Car Seat Headrest - Twin fantasy mirror to mirror
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TWIN FANTASY (MIRROR TO MIRROR) by Car Seat Headrest
All tracks written and published by Will Toledo
I'm just a huge fan.
1. My Boy (Twin Fantasy)
2. Beach Life-in-Death
3. Stop Smoking
4. Sober to Death
5. Nervous Young Inhumans
6. Bodys
7. Cute Thing
8. High to Death
9. Famous Prophets (Minds)
10. Twin Fantasy (Those Boys)
Some tracks have been altered a bit to be easier on the fingers, but, for the most part, this is faithful.
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1. MY BOY (TWIN FANTASY):
A
G |---------------------------------
D |---------------------------------
A |---------------------------------
E |-3-------7-------8---------------
This is the part of the song where Will gives up. He dissociates himself from his own romance until it
becomes just a fantasy. This is not something that could happen to him. This is something that takes place
only in his mind. But he blinks now and shakes himself awake. He has rejoined society. Come, dear children,
call no more. He has only lyrics now.
When I come back you'll still be here
When I come back you'll still be here
When I come back you'll still be here
(When you come back I'll still be here)
When I come back you'll still be here
(When you come back I'll still be here)
AMy boy, we don't sDee each other mC#much Bm
AMy boy, we don't sDee each other mEuch
F#mIt'll take some C#mtime
But Bmsomewhere down the C#mline
We won't B7be
Alone A
AMy boy, we don't sDee each other mC#much Bm
AMy boy, we don't sDee each other mEuch
F#mIt'll take some C#mtime
But Bmsomewhere down the C#mline
We won't B7be
Alone A
A
AMy boy, we don't sDee each other mC#much Bm
AMy boy, we don't sDee each other mEuch
F#mIt'll take some C#mtime
But Bmsomewhere down the C#mline
We won't B7be
A D C#m Bm A D E
F#m C#m Bm C#m B7
A
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2. BEACH LIFE-IN-DEATH:
Last night I Cdrove to Harper's Ferry and I thought about you
There were signs on the road that warned me of stop signs
The Dspeed limit kept decreasing by ten
As we entered a town about halfway there
It was Galmost raining at the train station
We threw our hoods on our heads at the train station
We threw Bmrocks into the river
The river underneath the train tracks
And when the Ctrain came it was so big and powerful
When it came into the little station
I wanted to Dput my arms around it
But the conductor looked at me funny
So we Ghad to say goodbye that week
The Monopoly board still in the backseat
Took that Bmnightmare left turn to get out of town
Ran into the decreasing speed limits again
CWhat should I do? Eat breakfast
What should I do? Eat lunch
DWhat should I do? Eat dinner
What should I do? Go to bed
GWhere can I go? Go the store
Where can I go? Apply for jobs
BmWhere can I go? Go to a friend's
Where can I go? Go to bed
C D G Bm
CI wrote Beach Death when I thought you were taken
I wrote Beach Funeral when I knew you were taken
I wrDote Beach Fagz, well it wasn't about you
But it could've been, well no it couldn't have
GI spent a week in Ocean City
And came back to find you were gone
BmI spent a week in Illinois
And came back to find you were still gone
I preCtended I was drunk
When I came out to my friends
I never Dcame out to my friends
We were all on Skype
And I Glaughed and changed the subject
She said, "What's with this Bmdog motif?"
I said, "Do you have something against CdoDgsG?"Bm
CI am almost completely soulless
I am incapable of being human
DI am incapable of being inhuman
I am living uncontrollably
It should Gbe antidepression
As a friend of mine suggested
Cause it's Bmnot the sadness that hurts you
It's the brain's reaction against it
CIt's not enough to love the unreal
I am inseparable from the impossible
DI want gravity to stop for me
My soul yearns for a fugitive from the laws of Gnature
I want a cutscene
I wanna Bmcut from your face
To my face I want a cut I want the next related video
e |-----------------7---8-7---------
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D |---------------------------------
A |---------------------------------
E |---------------------------------
I don't want to go inDsane
GI don't want to have schizoBmphrenia
The Cocean washed over your grave D
The Gocean washed open your grave Bm
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D |---------------------------------
A |---------------------------------
E |---------------------------------
C G C G
CLast night I dreamt he was trying to kill you
GI woke up and I was trying to kill you
CIt's been a year since we first met
GI don't know if we're boyfriends yet
CDo you have any crimes that that
GWe can use to pass the time
I am Crunning out of drugs to try and I
We said we hated humaGns
CWe wanted to be humGans
CWe said we hated humGans
CWe wanted to be humGans
Get
N.C.
more groceries get eaten get more groceries get eaten get more groceries get eaten C G C GA Cbook of Aubrey Beardsley art
CorGrupted me in youth
And now I'm Ctrapped inside my youth
And you're in Glove with late stage youth
CThank god for the little things and and
GFuck god that they're little things I am
CRunning out of prayers to sing and I G
CAnd pretty soon you'll find some nice young
GSatanist with braces and one
CCapital o significant Other
GAnd you can take him home to your mother
And
N.C.
say "ma, this is my brother"CWe said we hated humGans
CWe wanted to be humGans
CWe said we hated humGans
CWe wanted to be humGans
Get
C D
N.C.
more groceries get eaten get more groceries get eaten get more groceries Get Ceaten by the one you Glove When they Cput their lips aroGund you You can Cfeel their smile from the iGnsideGLast night I dreamt he was trying to kill you
I woke up and I was trying to kill you Bm
Your Cears perked up
I perked up when your ears perked up
You were a-Dlooking around
And I hoped it was for Gme
I hoped you were using yoBmur sonar systems for me
The Cancients saw it coming
You can see that they tried to warn them
In the Dtales that they told their children
But they fell out of their heads in the morning
They sGaid sex can be frightening
But the children were not listening
And the Bmchildren cut out everything
Except for the kissing and the singing
When they Cfinally found their home
At Walt Disney Studios
And then Deveryone grew up
With their fundamental schemas fucked
But there are Glots of fish left in the sea
There are lots of fish in business suits
That Bmtalk and walk on human feet
Visit doctors, have weak knees
COh please let me join your cult
DI'll paint my face in your colors
GYou had a real nice face
BmI had an early death
The Cocean washed over your grave
The Docean washed open your grave
The Gocean washed over your grave
The Bmocean washed open your grave
The Cocean washed over your grave (How's your face, how's your body?)
The Docean washed open your grave
The Gocean washed over your grave
The Bmocean washed open your grave (We're too scared to do SHIT!)
C D G Bm
-
3. STOP SMOKING:
AStop smoking, Dwe love you
AStop smoking, F#mwe love you
AStop smoking, Bwe love yDou
AStop smoking, Dwe love you
AStop smoking, F#mwe love you
AStop smoking, Bwe love yDou
And we don't want you to dAie
We don't want you to dEie
We don't want you to dBmie
We don't want you to dGie
We don't want you to dAie
We don't want you to dEie
We don't want you to dBmie
We don't want you to dGie
A E Bm G
A E Bm G
A
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4. SOBER TO DEATH:
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(G) (G)
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(Em7) (C/G)
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(Bm/F#)
GLovely, lovely
GIn your jeans, frenzy
Em7Another movie that I didn't watch with you
Em7Another movie and I'm gonna have to move
GThe final terror is in your house somewhere
Em7Hiding in boxes behind closed doorways
C/GOut from the forest adjacent to your garage
Bm/F#I've seen its marks in the corner of your eyes
GNothing works
Nothing works for Emeveryone
Good stories are C/Gbad lives
Good stories are Bmbad lives
AmTake your hands Emoff your neck and
Hold Gonto the Dghost of my body
You Gknow that good lives mEmake bad stories
BmYou can Ctext me Amwhen punching Emmattresses gets old
GDon't think it'll Dalways be this way
GNot comforted by Emanything I say
BmWe were Cwrecks beAmfore we Emcrashed into each Gother
GSuch a good idea
GIf it turns you on
Em7We have breakdowns
And someC/Gtimes we don't have breakdowns
GI wanna hear you going psycho
If Em7you're going psycho I wanna hear
C/GEvery conversation just ends with you screaming
C/GNot even words, just ah ah ah-ah GaaGaaEm7aah C/G G Em7 C/G Bm/F#
AmTake my hands Emoff your neck and
Hold Gonto the Dghost of your body
You Gknow that good lives mEmake bad stories
BmYou can Ctext me Amwhen punching Emmattresses gets old
GWhat if it'll Dalways be this way
GNot comforted by Emanything you say
BmWe were Cwrecks beAmfore we Emcrashed into each Gother
G D G Em Bm C Am Em
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(C) (G) (Em) (D) (Am) (G) (D) (Am)
CDon't Gworry
EmYou and me won't Dbe alone no more
AmDon't Gworry
DYou and me won't Ambe alone no more
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5. NERVOUS YOUNG INHUMANS:
D F#m A
D F#m A
D F#m A
D F#m
AYou should've seen my Ecursive back Bmthen
DEvery Aletter Dwas aAbove the Eline
AMy p's and q's Eraised their Bmstems
So Dnothing crAossed beneathD A
I'm a Elittle better now
DYou galvanF#mistic young Eboy
BmYou galvanF#mistic young Eman
F#mYou galvanEistic young inAhuman
DYou underEstand
D F#m A
D F#m A
DArt F#mgets what it wants and art Agets what it deserves
D F#m
Most Apeople are jokes but Eyou're so Bmreal
DMost of the Atime that I use the Dword "you"A
EWell you know that I'm mostly singing about you
AYou swore you'd never use the Eface that your ex invenDted
So Alet's meet Dup in uAncanny vEalley
DYou galvanF#mistic young Eboy
BmYou galvanF#mistic young Eman
F#mYou galvanEistic young inAhuman
DYou underEstand
D F#m A
D F#m A
DYou'll F#mget what you want and you'll Aget what you deserve
DYou'll F#mget what you want and you'll Aget what you deserve
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"Earlier in the song I used the term "galvanistic," and galvanism is the concept, uh, the obsolete scientific
theory that there is a kind of electricity flowing through our bloodstreams, and that was our life force. I
used the term because I came across it in Mary Shelley's "Frankenstein", and that book is sort of an
exploration of the theme of creating a character or making up a person. So I used the term "galvanistic" to
allude to that book as a sort of symbol of how I, like, created you as a character, by pretending that I know
a lot more about you than I actually do, and also to refer to the fact that I've fall—fallen in love with the
characters you've created in, uh, your body of work. This is the part of the song where I start to regret
writing it..."
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6. BODYS:
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A |-----------------------------------------------------------------
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DThat's not what I meant to say at Gall
I F#mmean I'm sick of meaning I just want to Ghold you
But Dthat's not what I wanted to say at Gall
I F#mmean I'm sick of meaning I just want to Ghold you
Is it the chorus yet?D
No, it's just the Gbuilding of the verse. So when the Dchorus does come, it'll be more rewarding.G
I would Dspeak to you in song but you can't Gsing
As far as I'm aware, though everyone can Dsing
As you are well aware
I Gkeep so quiet it's hard to tell I'm alive
DEverybody is swinging their hips
GEverybody is giving the waitress tips
F#mEverybody's dancing all of the dances
GEverybody's dancing every dance now
D Em F#m G
DThose are you got some nice Emshoulders
I'd like to put my hands aF#mround them
I'd like to put my hands aGround them
I Dhave enough trouble controlling my own limbs
GStealing alcohol from our parents and grandparents
F#mThere's no devil on one shoulder and angel on the other
They're Gjust two normal people
DThese are the people that I get drunk with
GThese are the people that I fell in love with
DThese are the people that I get drunk with
GThese are the people that I fell in love with
But if Dyou keep giving me your empty Ghands
Man, I am tempted to say
D"Let's piss up another rope, boys
GThis one has grown old and bitter"
DWell so what? We're Gyoung
We're Dthin (Most of us)
We're Galive (Most of us)
DDon't you Emrealize our bodies could F#mfall apart at Gany second
DI am Emterrified your body could F#mfall apart at Gany second
DThose are you got some nice Emshoulders
I'd like to put my F#mhands around them
I'd like to put my Ghands around them
DWe can get real horny and keep messing aEmround
We can keep real quiet, won't be making no F#msounds
I'll try my best not to touch your Gface
Next time can we please meet at my place
D Em F#m G
And I Dknow that I don't talk a Emlot
And I F#mknow that you don't care a Glot
But as Dlong as we move our bodies around a Emlot
F#mWe'll forget that we forgot how to Gtalk
When we Ddance, when weG
When we Ddance, when weG
DDon't you Emrealize our bodies could F#mfall apart at Gany second
DThose are you got some nice Emshoulders
I'd like to put my hands aF#mround them
I'd like to put my hands aGround them
When we DdanceEm, when we F#mdance, Goh-ho, oh
When we DdanceEm, when we F#mdance, Goh-ho, oh-ho,
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7. CUTE THING:
Capo 1
N.C.
ohAI got so fucking romantic I apologize lemme light your cigarette
Come visit Kansas for a week of debauchery: songs and high fives and weird sex
ACute BthingBm
Don't be Arude thBingBm
AHot BthingBm
It was AnothBingBm
AGod, Dgive me BDan Bejar's Avoice
DAnd John BEntwistle's Astage presence
DI will Bbe your Arock god
DWhen you're Brolling the dice
D C#m Bm
D C#m Bm
D C#m Bm
AI got so fucking romantic I apologize lemme smoke your weed no wait
Healthy minds make sexy bodies let us touch so much of ourselves together
ACute BthingBm
Don't be Arude thBingBm
AHot BthingBm
It was AnothBingBm
ADog, Dgive me Bone little Achance
DI can Bmake you a Aman
DI will Bbe your Arock, dog
DWhen you're Brolling your eyes
D C#m Bm
D C#m Bm
D C#m Bm
A
A C D
A C D
A C D
A C D
A B BmDo do do do do
A B BmDo do do do do
A B BmDo do do do do
A B BmOoh
He Adied in an C#mexplosion
Of mixed Bmmedia and poorly Ewritten reviews
And some Astammering drunk who tried to C#mtell him
How good his shit Bmwas: "That is some Egood shit, man!"
AI accidentally spoke your C#mfirst name aloud
DTrying to make it fit in with the Dmlyrics of Ana Ng
AWorked BlikeBm a chAarm
We're getting DoldC#m
BmWhen will we walk in each other's majestic presence?
DListen, hear C#mmy words
They're the Bmones you would think I would say if I was John LinDnellC#m
Or trying to Bmbe John Linnell
A C#m Bm E
AI have lC#movedBm E
AI will sleep C#mnaked
BmNext to you Enaked
AI have lC#movedBm E
AI have lC#movedBm E
AI will sleep C#mnaked
BmNext to you Enaked
AI have lC#movedBm E
AI have lC#movedBm E
Like some AStanley Kubrick C#mporn director
BmCasting couples Eeyes wide shut for a Areason
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8. HIGH TO DEATH:
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CI fell over
AmI fell onto the GgroundAm
CI wish I was sober
GI can't get up off the FgroundAm G F Em G
CI closed my Ameyes and thought I was blind
GIt's the middle of the Amnight and I'll never be alright again
CAnd this wallpaGper keeps going around the Froom
Keeps going around the Amroom and I follow it around the Groom
And I follow it around the Froom and I follow it around the EmroomG
C G Em G Am C
GKeep smoking, CI love you
GKeep smokEming, I love you
GKeep smoking, AmI still love yCou
But I don't wanna Gdie, I don't wanna Ddie
I don't wanna Amdie, I don't wanna Fdie
I don't wanna Gdie, I don't wanna Ddie
I don't wanna Amdie, I don't wanna FdieG
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CAnd I sat there on the Amsteps, considering death
GThere were only seconds Amleft of the night
CAnd I said hell is the Gsun burning forever at the center of Fthings
A ball on fire at the center of Amthings, a ball on fire at the center of Gthings
A brain on fire at the center of Fthings, a brain on fire at the center of EmthinGgs
G Em G Em
[Original edit only:]
And the Gsea isn't Emgreen and GI love this Emdream
But how exGactly can Emwe esGcape from behind the Emwall?
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9. FAMOUS PROPHETS (MINDS):
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Apologies to future me's and you's
But I can't help feeling like we're through
The ripping of the tape hurts my ears
In my years, I've never seen anyone quit quite like you do
Twin bruises on my shins
From where I kicked the back of the seat in
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They meant what I went through for you
But now they're fading, now they're gone
E B A B
E B A B
E B A B
E B A B
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These teenage hands will never touch yours again
But I remember you, you had a body
You had hands and arms and legs and et cetera
Stuck in a body, stuck in a mind
Stuck in one body, stuck in one mind
e |-12-----7-----4---2-----0---------12-----7-----4---2-----0---------
B |-------------------------------------------------------------------
G |-------------------------------------------------------------------
D |-------------------------------------------------------------------
A |-------------------------------------------------------------------
E |-------------------------------------------------------------------
For the rest of your life
This is the rest of your life
Why did F#mGod throw you down upon my head (Wouldn't it be nice if we could go inside there?)
AMaking shock yellow light emit from my nostrils (Wouldn't it be nice if we could stay inside there?)
And F#msmoke pour from my ears and my hair stand up on end (Wouldn't it be nice if we could kiss each other?)
I was Afried alive and now I'm a target for next time (Wouldn't it be nice if we could fuck each other?)
e |-12-----7-----4---2-----0---------12-----7-----4---2-2-2-2-0-0-0-0-
B |---------------------------------------------------2-2-2-2-2-2-2-2-
G |---------------------------------------------------3-3-3-3-2-2-2-2-
D |---------------------------------------------------4-4-4-4-2-2-2-2-
A |---------------------------------------------------4-4-4-4-0-0-0-0-
E |---------------------------------------------------2-2-2-2-0-0-0-0-
Leviathan was powerful and inevitable
I fell in love with my fate as it crushed me to death
We gotta gEo bacBk, we gotta go AbackB
We gotta gEo bacBk, we gotta go AbackB
We gotta gEo bacBk, we gotta go AbackB
We gotta gEo bacBk, we gotta go AbackB
We gotta gEo bacBk, we gotta go AbackB
We gotta gEo bacBk, we gotta go AbackB
We gotta gEo bacBk, we gotta go AbackB
We gotta gEo bacBk, we gotta go AbackB
We gotta gF#mo backA F#m A
NEachDamE F#m A
F#m A F#m A E D E F#m A
G |-----------------------------------------------------------------
D |-----------------------------------------------------------------
A |-5-5-5-----5-5-5-4-4-4-----4-4-3-2-2-2-----2-2-1-0-0-0-----0-2-4-
E |-----------------------------------------------------------------
G |-------7---------------6---------------4---------------2---------
D |-----------------------------------------------------------------
A |-5-5-5-----5-5-5-4-4-4-----4-4-3-2-2-2-----2-2-1-0-0-0-----0-2-4-
E |-----------------------------------------------------------------
Don't get too impressed, you might lose your breath
Don't predict your death, cause I like you the best
Don't you fall apart, you might lose your heart
You know I love your art
D C#m Bm A
D C#m Bm A
D C#m Bm A
For Dthree transgressions of Wurtz
And for C#mfour I will not revoke the punishmentBm A
For Dthree transgressions of Will
And for C#mfour I will not revoke the punishmentBm A
