FORMAT - THE COMPROMISE CHORDS

The Compromise (Dog Problems) by The Format Tabbed by Andy Frey I noticed that there was no complete tab for this song as it is on Dog Problems. And the intro and solo tab on this sight has some serious problems, so I thought it would fix it. I don't have the riff at the end figured our yet, but I'll edit it in once I do figure it out. Enjoy! Standard tuning (EADGBe) Intro: C#m A E C#m A E C#m A E A E A A C#m A E C#m A E C#m A E A E A E e|-----------------------------------------------------------------------------| B|------------------------------9-7--------------------------------9-----------| G|-9-8-6-8-9----7----9-8-6-8-9------9-6----9-8-6-8-9----7----9-9-9---9-9-9-9-9-| D|------------9---9---------------------9-------------9---9--------------------| A|-----------------------------------------------------------------------------| E|-----------------------------------------------------------------------------|

^EYou, you think it's c^F#ool to be crazy I say you?re b^Aorn rich stay rich there's no point in taking c^Ehances And m^Ee, I wouldn't c^F#all it a sophomore slump no (Ah me, no no a-ah oh) I?d say I?m ^Aone step closer being just where I w^Eant to be ^F# Away from this scene ^A Away from this machine, alright

^C#mMeet me ^Ain the m^Eiddle ^C#mC?mon let's m^Aake up a d^Eance And w^C#me'll agr^Aee to c^Eall it the c^Aomprom^Eise^A ^E

Step ^Eone: find a p^F#artner, grab a pen | (one, find a partner) Don't you d^Aare ask questions just sign on the dotted l^Eine | (dare, on the line) Step tw^Eo: throw your p^F#artner behind the desk | (two, throw your partner) Where they'll do ^Aabsolutely nothing so it's your job to dance and sm^Eile | (just dance and smile)

The whole time

^F# Don't call it a trend ^A ?Cause it's the only way we think to get ahead

M^C#meet me ^Ain the m^Eiddle C^C#m?mon let's m^Aake up a d^Eance And w^C#me'll agr^Aee to c^Eall it the c^Aomprom^Eis^Ae ^E There's n^C#mo sense ^Ain compl^Eaining It d^C#moesn't ch^Aange our m^Einds ^C#mTake me ^Aby the h^Eand let's c^Aomprom^Eis^Ae ^E

^Bm I can f^Aeel your feet t^Eouching mine ^Bm If you can't d^Aance there's s^Eomeone else in line

[Solo] C#m A E C#m A E C#m A E

^Ax2^E ^A ^E C#m A E C#m A E C#m A E A E A E e|-----------------------------------------------------------------| B|-12-10------10---------------------------------------------------| G|-------12-9----12p9-9-9----7---9-7-------------------------------| D|-------------------------9---9--9-5----9-9-7-9p7-9-5-7p5-7p5-2-2-| A|-----------------------------------------------------------------| E|-----------------------------------------------------------------|

C#m A E C#m A E A E A E e|-15h17-15-17-17-15---------------------------------------------------| B|-------------------15-17----15----17-15------------------------------| G|-------------------------16----16---16--12--16-14\12-12h14-12h14-...-| D|---------------------------------------------------------------------| A|---------------------------------------------------------------------| E|---------------------------------------------------------------------|

^Bm I can f^Aeel your feet t^Eouching mine ^Bm If you can't d^Aance there's s^Eomeone else in line

^C#mMeet me ^Ain the m^Eiddle ^C#mC?mon let's m^Aake up a d^Eance And w^C#me'll agr^Aee to c^Eall it the c^Aompromis^Ee ^A ^E There's ^C#mno sense ^Ain compl^Eaining It ^C#mdoesn't ch^Aange our m^Einds ^C#mTake me by the h^Aand let's c^Eomprom^Aise ^E ^A ^E ^A ^E ^A ^E

Format - The compromise