Autoscroll
1 Column 
Text size
Transpose 0
Capo: 4 Tuning: E A D G B E
Live version on the record "Journeyman's Grace" (2005, recorded 2003). Studio version by Simon Nicol on "Before your time" (1987). The versions are virtually the same, some minor differences in the lyrics ("You" or "we" in the last chorus). Notes on the chords below. [Instrumental verse] C Em/B Am Am/G F F/G C F C G C Em/B Am Am/G F F/G C F G C F G C C/B Am F C Am G C C/B Am Am/G F F/G C F C C Am F G7 C C/B Am Am/G F G7 [Verse 1]
CMotherEm/B of DisAmaster Am/Gand SFister F/Gof our FCate, Fdo you count the trCagedies we sGee? CFather Em/Bof ConfAmusion Am/Gand BrFother F/Gof DebaCte, do Fyou recall the Gsister of RoseCmary? The Fdoodlebugs were fGlying The CBlitz wasC/B at its Amheight FRosemary lay sleCeping with her Amsister only Gfive, and nCo one Em/Bheard the Amone that Am/Ghit the oFne that bF/Glew the lCid. RFosemary came out cryCing but her sGister nG6ever dCid.
[Chorus]
And you fCly hAmigh and your dGadd2reams are Gall in vCain one mFoment you are sCinging and the Amnext you cry in pGain But Chigh aboEm/Bve the heAmavens Am/Gon a hFost of anF/Ggels' wAmings FRosemarys sCister will be dGancinCg.
C Am F G7 C C/B Am Am/G F G7 [Verse 2]
Her mCother Em/Bcried Amall that Am/Gyear as mFany F/Gothers dCid She puFlled thru for a mComent now and thGen. And the pCeople Em/Bdown in BAmethnal SAm/Gtreet in the rFubble F/Gand the stCones swept Fup their lives and stGarted off agCain. When tFyranny is bGiting you dCo your C/Bbest to tAmry to sFtifle all yourC heartaches till it'Ams safe again tGo cry And wChen at Em/Blast the dAmarkness clAm/Gears and the sFun comes sF/Ghining thCru you're dFusted off and G6starting all aCnew
[Chorus]
And you fCly hAmigh and your dGadd2reams are Gall in vCain one mFoment you are sCinging and the nAmext you cry in pGain But Chigh aboEm/Bve the heAmavens Am/Gon a hFost of F/Gangels' wAmings FRosemary's sCister will be dGancCing
C Am F G7 [Instrumental verse] C Em/B Am Am/G F F/G C F C G C Em/B Am Am/G F F/G C F G C F G C C/B Am F C Am G C Em/B Am Am/G F F/G C F G6 C C Am F G7 C C/B Am Am/G F G7 [Verse 3]
There's a tCeacher Em/Bin the clAmassroom, Am/Gthere's a mFother F/Gin the hCall. FThe children sit and wCait for the bell for hGome. CRosemaEm/Bry is wAmaiting, Am/Gshe has a cFhild nowF/G of her Cown she's wFaiting to colGlect and take her hCome. But soFmetimes in the sGilence in the fCirelight wC/Bhere she sAmits her mFind goes back to BCethnal Street, to the dAmarkness and the GBlitz. And she knCows if tEm/Bhere's anAmother Am/Gone, then the Fend will F/Gbe complAmete – I wFonder what they'd G6say in Bethnal SCtreet.
[Chorus]
And you fCly hAmigh and your dGadd2reams are aGll in vCain One mFoment we are sCinging and the Amnext we cry in paGin. But hCigh aEm/Bbove the Amheavens Am/Gon a hFost of F/Gangels' wiAmngs FRosemary's sCister will be dGancinCg.
C C/B Am Am/G F G7 C [Outro]
C(vFerGy mCuted) Notes: ====== Play the first chord in lines 1 and 3 in the verse, and in the chorus in the form x3x013 and then x3x010 – with a initial high 5th on the e-string.
Play the second chord in lines 1 and 3 in the verse in the form x2x000 and then x2x001 (I've chosen to write that second chord as E minor over B, to emphasis the melodic movement, and because I lift the index finger from the C on the b-string to do the F on the e-string, leaving the b to sound slightly. Technically, you could also interpret it as a C or Cmajor7 over B, or a G6 over B ... For the similar passage in the second half of the verse, though, I've chosen to keep the C/B, to emphasize the falling baseline.) (Always tricky to "collapse" a mostly picked arrangement to chords. Should a passing note be ignored, or considered a colouring of the chord before or after?) Try an alternative Dm7 instead of F in the last line of verse three ("I wonder..."), if you like. Good colouring after the Am. Go directly into the instrumental bars after each chorus. "Doodlebug" – a British colloquial name for the V-1 flying bomb.