FORMAT - DOG PROBLEMS CHORDS

THE FORMAT :: DOG PROBLEMS TABS BY BRANDON KARCIC UNLESS OTHERWISE CREDITED This is one of my favorite albums, and I've been wishing there was more of it on UG so that the whole world could learn it and play it and love it. So I went through the whole album, wrote chords for what was missing, and revamped all of the chord sheets that already existed. I hope you hardcore Format fans enjoy this one a lot. Credit goes to several people whose tabs I borrowed or improved for this. -Pick Me Up :: Don Tago (recebedou@yahoo.com) -Snails :: azimuth457 (azimuth457@gmail.com) -The Compromise :: andyp2345 -Inches and Falling :: Sephythrox (Sephythrox@aol.com) If you find any mistakes or would like to suggest any revisions, email me: bkmusic87@gmail.com -------------------------------------------------------------------------- Song: "Matches"/"I'm Actual" (Tracks 1 & 2) Tabbed by: Brandon Karcic Chords -C-|-C/B-|-Am-|-Fmaj7-|-D7-| -0-|--0--|-0--|--0--|-0-| -1-|--1--|-1--|--1--|-1-| -0-|--0--|-2--|--2--|-2-| -2-|--0--|-2--|--3--|-0-| -3-|--2--|-0--|--0--|-0-| -x-|--x--|-x--|--x--|-x-| Intro: C - C/B - Am - C/B

^CAshes to ^C/Bashes, some d^Amust on the ^C/Bdash ^CI got my c^C/Bigaret^Amtes ^C/B

But I ^Fmaj7can't f^Amind the f^D7ire, it's ^Amcalming me down C C/B Am C/B

^CI was just ^C/Bout on a n^Amight with my f^C/Briends ^CYou are still ^C/Bout on a ^Amnight with your f^C/Brienda

And you ^Fmaj7don't s^Ameem to t^D7ire when ^AmI'm not ar^Cound^C/B ^Am ^C/B

^GI'm under the ^Ftunnel, I'm holding my br^Ceat^C/Bh ^Am ^C/B C C/B Am C/B

^CI searched every p^C/Bocket that h^Amung in the c^C/Bloset Until ^CI found some ma^C/Btches in a b^Amrown leather j^C/Backet

One I ^Fmaj7swore ^AmI'd never w^D7orn, but it o^Amnce kept you w^Carm ^C/B ^Am ^C/B

^GDo you rem^Fember we made love on the fl^Coor? ^C/B ^Am ^C/B

And you s^Fmaj7till ha^Amven't ca^D7lled ^Am So I ^Fmaj7wait until they're ^Amclosing the b^D7ars ^Am

C C/B Am C/B G F C (Let this one ring) I made a wish but the match never lit (That's the end of "Matches", then starts "I'm Actual") ----------------------------------------

Can we t^Cake the next hour and^C/B talk about me

T^C/Balk about me, and we'll t^Amalk about me ^AmTalk about me, and we'll o^Gnly talk about ^Cme

Can we ple^Case take this hour and ^C/Btalk about me

and my ^C/Bhatred for corporate ^Ammagazines ^Amyou know they don't s^Gpeak to me

The i^Fro^Gny is they wo^Gn't sp^Ameak w^C/Bith m^Ce ^C(I'm Actual, I'm Actual...)

VERSE 2

^FI pl^Gaced you on a ^Amwindowsill^G ^FCut no^Gtches ^Amup and down the d^Goor

^FMy surpr^Gise, I w^Amoke up one m^Gorn In our b^Fed, In your pl^Gace lay a n^Cote; It read:

(The next part uses simple bar chord shapes, like so.) ----A----Ab/A---G-----F#-G------- D|--7------6-----5------4----------------------------| A|--7------7-----5------5----------------------------| E|--5------4-----3------2----------------------------| Am Ab/A G F#/G Baby your love it just ain't good enough

I found s^Funlight six h^Gours aw^Cay Am Ab/A G F#/G (let ring) You watered me down 'til I drifted abound

^FSomewhere f^Gar from your sh^Cade

^FNow I ^Gshadow my ^Amformer self^G ^FOnce ^Gholy, now l^Amonely; a ch^Gest full of

^Fholes; Red w^Gax, it p^Amaints me uncl^Gear when the b^Fig hand strikes twe^Glve

C (let ring) I disappear Am Ab/A G F#/G and the angels are fake and they'll lie to your face

Anyt^Fhing to k^Geep you a^Cway Am Ab/A G F#/G You watered me down 'til I drifted abound

G G G G SOLO SECTION Am Ab/A G F#/G F G C Am Ab/A G F#/G

It's t^Gime I accept the fact

That you on your back has buried the past

Can we ta^Cke the next hour and ^C/Btalk about me

T^C/Balk about me, and we'll ^Amtalk about me ^AmTalk about me, and we'll on^Gly talk about ^Cme

Can we pl^Cease take this hour and t^C/Balk about me and my ^C/Bhatred for corporate ^Ammagazines

^Amyou know they don't s^Gpeak to me F G G Am C/B C (let the last chord ring!) The irony is they won't speak with me

--------------------------------------------------------------------- Song : Time Bomb (Track 3) Tabbed By: Brandon Karcic INTRO

^COh no,^G was it worth it? ^C ^G

VERSE piano part, which I play on guitar like this: ...G....G.Am...Am.C/B..C/B.C.C/B.Am.G e|-3----3--0----0--0----0--0--0--0- | B|-0----0--1----1--1----1--1--1--1-o| G|-0----0--2----2--0----0--0--0--2- | D|-0----0--2----2--0----0--2--0--2- | A|-2----2--0----0--2----2--3--2--0-o| E|-3----3--X----X--X----X--X--X--X- |x2 ...F....F..G....G..Am..Am.C/B.Am.G e|-1----1--3----3--0----0--0--0--3- | B|-1----1--0----0--1----1--1--1--0-o| G|-2----2--0----0--2----2--0--2--0- | D|-3----3--0----0--2----2--0--2--0- | A|-3----3--2----2--0----0--2--0--2-o| E|-1----1--3----3--X----X--X--X--3- |x2

^GStarting n^Amow I'm ^C/B starting o^Cve^C/Br ^Am ^G

^AmI'm gonna ^C/Bsleep ^C ^C/B ^Am ^F ^Gwith the n^Amext per^C/Bson ^AmI m^Gee^Ft

G Am C/B Am G

^GStarting n^Amow I'm ^C/Bstarting over^C ^C/B ^Am ^G

^AmYou swore ^C/B"togethe^Cr ^C/Bfore^Amver^F" Now ^Gyou're t^Amelling ^C/Blies^Am, T^Gel^Fl me your worst

^GThey've ^Amgot ^C/B ^Am ^G ^F no

^GThey've ^Amgot ^C/B ^Am ^G ^F no concept of time

CHORUS

^AmTick tock, yo^Fu're not a clock

You're a ti^Dmme b^Comb baby

A ti^Dmme bo^Cmb baby oh

C G C G ------------------------------------------------------------- Song: She Doesn't Get It (Track 4) Tabbed By: Brandon Karcic CAPO 4 INTRO & VERSE 1 C C/B Am C/B C C/B Am C/B

^CAll the gi^C/Brls pose for the s^Amame for pict^C/Bures ^CAll the bo^C/Bys got the same gi^Amrls' hair ^C/B

^CAnd I am b^C/Bored because I fee^Aml much older^C/B ^CLook at^C/B me as ^Amif I got a ^C/Breason to st^Care

PRECHORUS

But you t^Calk ^Gso lo^Dud That it c^Calms^G me d^Down, you're crying

^CLet's m^Cake ^Da to^Dast

CHORUS

^GShe says she's leaving on a Sunday ^AmOh, that leaves me one more night

^CCan I take you h^Gome? I know it's wr^Among, but I know your ty^Dpe

^GShe says she's leaving on a Sunday ^AmI don't care, I need to know where to turn

^CI tried it o^Gnce It never caught ^Amon, I was the o^Dnly one who got burned

C C/B Am C/B C C/B Am C/B VERSE 2

^CI've r^C/Bead every w^Amord you've ^C/Bsaid ^CFrom a ^C/Bposter^Am of a c^C/Bat

^CFour b^C/Books look acr^Amoss your s^C/Bofa C C/B Hold Am I thought your coffee table was more clever than that

^CIt gets w^C/Borse once we ^Amget to her r^C/Boom She st^Cops and she s^C/Bings, "D^Amo do do d^C/Bo do do do do"

^CI cl^C/Baim "N^Amew Religion^C/B" is my song ^CShe doesn't ^C/Bget it^Am, it's all b^C/Before she was bo^Crn

PRECHORUS 2

And you l^Cock ^Gyour ^Ddoor Like I've^C bee^Gn her^De before I feel like

^CI've s^Ceen ^Da gh^Dost

CHORUS 2

^GShe says she's leaving on a Sunday ^AmOh, that leaves me one more night

^CCan I take you h^Gome? I know it's wr^Among, but I know your ty^Dpe

^GShe says she's leaving on a Sunday ^AmI don't care, I need to know where to turn

^CI tried it o^Gnce It never caught ^Amon, I was the o^Dnly one who got burned

^CI was the ^Donly one who got burned

BRIDGE Em C

^EmSuddenly between sheets and eyelids ^CI am reminded why I don't do this

^EmI fall in love far too quickly ^CI never want her to forget me

^EmWhen you're gone Will you ca^Amll, will you wr^Dite?

CHORUS 3, 4, & 5

^GShe says she's leaving on a Sunday ^AmOh, that leaves me one more night

^CCan I take you h^Gome? I know it's wr^Among, but I know your ty^Dpe

^GShe says she's leaving on a Sunday ^AmOh, that leaves me one more night

^CCan I take you h^Gome? I know it's wr^Among, but I know your ty^Dpe

^GShe says she's leaving on a Sunday ^AmI don't care, I need to know where to turn

^CI tried it o^Gnce It never caught ^Amon, I was the o^Dnly one who got burned

^CI was the ^Donly one who got burned

^CI ^C/Bwas the on^Amly one who ^C/Bgot burned ^CI ^C/Bwas the on^Amly one who ^C/Bgot burned

C C/B Am C/B C C/B Am C/B C Hold -------------------------------------------------------------------- Song: Pick Me Up(Track 5) Originally Tabbed by: Don Tago (recebedou@yahoo.com) Edited and reformatted by: Brandon Karcic Almost exactly the same as the previous tab, but I added the ambient chords over the intro and included the backing vocal lyrics on the third and fifth choruses. INTRO

And y^Dou, you're gonna walk ba^Gckwards through the room Does that m^Dean I won't see you? It means you'll walk ^Gbackwards through the room

VERSE 1

^BmTiffany's crying, she's dying to make it ^Gout of this ^Dhell Well I just ^Emlaughed ‘cause it was my job to be her^A help

^BmI'm in my bedroom, I found me a corner where f^Griends won't debate my ^Dhealth Like "How^Em can he save some summer night when he can’^At save himself?"

CHORUS 1

You gotta ^Dpick me up, come on and pick me When I'm f^Galling down you've got to ^Gmpick me up

VERSE 2

^BmCut to December and how can a scalpel ^Gtear him to s^Dkin Reveal the ^Emwalks in the park, Lord, how can a heart come from t^Awo separate organs?

Are ^Bmyou gonna make this simple? Do y^Gou wanna make me ^Dsweet? Oh, well ^EmI know I know I know I know I let you d^Down, I let you ^Adown

CHORUS 2 & 3

You gotta ^Dpick me up, come on and pick me When I'm f^Galling down you've got to ^Gmpick me up

^DPrescriptions scripting a timeline

Swing sets, grade schools, and black eyes

^GFirst love, heartbreak and true love ^GmMistakes, heartbreak and true love

D VERSE 3

^DYou, You're gonna walk b^Gackwards through the room ^DDoes that mean I won't see you? It means you walk b^Gackwards through the room

Are ^Bmyou gonna make this simple? Do y^Gou wanna make me ^Dsweet? Oh, well ^EmI know I know I know I know I let you ^Ddown, I let you ^Adown

CHORUS 2 & 3

You gotta ^Dpick me up, come on and pick me When I'm f^Galling down you've got to ^Gmpick me up

^DPrescriptions scripting a timeline

Swing sets, grade schools, and black eyes

^GFirst love, heartbreak and true love ^GmMistakes, heartbreak and true love

D ----------------------------------------------------------------------- Song: Dog Problems (Track 6) Tabbed By: An unregistered UG user who did a fantastic job Edited and Reformatted By: Brandon Karcic Almost entirely the same as the previous chords, save for the very beginning and a couple G7s that can really just be played as Gs. PART ONE - THE BEGINNING

D^Con't you^Csus4 dare sp^Ceak for someone you don't know.

They'll feel it in the back of their throat.

We ^Amknow I can't construct a poem,

Cause words like girls get bored and run

C'est la vi^Fe, I say "I've got so many better things" I've got noth^Ging, you should see me,

I sm^Goke myself to s^G7leep. And blame postmodern t^Chings I can't relate, like summer camp and coastal states.

Like al^Amcohol and coffee beans; Dance floors and magazines. I ^Fthink its safe to say I've only got myself to blame

But boys in swoop^Ging haircuts are bringing me down, taking pictures of themselves.

INTERLUDE - HORNS GALORE C Am F G PART 2 - FINDING FLAWS IN EVERYONE

And so I walk^C the web in search of love, but always seem to end up stuck. I'm fin^Amding flaws in everyone, I've reached the point where all I want

Is to s^Fleep around in hopes that I will catch back up. We are para^Gllel lines, we’re running in circles, We're never meant to cross.

I'm at a lo^Css, you were my tangerine, my pussycat, my trampoline. Now alls^Am I get are wincing cheeks and dog problems, I signed a lease.

^FThinking my heart belonged at 93rd and Park. Instead I brok^Ge a girl’s heart, and flew back to Phoenix

To finish the year as it st^G7arted.

PART 3 - THE PART WHERE NATE RUESS BREAKS YOUR HEART, OR 'WAS IT WORTH IT WHEN YOU SLEPT WITH HIM?'

Can you hear^C me? Are you listening? This is the so^Amund of my h^Feart breaking. And I ho^Cpe it's entertaining, Cause for ^Amme it’s a^F bitch

Was it wo^Crth it when you slept with him? Did you get it a^Amll out of your sys^Ftem?

^CI am a man, Holdi^Dmng it all, ^EmI couldn’t breath,^F Coming across

^GI didn’t kno^Amw I couldn’t g^Give u^G7p

PART 4 - IS HE SPELLING 'BECAUSE,' OR 'BECCA'?

^CB is for believing you'd always be here for me. ^AmE is for everything, even when we see it though.

^FC, c is for seeing through you, you are a fake, which brings me ^GTo A because, because, you al^G7ways run away.

I never ^Cfinish phrases, I misspell, Open arms are prison cells. Wh^Amen I said, "I hate what I've become," I lied, I hated who I was.

So ^Fwhen you start to wonder 'bout the pain in my throat, Then don't you e^Gver, no never, ever, s^G7peak for someone y^Gou don't kn^Cow.

C -------------------------------------------------------------------------- Song: Oceans (Track 7) Tabbed by: Brandon Karcic CAPO 4 INTRO & VERSE 1 A E D E

^A ^E ^D Oh, Y^Eou've got ^AFl^Eaws t^Dhat you wont a^Edmit

Yet you t^Aell me its a s^Ein that I d^Don't bel^Eieve in ^AGo^Ed; You t^Draded in your c^Eross

For a ch^Aance to dance with s^Etars and n^Dow nothing is s^Eacred

PRECHORUS 1

^AOoo^Eoo^Dooo, I've given thought t^Eo leaving

A E D E Oooooooo, F-F-F-for some

^ATim^Ee ^D(Ooo) If only I could read ^Ea ^DMap; My moat is New Mexico so it's^E you I wrote

CHORUS 1

I started sending you a n^Aote On how I hope that you're ha^Eppy

I hear you're somewhere in the sa^Dnd And how I wish I was an oc^Eean

Maybe then (maybe th^Den) I'd get to see you again

A E D E A E D E VERSE 2

Now all my fri^Aends^E They br^Deak and they b^Eend

They take sh^Aape and they te^End To get be^Dtter with ti^Eme, And I say:

^A"Who am I ^Eto work so mu^Dch less to ^Eget more? You all de^Aserve what I am ^Ewalking towards

If you w^Dant, you should move aw^Eay,"

PRECHORUS 2

^AOo^Eoo^Do, This has become^E a weakness ^AOo^Eoo^Do, The golden state^E wins

ag^Aain^E (^DOoooo) Perhaps it's time ^EI settle down ^DSay its blue, at least that's a plus, Plus,^E I miss you so much

CHORUS 2

I started sending you a n^Aote On how I hope that you're ha^Eppy

I hear you're somewhere in the sa^Dnd And how I wish I was an oc^Eean

Oh n^Aoooo On how I hope that you're ha^Eppy

I hear you're somewhere in the sa^Dnd And how I wish I was an oc^Eean

Maybe then (maybe th^Den) I'd get to see you ag^Aain

BRIDGE A Throughout Why am I scared of people in a room? Why can't they see a good time are the people close to you? Why don't I just give in, have a drink and shake some hands? Oh ay oh, Oh ay oh Why am I scarred from what she did to me? Why can't I trust anyone, no, not even me? why don't I just give in, have a drink and shake some hands? Oh ay oh, Oh ay oh PRECHORUS 3

^AOoo^Eoo^Dooo, I've given thought t^Eo leaving

A E D E Oooooooo, F-F-F-for some

^ATim^Ee ^D(Ooo) Maybe it's time ^EI put a ^DProfile up of who I want to be

Fool eve^Eryone, just to start over clean I can^D hide behind a big blue screen

Or you can^E return to me (Return to me...)

CHORUS 3

^AOooooh How I hope that you're ha^Eppy

I hear you're somewhere in the sa^Dnd And how I wish I was an oc^Eean

Oh n^Aoooo Now I hope that you're happy^E

I hear you're somewhere in the sa^Dnd And how I wish I was an oc^Eean

Maybe then (maybe th^Den) I'd get to see you a^Aga^Ein^D

I'd get to see ^Eyou ag^Aai^En ^D I'd get to see ^Eyou ag^Aai^En ^D

I'd get to see ^Eyou ag^Aai^En ^D ^E

OUTRO

W^Ahy am I scared of p^Eeople in a ro^Dom? ^E W^Ahy can't they see a go^Eod time are the p^Deople close to y^Eou?

W^Ahy don't I just give i^En, have a dr^Dink and shake some h^Eands? Oh ay ^Aoh^E, Oh ay ^Doh^E

A E D E A E D E A E D E A E D E A ------------------------------------------------------------------ Song: Dead End (Track 8) Tabbed by: Brandon Karcic VERSE 1

Hold ^Con, there's a hole in my heart Everyo^Dmne can see right through me

(Em) F It goes all the way to the waves

Where my love she tried to wash it a^Gway^F ^G

See we br^Ceak for the summers so she can find lovers She th^Dminks that they're bottles of wine

(Em) F They make you dinner and they sing you to sleep

But by the morning find the bottle is em^Gpty^F ^G 'Cause she n^Amever gives it the time

Every bo^Dmttle she finds, they don't compare (Em) F To the ones she left behind; There is never a note

So she wa^Gits for me to come back ho^Fme ^G CHORUS 1

I'm looking for a de^Cad end song You wish that smoke could ch^Dmange its color

I love it when you t^Falk so much And act like nothing went wr^Gong^F

I'm l^Gooking for a de^Cad end song We sit and find fl^Dmaws in everyone

I want to keep you ^Fby my side Holding off tidal wa^Gves

VERSE 2

"M^Cint Car" is keeping us warm She lays cro^Dmssed upon the bed

(Em) F We are puzzles making shapes with our hands

I take my finger, turn it into a p^Gen ^F ^G Then I r^Amun my hand down your spine

You guess to w^Dmrite something profound, Something like: (Em) "Our love will last 'til we die"

^FI say "you're good at this game" but what I really wr^Gote is

How I've yet to be ^Fsav^Ged

CHORUS 2

I'm looking for a de^Cad end song You wish that smoke could ch^Dmange its color

I love it when you t^Falk so much And act like nothing went wr^Gong^F

I'm l^Gooking for a de^Cad end song We sit and find fl^Dmaws in everyone

I want to keep you ^Fby my side Holding off tidal wa^Gves

G REFRAIN

^AmI'm searching for a d^Emead end song ^AmYou wish that smoke could c^Emhange its color

^DmI wanna get you right by my s^Gide ^AmI'm searching for a^Em dead end song

^AmWe sit and find f^Emlaws in everyone ^DmI want to keep you right by my si^Gde

CHORUS 3

I'm looking for a de^Cad end song You wish that smoke could ch^Dmange its color

I love it when you t^Falk so much And act like nothing went wr^Gong^F

I'm l^Gooking for a de^Cad end song We sit and find fl^Dmaws in everyone

I want to keep you ^Fby my side Holding off tidal wa^Gves

Fade to end -------------------------------------------------------------- Song: Snails (Track 9) Tabbed by:azimuth457 Email:azimuth457@gmail.com Tuning: half step down(live)/standard-capo 2(recording) If you want to know where each part goes, watch a video of them playing this live here: http://www.youtube.com/watch?v=LvF9R695UlU Intro:UPDATED TOO! e|---------------------------------------------------------------------------| B|----3------3-------2---2---2--------3-----3------2---2--2------------------| G|----2--2---2--2----2---2---2--------2-----0------2---2--2------------------| D|--0-----0------0------------------0----0-----0----------4------------------| A|------0---4--0------------------------4-2---0-----------4------------------| E|-----------------2---5---2---0-----------------2---5----2------------------| Verse: the first time after the intro, try to play it a little more like the new intro, and then play this afterward. e|-----------------3--------------|----------------3-------------------------| B|----3-----3------3---3----------|---3-----3------3---3---------------------| G|----2-----0------0---0----------|---2-----0------0---0---------------------| D|--0----0-----0------------------|-0----0-----0-----------------------------| A|------4-2---0-------------0-2-4-|-----4-2---0-------------4-2-0------------| E|---------------3---2---0--------|--------------3---2---0-------------------| Pre-Chorus: e|-|-----------------|-------------------|-|------6----5---------------------| B|-|---3---3---3---5-|----3--------------|-|------6----5---------------------| G|-|---4---4---4---6-|----2--2-----------|-|------7----6---(twice next time)-| D|-|-----------------|--0-----0-0--4-2-0-|-|------6----5---------------------| A|-|-2---------------|------0------------|-|------8----7---------------------| E|-|-----2---3---5---|-------------------|-|------6----5---------------------| < repeat there >-------------------< > ^mess around with these chords^ Chorus: e|---------------------------------------------------------------------------| B|--------3--3---3--3---3--3---3--3---3--3---3--3---3--3---------------------| G|--------2--2---2--2---0--0---0--0---0--0---0--0---0--0---------------------| D|-------0--0----------------------------------------------------------------| A|-0-2-4--------4--4---2--2---0--0------------------------0--0-2-4-----------| E|-----------------------------------3--3---2--2---0--0----------------------| Outro: e|------------------3-------2------------------------------------------------| B|----3-----3-------3---3---3------------------------------------------------| G|----2-----0-------0---0---2------------------------------------------------| D|--0----0-----0------------0------------------------------------------------| A|------4-2---0-------0------------------------------------------------------| E|----------------3----------------------------------------------------------| VERSE Nico, come back home Show me that you care And loves just not a flare on my sleeve Sleep well, I pray that cardboard boxes, Set the perfect stage. 'Cause wood grain makes all man made things seem so out of date Life is not a play, it's what we Make of the people we love. CHORUS Snails see the benefits The beauty in every inch Oh why, why, why, why, why, why Are you quick to kiss? VERSE She bites at blades and leaves God damn you shrubbery Well I?m sick of vanity plates Should we move to the UK? 'Cause life here in the states has escaped PRE All the people in love What we make of these people we love Snails see the benefits The beauty in every inch Oh why, why, why, why, why Are you quick to kiss? Baby, maybe I spoke to soon I?ll touch you once you make the first move Snails see the benefits The beauty in every inch VERSE I watch her as she runs My mother jumps the gun She puts her in her arms That is just like my mom Never lets go, never lets me grow old I wanna pay her back But love is nothing you can tax My family?s not rich by any means But I feel we won the lottery, that day The rock swallowed the girl And I cried as cameras caught my eyes My tears turned into butterflies They fly away as caskets close A new day comes you?ll wake unfold Smile when you feel the sunlight You feel the sunlight You feel the sunlight CHORUS Snails see the benefits The beauty in every inch Oh why, why, why, why, why Are you quick to kiss? Baby, maybe I spoke to soon I?ll touch you once you make the first move Snails see the benefits The beauty in every inch Oh snails see the benefits The beauty in every inch ---------------------------------------------------------------- Song: The Compromise (Track 10) Tabbed by: Brandon Karcic This is based on the andyp2345 tab. Changes include: -The optional (A) (B) slide at the end of the chorus progression -A instead of A7 -Corrected chords on the bridge INTRO C#m A E C#m A E C#m A E (A) (B) E (A) (B) VERSE 1

Y^Eou, you think it'^F#s cool to be crazy I say you're b^Aorn rich - stay rich There's no point in taking ^Echances. A^End me, I wouldn't cal^F#l it a sophomore slump, no, I'd say I^A'm one step closer to bein' just where ^EI want to be

PRECHORUS 1

A^F#way from this scene, A^Away from this machine, Alright!

CHORUS 1

M^C#meet me ^Ain the ^Emiddle C#m A E, Well c'mon let's make up a dance C#m A E A E (A) (B) And we'll agree to call it the compromise

E(A) (B) VERSE 2

Step ^Eone: find a partn^F#er, grab a pen And don't you ^Adare ask questions, Just sign on the ^Edotted line Ste^Ep two: throw your^F# partner behind a desk Will then do ab^Asolutely nothing So it's your job to dance and ^Esmile the whole time

PRECHORUS 2

^F#Don't call it a trend, ^F#m'cause it's the only way we think to get ahead

CHORUS 2

Me^C#met me i^An the m^Eiddle C#m A E, Well c'mon let's make up a dance And w^C#me'll agr^Aee to c^Eall it ^A7the c^Eompromise

T^C#mhere's no ^Asense in c^Eomplainin' C#m A E, If it doesn't change your minds Take^C#m me by^A the ha^End, le^At's co^Empromise

BRIDGE 1

^BmI can fe^Ael your feet t^Eouchin' mine ^BmIf you can't d^Aance, there's s^Eomeone else in line

INTERLUDE C#m A E C#m A E C#m A E (A) (B) E (A) (B) C#m A E C#m A E C#m A E (A) (B) E (A) (B) BRIDGE 2

^BmI can fe^Ael your feet t^Eouchin' mine ^BmIf you can't d^Aance, there's s^Eomeone else in line

CHORUS 3

Me^C#met me i^An the m^Eiddle C#m A E, Well c'mon let's make up a dance C#m A E A E (A) (B) And we'll agree to call it the compromise

E (A) (B)

T^C#mhere's no ^Asense in c^Eomplainin' C#m A E, If it doesn't change your minds C#m A E A E (A) (B) Take me by the hand, let's compromise

E (A) (B) E (A) (B) E ------------------------------------------------------------ Song: Inches and Falling (Track 11) Tabbed by: Brandon Karcic Based on the tab by Sephythrox (Sephythrox@aol.com). I added a couple Dm's and changed the 'well well well' chords.

^AI l^Eove Love ^DI love ^Abei^Dng in love I ^Adon't car^Ee what it does to me

^ATake these tattered boxes that used to hold your clothes Break them down Build them ^Eback up with your bones All you did was construct a mess You're good to me when only flesh Yo^Au're a ^Amemory with nothing to show

^AWhen we would take trips We swore we'd never take pictures Pictures o^Enly prove you can't convince

Now I wish those photographs could convince you that what we had

wo^Auld only turn out a negative

^AWell w^Bmell ^C#mwell If ^Dfingertips are rela^Dmtionships Then ^DI could barely carry your we^Aight If fi^Bmngers are mistakes Do^Dn't use this one to point the bl^Aame Just ^Esing, sing

^AI lov^Ee love ^DI love be^Aing in lov^De I don't c^Aare what it ^Edoes to me Th^Aese pi^Ells are fine to pass the time 'Til ^DI find my^A new drug Then ^DWe'll ^Atake our chances ^Dwe'll^A last a month ^Dwe'll^A never speak again (E) A How i love being in love

(Interlude, A, E, A)

^AAnd don't pick up the line You're dressed to have a good time You don't n^Eeed him, you need to be seen So someone else can treat you wrong So you my love can sing this song

^AI love^E love ^DI love bei^Ang in lo^Dve I don't c^Aare what i^Et does to me These pi^Alls are fine to pas^Es the time 'Til ^DI find my new dr^Aug, then ^DThey'll take adv^Aantage ^DI'll claim that's ^Awhat i want ^DTo be the new statis^Atic ^DHow ^DmI love ^DHow ^DmI love ^DHow I love be^Dming in lo^Ave

^ATake these tattered boxes That used to hold your clothes Break them down Build them back up with your b^Eones All you did was construct a mess you're dead to me if love is death Yo^Au're a memory with nothing to show

^AWell w^Bmell ^C#mwell If ^Dfingertips are rela^Dmtionships Th^Den maybe I could us^Ae a break Sh^Bme smiles, She points at me sh^Des says: Baby i l^Aove how you sing So j^Eust sing

^AI l^Eove love ^DI l^Aove^D being in love I ^Adon't^E care what it does to me

^BI l^F#ove love ^EI l^Bove^E being in love I ^Bdon't^F# care what it does to me

Th^Aese p^Eills are fine to pass the time 'Til^D I fin^Ad my new drug

Then

^DWe'll^A take our chances ^Dwe'^All rise above ^Dwe'^All last until the end ^DHow ^DmI love ^DHow ^DmI love ^DHow I love be^Dming in lo^Ave

------------------------------------------------------------------------------ Song: If Work Permits (Track 12) Tabbed by: Brandon Karcic Last song on the album. My personal favorite. INTRO / THE VERSE WHERE SHE CHEATED ON HIM E

So the w^Eind that blows across your room, Ca^Arried cheap perfume onto your dresser, It rained for je^Ewelery and for credit cards, Two ti^Ackets to a film I don't^E remember, One da^Ay you'll kiss your rabbit's nose, pick up the phone, To find I've been turned^E over, You g^Arab that piece of gold, Only to find that the smell has taken o^Ever, And all the things you^A had, They aren't the sa^B7me As what you ho^Eld

Now I'm st^Eandin' in a room, That's filled with ol^Ader folks, They're pleading baby^E listen, And I scr^Eeam as loud as anyone, But when as^Aked to make a point, I tend to w^Ehisper Now h^Aighways turn to tidal waves, And they're asking me to export all of your ^Einsecurities, But that wi^And that blows across your room, it's gonna set the sails, And send me back to y^Eou, o^B7oh,

CHORUS - THE MELLOW ONE

^E Sometimes, when sailors are sailin', they, ^A Think twice, about where they're anchorin' And^E I think, I could make better use, ^A Of my time on land, I'll d^Erink less,

Cause Lord knows I could use a,

^A Warm kiss instead of a cold goodbye ^F# I'm writing the folks back home to tell them, ^A Hey I'm doing all right

THE BAMF BREAKDOWN / THE KING OF CARROT FLOWERS PT. 3 E A E A B E A E A B THE VERSE WHERE HE RECOUNTS A DARK CHILDHOOD MEMORY

It's a sh^Eame what your father d^Aid, To your b^Erothers head, he sma^Ashed it w^Bith the T^Eelepho^Ane ^E ^A ^B Your moth^Eer got scared and lo^Acked the door, You were on^Ely four, but Lo^Ard, y^Bou rem^Eember it^A, ^C#m ^BSo now you're sca^Ared of love I'm here to tell you love's not some fucking blood on the rec^Eeiver Love is spe^Aaking in code It's an inside joke, love is coming ho^Eme

CHORUS - THE NOT MELLOW ONE

^E Sometimes, when sailors are sailin', they, ^A Think twice, about where they're anchorin' And^E I think, I could make better use, ^A Of my time on land, I'll d^Erink less,

Cause Lord knows I could use a,

^A Warm kiss, Instead of a cold goodbye ^F# I'm writing the folks back home to tell them, ^A Hey I

THE VERSE WHERE HE'S OVER HER

Yeah I'm doing alr^Eight Yeah I'm doin' just fi^Ane And if she se^F#ems as lonely as me, Let her s^Aink Yeah I'm doin' alr^Eight, Yeah I'm doin' just f^Aine, And if she s^F#eems as lonely as me, let her, Si^Ank, you let her, sink, well let her!

THE SECOND BAMF BREAKDOWN / THE KING OF CARROT FLOWERS PT. 3 AGAIN / OUTRO E A E A B E A E A B E A E A B E A E B A Finish the album with loud grinding feedback ----------------------------------------------------------------------------- Hope you all enjoyed this. Long live the Format!

Format - Dog problems