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BEGINNINGS Chicago Tempo: 116 BPM – Standard tuning Tabbed by Bob Clydesdale, April 2015 - See page-2 for tabs of chord voicing's. Intro - 3X (1X guitar only / 2X guitar and horns) Amaj7 Gmaj7 Amaj7 Gmaj7 Verse - 1
Amaj7 When I'm Dmaj7with you, Amaj7 It doesn't Dmaj7matter where we are Amaj7 Dmaj7 Amaj7 Dmaj7 Cmaj7 Or what we're doin', I'm with you that's all------that matters Gmaj7 Time passes Cmaj7much too quickly,Gmaj7 When we're toCmaj7gether laughing Gmaj7 I wish I could Cmaj7sing it to you, Oh, no??Gmaj7? I wish I coulCmaj7d sing it to you
Chorus Amaj7 Gmaj7 Amaj7 Gmaj7 | Amaj7 Gmaj7 Amaj7 Gmaj7 Oh o o o o o o o o o o o o o | oh o o o o o o o o o o o o o Bridge
Mostly I'm Amaj7silent, Em7Mmmmmm, Amaj7silent, la, la, Em7la-da-da Amaj7 Em7 Never think about words to Amaj7say. Em7
Verse - 2
Amaj7 When I Dmaj7kiss you, Amaj7 I feel a Dmaj7thousand different feelings Amaj7 The color of Dmaj7chills, Amaj7 all over my Dmaj7bo----Cmaj7dy, Aye~~~~ Gmaj7 And when I Cmaj7feel them Gmaj7 I quickly Cmaj7try to decide which one Gmaj7 I should try to put inCmaj7to words, oh, no?Gmaj7?? try tCmaj7o put into words
Chorus Amaj7 Gmaj7 Amaj7 Gmaj7 | Amaj7 Gmaj7 Amaj7 Gmaj7 Oh o o o o o o o o o o o o o | Oh o o o o o o o o o o o o o Bridge
Mostly I'm Amaj7silent, Em7 Amaj7silent, la-la-la, Em7la-la, la-la, la-la Amaj7la-da, da-da, Em7 Amaj7silent Em7
Outro– Various
A Only the begiGnning, Fmaj7what I want to feel forever, G Yeah-eah A Only the begiGnning, Fmaj7 only just the Gstart, Yeah, yeah A I got to get you Ginto my life mama,Fmaj7 Got to get you next to meG. A Yeah, yeah, yeah, yeah, Gyeah, yeah, yeah, yeah, yeah Fmaj7 Mmmm, GMm A Only the begiGnning,Fmaj7 only the begiGnning (6X and Out)
Guitar Chord Voicing..................... INTRO and CHORUS Guitar-1 and Guitar-2 both play the same voicing Amaj7 Gmaj7 e|-------0------------0------| B|------14-----------12------| G|------13-----------11------| D|------14-----------12------| A|-------0------------0------| E|---------------------------| VERSES Guitar-1 Guitar-2 Amaj7 Dmaj7 Cmaj7 Gmaj7 Amaj7 Dmaj7 Cmaj7 Gmaj7 and Gmaj7 e|---0--------5-------3-------10---| e|---0------9-------0-------2-------------| B|---2--------7-------5-------12---| B|--14-----10-------0-------0----------3--| G|---1--------6-------4-------11---| G|--13-----11-------0-------0----------4--| D|---2--------7-------5-------12---| D|--14------0-------2-------0----------4--| A|---0--------5-------3-------10---| A|---0--------------3-------2----------x--| E|---------------------------------| E|--------------------------3----------3--| BRIDGE Guitar-1 Guitar-2 Amaj7 Em7 Amaj7 Em7 and Em7 e|-------0-------------------| e|----0--------12---------0--| B|-------2------------0------| B|---14--------12--------12--| G|-------1------------0------| G|---13--------12---------0--| D|-------2------------0------| D|---14--------14--------12--| A|-------0------------2------| A|----0----------------------| E|--------------------0------| E|---------------------------| OUTRO Guitar-1 Guitar-2 A G/D Fmaj7 A G Fmaj7 e|-----0-------0-------0-----| e|-----0-------3-------0-----| B|-----5-------3-------1-----| B|-----2-------0-------1-----| G|-----6-------4-------2-----| G|-----2-------0-------2-----| D|-----7-------5-------3-----| D|-----2-------0-------3-----| A|-----7-------5-------3-----| A|-----0-------2-------3-----| E|---------------------------| E|-------------3-------------| Transcribed - Bob Clydesdale, April 2015… from live and studio recordings, concert footage (Chicago in Chicago), some tab fragments and lots of noodling. Live version played on two Taylor 656ce 12-string guitars. When playing with one guitar use tabs for Guitar-1 on the Intro, Chorus, and Outro... On the Verses and Bridge sections interchange Guitar-1 and Guitar-2 chord voicing's. Employ the CAGED method using the Amaj7 triad. Have fun and enjoy!