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C'MON EVERYBODY (Bassline) As recorded by Eddie Cochran (From the 1958 Album 12 OF HIS BIGGEST FAVORITES) Words and Music by Eddie Cochran & Jerry Capeheart Transcribed by Slowhand Gtr I (E A D G) - 'Connie "Guybo" Smith - Bass' Intro 1 Q=178(8=s8) 4/4 Gtr I E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|------------------|| |-----------------|-----------------|-----------------|------------------|| |-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7--|| |-----------------|-----------------|-----------------|------------------|| Intro 2 & Interlude E E E E E E E E Q E E +E E E E E E E E E E E E E E E E +E E Q ||------------------|------------------|-----------------|------------------| ||o-----------------|------------------|-----------------|------------------| ||o-6h7-7-7-6h7-7-7-|------------------|-----------------|-----2-4-(4)-2----| ||------------------|-5--5-5-(5)-5-5-5-|-7-7-7---5-5-5---|-0-------------4--| E E E E E E E E Q E E +E E E E E E E E E E E E E E E E +E E Q |-----------------|------------------|-----------------|-------------------|| |-----------------|------------------|-----------------|-------------------|| |-6h7-7-7-6h7-7-7-|------------------|-----------------|-----2-4-(4)-2-----|| |-----------------|-5--5-5-(5)-5-5-5-|-7-7-7---5-5-5---|-0-------------4---|| 1st - 3rd Verses E E E E E E E E E E E E E E E E E E Q E E E E E Q E E E E E |-----------------|-----------------|----------------|-----------------| |-----------------|-----------------|----------------|-----------------| |-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7-|-6h7-7--6h7-7-6h|=7-7--7-7-7-7-7--| |-----------------|-----------------|----------------|-----------------| E E E E E E E E E E E E E E E E E E Q E E E E E Q E E E E E |-----------------|-----------------|----------------|-----------------| |-----------------|-----------------|----------------|-----------------| |-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7-|-6h7-7--6h7-7-6h|=7-7--7-7--------| |-----------------|-----------------|----------------|----------0-2-4--| E E E E E E E E Q E E +E E E E E E E E E E E E Q E E +E E E E |-----------------|------------------|-----------------|-------------------| |-----------------|------------------|-----------------|-------------------| |-----------------|------------------|-----------------|-------------------| |-5-5-5-5-5-5-5-5-|-7--7-7-(7)-7-7-7-|-5-5-5-5-5-5-5-5-|-7--7-7-(7)-7-7-7--| 1.,2. 3. e E Q H W 3x E E Q H W |-------------|-----------||-------------|------|| |-------------|----------o||-------------|------|| |-------------|----------o||-------------|------|| |-0-----------|-----------||-0-----------|------|| Outro E E E E +E E E E Q E E +E E E E ||--------------------|------------------| ||o-------------------|------------------| ||o-6h7-7-7-(7)-7-7-7-|------------------| ||--------------------|-5--5-5-(5)-5-5-5-| E E E E E E E E E E E E +E E Q 3x |-----------------|-------------------|| |-----------------|------------------o|| |-----------------|-----2-4-(4)-2----o|| |-7-7-7---5-5-5---|-0-------------4---|| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths