bar chord, although that's only important to get the high octave at the end of the second verse. Other than that, do whatever. Chord: Cm e|--8------| B|--8------| G|--8------| D|--10-----| A|--10-----| E|--8------| In the second half of the song, there's a G/B chord ("dark dark web"). I play it like this Chord: G/B e|---------| B|-(0)-----| G|---------| D|--5------| A|--5------| E|--7------| [Intro] (play half palm muted, 5 chords only as root and 5th, don't add the octave in the first verse yet) Dsus4b5/F# C5 G5 Well-dressed, but walking in the wrong direction
LouD3isiana, my disordered rC3oad always led sE5traight back into yD5ou Dsus4b5/F# C5 "Ha ha ha," goes the train I wanted to leave but G5here I am again, LoD3uisiana! D3I don't remember C3I don't remember ever shaking hE5ands with you-know-D3who
[Verse 2] (Play stings more open now, also add the octave in on the 5 chords) E5 G* When I was alive, I lived despite the law
Now the law has bD3/Auried me many, many tC3/Gimes E5 G* It's built a freeway all around my bed I saw it once oD3/Apen its great mouth C3/Gwide But E5it was so full of afflicted hC3ouses and buildings Cm G* I can't remember what it was saying
[Verse 3] Dsus4b5/F# Well-dressed
Well, some of us C5are, that is The ones who know G5how, that is Some of us D3/Aare, that is The ones who know C3/Ghow, that is, that is, that is, that is
[Verse 4]
I read aCmbout you and came home to find my mFother Staring deep inBbto the dark, darkG/B web She started bCmegging me Not to gFive my social sBbecurity number to anG/Bybody else There goes the sCmound of the frF3/Ceeway
[Chorus]
F3/C"Ha ha ha ha ha," goBbes the train "Ha ha ha ha ha," gFoes the train Well-dressed, but waGmlking, I
Walking, I
I don't wanna gFo back, no, no [Outro] (Chords from beginning of verse 1)
Dsus4b5/F# C5 Dooooo, doo doodoo dodoo
doo doodoo dodG5oo doo doodoo dodD3oo
Dsus4b5/F# C5 Dooooo, doo doodoo dodoo
doo doodoo dodG5oo doo doodoo dodD3oo
NOTE: As mentioned in the beginning, Frances plays this without a capo in the NPR video. If you want to play it in the right key and without a capo, you basically just have to play that Dsus4b5/F# chord differently. and move everyhing else up a fret (just click the tanspose +1 button, UG should do that for you.) Dsus4b5/F# would become a D#sus4b5/G played like this: D#sus4b5/G e|----------| B|----------| G|----------| D|---6------| A|---10-----| E|----------| ...where she plays the following C#5 like this e|----------| B|----------| G|----------| D|---6------| A|----------| E|---9------|