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C'MON EVERYBODY (Bassline)
As recorded by Eddie Cochran
(From the 1958 Album 12 OF HIS BIGGEST FAVORITES)
Words and Music by Eddie Cochran & Jerry Capeheart
Transcribed by Slowhand
Gtr I (E A D G) - 'Connie "Guybo" Smith - Bass'
Intro 1
Q=178(8=s8)
4/4
Gtr I
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------|------------------||
|-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7--||
|-----------------|-----------------|-----------------|------------------||
Intro 2 & Interlude
E E E E E E E E Q E E +E E E E E E E E E E E E E E E E +E E Q
||------------------|------------------|-----------------|------------------|
||o-----------------|------------------|-----------------|------------------|
||o-6h7-7-7-6h7-7-7-|------------------|-----------------|-----2-4-(4)-2----|
||------------------|-5--5-5-(5)-5-5-5-|-7-7-7---5-5-5---|-0-------------4--|
E E E E E E E E Q E E +E E E E E E E E E E E E E E E E +E E Q
|-----------------|------------------|-----------------|-------------------||
|-----------------|------------------|-----------------|-------------------||
|-6h7-7-7-6h7-7-7-|------------------|-----------------|-----2-4-(4)-2-----||
|-----------------|-5--5-5-(5)-5-5-5-|-7-7-7---5-5-5---|-0-------------4---||
1st - 3rd Verses
E E E E E E E E E E E E E E E E E E Q E E E E E Q E E E E E
|-----------------|-----------------|----------------|-----------------|
|-----------------|-----------------|----------------|-----------------|
|-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7-|-6h7-7--6h7-7-6h|=7-7--7-7-7-7-7--|
|-----------------|-----------------|----------------|-----------------|
E E E E E E E E E E E E E E E E E E Q E E E E E Q E E E E E
|-----------------|-----------------|----------------|-----------------|
|-----------------|-----------------|----------------|-----------------|
|-6h7-7-7-6h7-7-7-|-6h7-7-7-6h7-7-7-|-6h7-7--6h7-7-6h|=7-7--7-7--------|
|-----------------|-----------------|----------------|----------0-2-4--|
E E E E E E E E Q E E +E E E E E E E E E E E E Q E E +E E E E
|-----------------|------------------|-----------------|-------------------|
|-----------------|------------------|-----------------|-------------------|
|-----------------|------------------|-----------------|-------------------|
|-5-5-5-5-5-5-5-5-|-7--7-7-(7)-7-7-7-|-5-5-5-5-5-5-5-5-|-7--7-7-(7)-7-7-7--|
1.,2. 3.
e E Q H W 3x E E Q H W
|-------------|-----------||-------------|------||
|-------------|----------o||-------------|------||
|-------------|----------o||-------------|------||
|-0-----------|-----------||-0-----------|------||
Outro
E E E E +E E E E Q E E +E E E E
||--------------------|------------------|
||o-------------------|------------------|
||o-6h7-7-7-(7)-7-7-7-|------------------|
||--------------------|-5--5-5-(5)-5-5-5-|
E E E E E E E E E E E E +E E Q 3x
|-----------------|-------------------||
|-----------------|------------------o||
|-----------------|-----2-4-(4)-2----o||
|-7-7-7---5-5-5---|-0-------------4---||
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths