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Chris de Burgh - Timing Is Everything Released: march 4, 2002 Record Company: A&M Records Duration: 41:22 The Band: Chris de Burgh - Vocals and Backing Vocals Phil Palmer - Guitars James Nisbit - Guitars Peter Gordeno - Keyboards Rick Mitra - Bass, Drums and Percussion Shelley Nelson - Backing Vocals Tee Green - Backing Vocals Elissa - Special Guest on Lebanese Night Track List: Nr. Name Time Tabber 01. Guilty Secret 3:50 Betty Lou 02. If Beds Could Talk 3:46 frankowillo 03. Lebanese Night 4:46 frankowillo 04. Timing Is Everything 3:39 NBA96 05. There's Room in This Heart Tonight 3:37 Betty Lou 06. She Must Have Known 3:29 frankowillo 07. The Best That Love Can Be 3:58 Whydoe 08. Bal Masqué 3:27 NBA96 09. Love and Time 4:17 NBA96 10. Another Rainbow 3:46 Betty Lou 11. Save Me 2:47 NBA96 ___________________________________________________________________________________________________ ___________________________________________________________________________________________________ 01. Guilty Secret 3:50 Tabbed by: Betty Lou
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gAmuilty secret, dFeep in my heart, living in a gAmuilty secret lFife.
We meet at nAmight, we stay out late, and we avDmoid the man who makes her life so bAmad. 'Cause he doesn't wBbant her, the way that I wFant her, he doesn't nEeed her the way I dAmo.
The phone is hAmot with whispered words, and when we cDman't speak we have tAmextual delight. 'Cause he doesn't nBbeed her, the way that I nFeed her, he doesn't lCove her the way I dEo.
We're living with a gAmuilty secret dFeep in our hearts, living in a gAmuilty secret life.F And anytime I wAmant to see her, I jFust have to dream, I love hAme....F...r.
Oh, Dmit's alright, 'cause we've got time, Am a good thing's worth waiting for, and Dmit's my life, and I can say that she's mEine, mine, mine !
There was a tAmime, he was my friend, but now the wFay he treats that woman is the Amend. And she doesn't lBbove him, the way that she lFoves me, she doesn't wCant him anymEore.
We're living with a gAmuilty secret dFeep in our hearts, living in a gAmuilty secret life.F And anytime I wAmant to see her, I jFust have to dream, I love hAmer, I really lFove her !
Oh, Dmit's alright, 'cause we've got time, Am a good thing's worth waiting for, and Dmit's my life, and nobody knows that she's mEine, mine, mine !
We're living with a gAmuilty secret, dFeep in our hearts, living in a gAmuilty secret life.F (3x)
We meet at nAmight - guilty sFecret, we stay out lAmate - guilty sFecret. The phone is hAmot - guilty sFecret, whispered wAmords - guilty sFecret. We're living with a gAmuilty secret, dFeep in our hearts ... ___________________________________________________________________________________________________ ___________________________________________________________________________________________________
02. If Beds Could Talk 3:46 Tabbed by: frankowillo
If beds could Emtalk, Dmine would be Emsinging Singing aDbout the time when you and I were Emlovers DAll night Emlong We Dcould not Emstop
They were amazing times, they were the crazy times They were the best that I have known Another place to fly, another taste to try We were awake in a beautiful dream CHORUS:
If beds could Ctalk, mine would be Gsaying Come Dback and hold me Cin your arms agEmain If beds could Ctalk, mine would be Gcalling Come Dback and let me Clove you once agEmain

N.C.

If walls could Emhear, Dmine would reEmmember Every Dword we said when you and I were Emlovers DAll night Emlong We Dcould not Emstop
Remember every kiss and every touch of lips And every sensual delight They were hypnotic times, they were erotic times They were a thousand Arabian nights CHORUS:
If beds could Ctalk, mine would be Gsaying Come Dback and hold me Cin your arms agEmain If beds could Ctalk, mine would be Gcalling Come Dback and let me Clove you once agEmain
BRIDGE:
If beds could talk, if walls could hear, if windows see, iGmagine The Emmoments and the memories, they all come flooding back If Ctables turn, if wheels caress, if mirrors see the passion B7You'd be the best of them all
CHORUS: (## fade to end ##)
If beds could Ctalk, mine would be Gsaying Come Dback and hold me Cin your arms agEmain If beds could Ctalk, mine would reGmember So, come Dback and let me Clove you once agEmain C If beds could Emtalk - mine would be Csinging If beds could Emtalk - mine would reCmember If beds could Emtalk - mine would be Ccalling If beds could Emtalk - mine would be Cwaiting If beds could Emtalk - mine would be Csinging If beds could Emtalk C If beds could Emtalk C If beds could Emtalk C ___________________________________________________________________________________________________ ___________________________________________________________________________________________________
03. Lebanese Night 4:46 Tabbed by: frankowillo INTRO: Am It was late in a Lebanese restaurant
EmIn the Amheat of a Lebanese night EmThere was Amdancing, people were singing EmShe came Amin from the garden outside In her Geyes (Bi Ouyoona) I saw the Amstars (Bshouf E' Njoom) And I Ffelt something happen in my E7heaErt (Uh...)
Then I Amknew I was going to meet her EmIn the Amheat of a Lebanese night EmAnd the Amgirl inside the woman EmWho came Amover to sit by my side And when she Gsmiled The whole world Amstopped (Salam) It was Fthen I heard the echoes of a Gchild
CHORUS:
And did you Cgo to your bed with a Gsweet lullaDmby And the Amsound of the Cguns in the Gnight And did you Cdance in the fields, did you Grun for your Dmlife From the Amhell that came Cdown from the Gsky? F On a GLebanese Amnight F On a Lebanese Amnight
We went down to the edge of the water
EmBy the Amlight of a Lebanese dawn EmAnd she Amtold me all the stories EmOf her Ambeautiful land in the war Her tears fell Gdown The sun came Amup And I Fsaw again the young girl in her Geyes
CHORUS:
Ghammadt OuCyounak 'a Ghinniyyi Wa Sawt Bi 'Gllayl shou khiDmfan W' rahh bit Amdal hayk layCliyi init sihGran Shi marra mCshit bi hal mada, w' marra Ghrabt aw min Dmhada La indak Amjayi 'al Cghada w' kinit ta'Gban F On a GLebanese Amnight F On a GLebanese Amnight
BRIDGE:
Ana Ma 'areft illa maGkan Ma rahh bi Dmfil minnou 'ssaAmlam Fi hadaya ktar min ywazze'Emon Mish killi el Dmoulad fi hdiyyi iAmlon Uh... (Uh...) G
CHORUS:
And did you Cgo to your bed with a Gsweet lullaDmby And the Amsound of the Cguns in the Gnight And did you Cdance in the fields, did you Grun for your Dmlife From the Amhell that came Cdown from the Gsky? F On a GLebanese Amnight F On a GLebanese Amnight F On a GLebanese Amnight F On a GLebanese Amnight F I will be Gwaiting, in the LebaAmnon ___________________________________________________________________________________________________ ___________________________________________________________________________________________________
04. Timing Is Everything 3:39 Tabbed by: NBA96 Intro: D G A D G A D
We plDay the game, we pay the price, with lGuck that cAomes and gDoes, No mDatter what the Gods decide, we Galways spAoil their shF#ow, Just lGike when you are finally near the lF#mover of your drGeams, E And as you stand there wDaiting, she tGurns and wAalks awDay,
G And you discAover that tDiming is GeverythAing, you've gBmot to get it rGight,A TDiming is GeverythAing in lDife,
We brDeak apart when world's collide, as GeverybAody knDows, we knGow it! You hDear she'll be somebody's bride, and jGust can't lAet her gF#o, So gGet down to the church, and let her sF#mee you once agGain, E Before you know it she is kDissing you, and thrGows the rAing awDay,
G And then she whAispers to you, tDiming is GeverythAing, you fBminally got it rGight,A TDiming is GeverythAing in lDife,G A tDiming is GeverythAing in lBbife,
Sooner or lCater Amall good thBbings come to your hCeart, in lAife It's a wBbaitCing gDame,
G When you remAember that tDiming is GeverythAing, you've gBmot to get it rGight,A TDiming is GeverythAing in lDife,G A tDiming is GeverythAing, TDiming is GeverythAing, tDiming is GeverythAing, tDiming is GeverythAing, We plDay the game, we pGay the prAice, tDiming is GeverythAing, No mDatter what the GGods decAide, tDiming is GeverythAing, We brDeak apart when wGorlds collAide, tDiming is GeverythAing, We plDay the game, we pGay the prAice, tDiming is GeverythAing, No mDatter what the GGods decAide, tDiming is GeverythAing, We brDeak apart when wGorlds collAide, tDiming... ___________________________________________________________________________________________________ ___________________________________________________________________________________________________
05. There's Room in This Heart Tonight 3:37 Tabbed by: Betty Lou Capo 2 G C G D (2x)
G How many tDimes can I lEmook in your Ceyes, and sGay I have nDothing to gCive? And how mGany more tDimes must I wEmake in the nCight with drGeams of the wDay that you lCive? G
Well, I can hBmear yEmou crCying in sDilence, I can sBmee yEmou, lCost in the dDark. And I am nBmear yEmou, tCurn to me nDow, there's rCoom in this hDeart tonGight.
G So many pDeople all Emover the wCorld are lGiving in pDain and despCair, and so mGany reach Dout for the hEmand that can hCelp, still cGalling to nDobody thCere. G
Well, I can hBmear yEmou crCying in sDilence, I can sBmee yEmou, lCost in the dDark. And I am nBmear yEmou, tCurn to me nDow, there's rCoom in this hDeart tonGight.
There Fis a part of everyone that cannot see and cannot hear, becEmause we don’t want Eto E7know, but sFomewhere there's a bigger heart that's reaching out for all of us, a plCace to gDo. D7
G D Em C G D C
(There are so many in lGife D who need a hEmelping hCand, somebGody who can hDeal the pGain.)
Yes, I can hBmear yEmou crCying in sDilence, I can sBmee yEmou, you�C?re lost in Dthe dark. And I am nBmear yEmou, tCurn to me nDow, there's rCoom in this hDeart tonGi..D...Em...ght.D
There's rCoom in this hDeart D7 tonGi..D...Em....C..ght. there's rGoom in this hDeart tonCi..G..ght. ___________________________________________________________________________________________________ ___________________________________________________________________________________________________
06. She Must Have Known 3:29 Tabbed by: frankowillo
She must have Cknown from the moment she Fsaw him From the look in his Bbeye,C and the way that he Fsmiled She must have Dmdreamed of lying beAmside him His hands on her Gmbody,Bb his whispers of Flove
CHORUS:
There is nothing that the Ceye Bbcan't Fsee There is nothing that the Cheart Bbcan't Ffeel There is nothing that a Clove Acan't Dmheal Whatever is Bbwaiting It is meant to Fbe Bb It is meant to Fbe