For Dthree transgressions of Wurtz (The ocean washed over your grave)
And for C#mfour I will not revoke the punishment
(The Bmocean washed open yoAur grave)
For Dthree transgressions of Will (The ocean washed over your grave)
And for C#mfour I will not revoke the punishment
(The Bmocean washed open yoAur grave)
For Dthree transgressions of Wurtz (The ocean washed over your grave)
And for C#mfour I will not revoke the punishment
(The Bmocean washed open yoAur grave)
For Dthree transgressions of Will (The ocean washed over your grave)
And for C#mfour I will not revoke the punishment
(The Bmocean washed open yoAur grave)
For Dthree transgressions of Wurtz (The ocean washed over your grave)
And for C#mfour I will not revoke the punishment
For Bmsending me an invitation, for Aselling yourself a qilin (The ocean washed open your grave)
For Dthree transgressions of Will (The ocean washed over your grave)
And for C#mfour I will not revoke the punishment
For Bmfalling in love too hard, you'll Anever set foot in this town again (The ocean washed open your grave)
For Dthree transgressions of Wurtz (The ocean washed over your grave)
And for C#mfour I will not revoke the punishment
Why did you Bmtell me to come in the first place? (The ocean washed open your grave)
Why did you Atell me to come in the first place?
Why did you Dtell me to come in the first place? (The ocean washed over your grave)
Why did you C#mtell me to come in the first place?
Why did you Bmtell me? Why did you tell me? Why did you? (The ocean washed open your grave)
AWhy did you? Why did? Why? Why did you?
G |-------7---------------6---------------4---------------2---------
D |-----------------------------------------------------------------
A |-5-5-5-----5-5-5-4-4-4-----4-4-3-2-2-2-----2-2-1-0-0-0-----0-2-4-
E |-----------------------------------------------------------------
He said, “Go out and stand on the mountain before the Lord, for the Lord is about to pass by.” Now, there was
a great wind, so strong that it was splitting mountains and breaking rocks in pieces before the Lord, but the
Lord was not in the wind. And after the wind an earthquake, but the Lord was not in the earthquake. And after
the earthquake a fire, but the Lord was not in the fire. And after the fire a sound of sh
10. TWIN FANTASY (THOSE BOYS):
N.C.
eer silence. -GI haven't looked at the sun Bmfor so long
CI'd forgotten how much it hurt to
GI haven't looked at the sun Bmfor so long
CI'd forgotten how much it hurt to
GThe Bmshow ain't Cover, Gwe'll Bmkeep on goCing
GWe'll Bmkeep on ClaughinGg Bmand fucking aCround
G Bm C G Bm C
GOff Bminto the CdistanceG Bm C
Those two broGthers, Bmthose two Clovers Gand their Bmsmooth-cocked adCventures
GI haven't looked at the Bmsun for so long
CI'd forgotten how much it hurt to
GI haven't looked at the Bmsun for so long
CI'd forgotten how much it hurt to
GI haven't Bmbeen outside, CI haven't been outside
GI haven't Bmbeen outside, CI haven't been outside
GI haven't been outside at Bmall C
G Bm C
GThey just Bmwant to be oCne, Gwalk off Bminto the Csun
But they're not Gkissing,Bm they're not Cfucking, Gthey're just Bmhaving Cfun, fun, fun, fun, fun
GI haven't looked at the sBmun for so long
CI'd forgotten how much it hurt to
GI haven't looked at the sBmun for so long
CI'd forgotten how much it hurt to
They were conGnectedBm at the Cback of the head
They got a GconduitBm, their Cminds were the same
They were conGnectedBm at the Cback of the head
They got a GconduitBm, their Cminds were the same
N.C.
