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Tuning: G C E A
CIt starts with an Gidea or an Ebimpulse to make a Fsound, And then a Cmessage gets sent Gto my head where my Ebvocal chords are Ffound.
And theBby vibrate, and cause thFe air to vibratCe too. Then the Bbair gets shot out of myF mouth on its way to Gyou!
CThis vibration GI've just made Ebtravels as a Fwave, But if CI vibrated Gdifferently then it would Ebcause the wave to Fchange.
If I sing Bblow then the Ffrequency of the wave Cdrops. If I sing Bbhigh then the Ffrequency is high too. And if I sing loud then my micro-phone pGops!
The Csound wave travels Gthrough the air Ebunless it hits a Fwall Then the Chigher frequencGies get absorbed and theEb deeper ones pass Fthrough
And that's why Bbwhen I'm behind a Fwindow I sound like Cthis. And if the Bbwall is hard theF sound bounces back and you can hear an Gecho!
The sound is Ccaptured by my Gmicro-phone and Ebsorted digitallyF, That was unCtil you play this Gvideo and now your Ebspeakers are mimickingF me
And now the Bbwaves are back and gFoing into your eCar. Only 6 more Bbsteps inside your head until you get to hGear!
CSound is Gtouch at a Bbdistance, FWhen they say that Cmusic can Gtouch you, it lBbiterally doFes.
CSound is Ga vi-ber-Bbation, But Fthanks to modern Cscience Gwe can know that it'sBb shaking our eardrums:
BbAnd the drum then shakes some tiny bones CAnd the bones send vibrations to a liquid BbAnd the waves in the liquid bend some hairs CAnd the hairs send a signal to the brain BbAnd it's only when it forms a pattern in your Chead that you can Ghear!
Outro: C G Bb F C