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She must have felt thCe stirrings of passionF It's been missing Bbso long,C with the man in her Flife But now at Dmlast there is someone beAmside her Somebody to Gmguide herBb, someone to Flove
CHORUS:
There is nothing that the Ceye Bbcan't Fsee There is nothing that the Cheart Bbcan't Ffeel There is nothing that a Clove Acan't Dmheal Whatever is Bbwaiting It is meant to Fbe Bb
BRIDGE:
Oh, the Amtime will come when we'll be living the Bbdream It's that miracle moment for being what we beFlieve
CHORUS:
There is nothing that the Ceye Bbcan't Fsee There is nothing that the Cheart Bbcan't Ffeel There is nothing that a Clove Acan't Dmheal Whatever is Bbwaiting C Sooner or Bblater It is meant to Fbe F

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It was meant to Fbe (she Fmus

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e Bbknown) It was meant to Fbe (she Fmus

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e Bbknown) It was meant to Fbe (she Fmus

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e Bbknown) It was meant to Fbe (she Fmus

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e Bbknown) Now she's heading for the Fsunshine (she Fmus

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e Bbknown) She's gonna be like Shirley FValentine (she Fmus

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e Bbknown) It was meant to Fbe (she Fmus

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e Bbknown) It was meant to Fbe (she Fmus

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e Bbknown) Now she's heading for the Fsunshine (she Fmus

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e Bbknown) She's gonna be like Shirley FValentine (she Fmus

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07. The Best That Love Can Be 3:58 Tabbed by: Whydoe Em 022000 D X00232 G Maj 320033 G5 XX0033 A 002220 Bm X24432 F#m 244222 Capo II D G5 D A
DThere was a time the G5fire was burning Dbright, DAnd everything was G5shining in the Dlight, DBut when the Bmheart is F#mcold, tBmogether we're F#malone, F#mThinking of rEmeasons to sDtay away;
DThere was a time that G5love was in our Dbed, DEternity in eG5very word we sDaid, DBut when deBmsire has gF#mone, it's hBmard to carryF#m on, F#mGoing through the Emmotions, when there's nothing tAhere;
GmajYou have got my heart, and all I Awant from you, GmajIs just a kiss before we say goodAbye;
AAnd let me Dkeep my memorBmies of all the Emtimes we were aDmaziAng, AAnd I will Dkeep in memorBmies the Embest that lAove can Dbe;
DThere was a time we G5had so much to Dsay, DTogether at the endG5ing of the dDay, DBut when the Bmonly wF#mords are Bmall the ones that F#mhurt, F#mTry to rEmemember the way we Awere;
GmajTake the past and hold it like a Aphotograph, Gmaj'Cos it's the only way to say gooAdbye;
AAnd we will Dkeep these memoBmries of all the tEmimes we were amDaziAng, AAnd we will Dkeep in memorieBms the bEmest that lAove can Bmbe, The Embest that lAove can Dbe;
D G5 D
DWe were G5amazDing. D___________________________________________________________________________________________________ ___________________________________________________________________________________________________
08. Bal Masqué 3:27 Tabbed by: NBA96 Capo 2 Intro: C F C F C F C F
Am So many hFearts, Gso many yAmears Am So many pFeople in this vGale of tFears Am But there is Fone you will mGeet agCain In this Fendless duet of the dGance
Then the cDarriages come And the lGadies descend with their drAeams With the glDoves and the mask NGothing is here what it sAeems
C One touch is all it takes Am Two hearts will meet again I will knGow you tonight When I sFee you at the BGal MasqAmue F G
C One touch is all it takes Am Two hearts will celebrate In the hGeat of the night When I sFee you at the BGal MasqCueF C F
Am Another faceF from anGother tAmime Am Another plFace in anGother lFife Am Behind the mFask is an Gopen dCoor To the sFomeone that you've been befGore
Then the mDusic begins And the cGolors are starting to chAange She comes Din from the garden I knGow it's her right awAay
C One touch is all it takes Am Two hearts will meet again I will knGow you tonight When I sFee you at the BGal MasqAmue F G
C One touch is all it takes Am Two hearts will celebrate In the hGeat of the night When I sFee you at the BGal MasqCue F At the BGal MasqCue,F at the BGal MasqCue F At the BGal MasqCue,F at the BGal MasqCue F At the BGal MasqCue,F at the BGal MasqCue So many hearts, sFo many yGears,C Fat the BaGl MasquCe Another face from anFother tGime,C F at the BGal MasqCue Another face in anFother lGife,C F at the BGal MasqCue So many hearts, sFo many yGears.C.. ___________________________________________________________________________________________________ ___________________________________________________________________________________________________
09. Love and Time 4:17 Tabbed by: NBA96 Intro: Am C F E Am C F G Verse 1:
Am She is alFone again,Am wondering hFow her world could have been. Am He's on the phFone again,Am telling her hFe'll be wGorking lCate, "We're gonna havGe a real good Dmlife, the money keAmeps rolling in. C We can never really hGave enough". Dm But he doesn't sGee what she wants is,
Chorus:
LCove Gand tAmime, drDmeams Cand affGection. LCove Gand tAmime, hDmope Cand emGotion.
Verse 2:
Am She is alFone again,Am wondering hFow her night could have been. Am He's had to gFo again,Am leaving her Fat a tGable for twCo, "I'm working on Gthe next big tDmhing, this is really what AmI'm living for. C You can stay and have anGother drink". Dm He just doesn't sGee what she needs is,
Chorus:
LCove Gand tAmime, drDmeams Cand affGection. LCove Gand tAmime, hDmope Cand emGotion.
Bridge:
Am One day he'll wEake up, C And find out that shDe has gone.F.. away.
She'll be looking for, Chorus:
LCove Gand tAmime, drDmeams Cand affGection. LCove Gand tAmime, hDmope Cand emGotion.
LCove Gand tAmime, drDmeams Cand affGection. LCove Gand tAmime, hDmope Cand emGotion. ___________________________________________________________________________________________________ ___________________________________________________________________________________________________
10. Another Rainbow 3:46 Tabbed by: Betty Lou G F C (2x) La la la...
C Breaking bread and drinking wine, C talking deep into the night, just drGeaming dreams and mG7aking plans fCorever. C We have been the best of friends, C and always said since way back when, we'd chGange the world with mG7ad ideas togCether.
Another rGainbow to fFollow with yCou, another drGeam that may nFever come trGue.G7 It is bFetter to have trGied in vain than nCever trEmy at Amall, another rFainbow where gGold may fCall.
C So we went our different ways, C and though I had my darkness days, I sGailed the stars and I fG7ound what I was looking fCor. C You became a jack of trades, C ace of all and king of none, with hGands that hurt from knG7ocking on so many dCoors.
Another rGainbow to fFollow with yCou, another drGeam that may nFever come trGue.G7 It is bFetter to have trGied in vain than nCever trEmy at Amall, another rFainbow where gGold may fCall.
And there will Falways be G these mAmoments, when you can tFurn to me G agCain.
Another rGainbow to fFollow with yCou, another crGazy dream that jFust might come trGue.G7 'cause it is bFetter to have trGied in vain than nCever trEmy at Amall, another rFainbow where gGold may fCall.
G F C (2x) La la la... ___________________________________________________________________________________________________ ___________________________________________________________________________________________________ 11. Save Me 2:47 Tabbed by: NBA96
Once in a drCeam I was fDalling in lGove With someone who lAmooked a lBot like yEmou But just as our lBips were stDarting to kAiss I wAmoke up on the flDoor
It's one of those nCights for stDanding arGound And talking to pAmeople that I hBardly knEmow An incoming tBone came Dup on my phAone It wAmas an SMDS and it said
&qGuot;Save me,C I think I've hDad enough of this SGave me,C you are the Done who can SGave me, tCake me awCmaj7ay from hDere"
I look in the rCoom, there's nDobody thGere And then I saw hAmer with the lBong blonde hEmair I could not belBieve the gDirl in my drAeam Was wAmaiting at the dDoor and she said
&qGuot;Save me,C I think I've hDad enough of this SGave me,C you are the Done who can SGave me, tCake me awCmaj7ay from hDere"
Oh, cBbue a hundred days and nights of spFecial sensuality Since lCady luck came knocking on my dDoor
C D G Am B Em
An incoming tBone is Dup on my phAone AnAmother SMDS and it said
&qGuot;Save me,C I think I'm getDting out of it SGave me,C no doubt abDout it SGave me, lCet's get awCmaj7ay from hDere"
&qGuot;SaCveD mGe, saCveD mGe, saCveD mGe, save me LCet's get awCmaj7ay from hDere Take me away from here Let's get away from here&FquEmot;C D G ___________________________________________________________________________________________________ ___________________________________________________________________________________________________