I haven't been outside, haven't been outside I haven't been outside, haven't been outsideGWhen I come bBmack you'll still be Chere
(When you come back I'll still be here)
GWhen I come bBmack you'll still be Chere
(When you come back I'll still be here)
GWhen I come bBmack you'll still be Chere
(When I come back you'll still be here)
GWhen I come bBmack you'll still be Chere
(When I come back you'll still be here)
G Bm C
G Bm C
G Bm C
G Bm
C
-
Bonus Tabs:
During part one of Beach Life-in-Death, you can play this melody building off of the "I don't want" riff.
e |---------------------------------7-------8---7-------------------
B |-----------------5-------8---------------------------8---5---7---
G |-5-------7-------------------------------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
e |-----------------------------------------------------------------
B |-----8-----7-------------------------8-----7---------------------
G |-----------------7-------------------------------7---------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
e |-----------------------------------------------------------------
B |-----8-----7-------------------------8-----7---------------------
G |-----------------7-------------------------------7---------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
e |---------------------------------7-------8---7-------------------
B |-----------------5-------8---------------------------8---5---7---
G |-4-------7-------------------------------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
During part two of Beach Life-in-Death, instead of playing C or G for the chorus, you can play this melody.
e |-------------3---------------5---------------3-------------------
B |-----------------------------------------------------------------
G |---------5---------------7-------------------------------4-------
D |-----5---------------7-------------------5-------------------5---
A |-3---------------5-------------------5---------------5-----------
E |---------------------------------3---------------3---------------
During the intro/post-chorus to Nervous Young Inhumans, this is the guitar melody played.
e |-----------------------------------------14--16------17--16--12--
B |-7-------9-------10------12------14------------------------------
G |-----------------------------------------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
e |---------------------------------14--14--14--14--14--14--14--12--
B |-7-------9-------10------12--------------------------------------
G |-----------------------------------------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
During Bodys, there are a couple melodies going on during the song. Besides the one listed above, there is a
main droning riff.
e |-----------------------------------------------------------------
B |-----------------------------------------------------------------
G |-7---7---7---7---7---7---7---7---7---7---7---7---7---7---7---7---
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
NOTE: Because of the nature of the guitar melodies, you can experiment with when you play D G F#m G and when
you play D G D G. Just make sure it sounds good. ;)
During the verse to Cute Thing (in A#, so if you're playing in A transpose down to the second fret instead of
the third), you can play these chords. It is recommended that you barre on the third fret.
e |-6---------------6---------------6-------------------------------
B |-3---------------4---------------5-------------------------------
G |-3---------------3---------------3-------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
During the verse, there's also a high guitar melody (again transpose down half a step if you're playing in A).
e |---------------------------------13--13--13----------------------
B |-11------11------11------11------------------12--12--12--14--14--
G |-----------------------------------------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
This is the solo during the Eb Dm Cm (D C#m Bm in A) chord progression.
e |-----------------------------------------------------------------
B |-4-----------4---6-----------6---8---------------4---6---8---11--
G |-----------------------------------------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
e |-----------------------------------------------------------------
B |-8-----------8---10----------10--11--------------8---10--11--13--
G |-----------------------------------------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
e |-----------------------------------------------------------------
B |-11----------11--13----------13--10--10--10--10--10--10--10--8---
G |-----------------------------------------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
In the outro to Cute Thing, you can play this instead of playing the chords Bb Dm Cm F (or A C#m Bm E in A).
e |-----10--6---6-------8---6-----------6---3-----------3---1-------
B |-6---------------6-----------6---4-----------4---1---------------
G |-----------------------------------------------------------------
D |-----------------------------------------------------------------
A |-----------------------------------------------------------------
E |-----------------------------------------------------------------
-
And that's all there is to it. If I made any errors in transcribing this album, please let me know. Again,
some tabs (such as Sober to Death) are tweaked to be easier to play, but for the most part, this is as
accurate as I can possibly be. Thank you if you read to this point, and I hope this helps you play Twin
Fantasy, my favorite album of all time.
-Jess