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THINK IT OVER As recorded by Buddy Holly & The Crickets (From the 1957 Album THE "CHIRPING" CRICKETS ) Words and Music by Buddy Holly, Jerry Allison & Norman Petty Transcribed by Slowhand Gtr I (E A D G B E) - 'Buddy Holly - Electric Guitar w/ capo 5th fret' Gtr II (E A D G B E) - 'Vi Petty - Piano' Intro Q=132(8=s8) E 4/4 Gtr I (El. Gtr. w/ capo 5th fret) H Q E E E E E E E E E E E E E E E E E E |-----------0-|---0---0---0---0-|---0---0---0---0-| |-----------0-|---0-2-0---0-2-0-|---0-2-0---0-2-0-| |-----------0h|=1---2---1---2-0h|=1---2---1---2-0h| |-----------0h|=2---2---2---2-0h|=2---2---2---2-0h| |-----------0h|=2-------2-----0h|=2-------2-----0h| |-----------0-|---------0---0-0-|---------0---0-0-| B7 E E E E E E E E E E E E E E E E |---0---0---0---0-|---2-2-2-2-2-2-0--|| |---0-2-0---0-2-0-|---0-0-0-0-0-0-0--|| |-1---2---1---2---|-2-2-2-2-2-2-2-0h=|| |-2---2---2---2---|---------------0h=|| |-2-------2-------|-2-2-2-2-2-2-2-0h=|| |---------0---0---|---------------0--|| 1st - 3rd Verses $ E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E ||----0---0---0---0-|---0---0---0---0-|---0---0---0---0-|---0---0---0-----| ||o---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-----| ||--1---2---1---2---|-1---2---1---2-0h|=1---2---1---2---|-1---2---1-------| ||--2---2---2---2---|-2---2---2---2-0h|=2---2---2---2---|-2---2---2---2-2-| ||o-2-------2-------|-2-------2-----0h|=2-------2-------|-2-------2---2-0-| ||----------0-------|-0-------0-----0-|---------0-------|-0-------0-------|
A+Q E E +E E E E Q E E +E E E E EE E E E E E E E E E E E +E E E E |--------------0-----|------0-(0)-0-----|---0---0---0---0-|---0---0-(0)-0---0--| |------2-2-(2)-2-2-2-|----2-2-(2)-2-2-2-|---0-2-0---0-2-0-|---0-2-0-(0)-0-2----| |------2-2-(2)---2-2-|----2-2-(2)---2-2-|-----2---1---2---|-1---2---------2----| |-(2)--2-2-(2)---2-2-|-2--2---------2-2-|-----2---2---2---|-2------------------| |-(0)--0---------0---|-0--0---------0---|-2-------2-------|-2------------------| |--------------------|------------------|-0-------0-------|-0------------------|
1. To Coda
B7E E E E +E E E E AE E E E +E E E E EE E Q H |---2---2-(2)-2---0-|---0---0-(0)-0---0--|-------------| |---0---0-(0)-0---2-|---2-2-2-(2)-2------|-------------| |-----------------2-|---2-2---------2----|-------------| |-------------------|-----2---------2----|-------------| |-2-----------------|-0------------------|-2-----------| |-------------------|--------------------|-0-----------|
2. B7 E B7 E E E E E E E E E E Q H E E E E E E E E |---2-2-2-2-2-2-0--||-------------|---2-2-2-2-2-2-0--|| |---0-0-0-0-0-0-0-o||-------------|---0-0-0-0-0-0-0--|| |---2-2-2-2-2-2-0--||-------------|---2-2-2-2-2-2-0h=|| |---------------0--||-------------|---------------0h=|| |---2-2-2-2-2-2-0-o||-2-----------|---2-2-2-2-2-2-0h=|| |---------------0--||-0-----------|---------------0--|| | | Gtr II (Piano arr. for Gtr.) | W W H E E E E |------------------||-------------|------------------|| |-----------------o||-------------|------------------|| |------------------||-------------|------------------|| |------------------||-------------|------------------|| |-----------------o||-------------|---------------0--|| |------------------||-------------|-----------0-2----|| Piano Solo E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----0---0---0---0-|---0---0---0---0-|-----0---0---0---0-|---0---0---0------| |-----0-2-0---0-2-0-|---0-2-0---0-2-0-|-----0-2-0---0-2-0-|---0-2-0---0------| |--1----2---1---2---|-1---2---1---2-0h|==1----2---1---2---|-1---2---1--------| |--2----2---2---2---|-2---2---2---2-0h|==2----2---2---2---|-2---2---2---2-2--| |--2--------2-------|-2-------2-----0h|==2--------2-------|-2-------2---2-0--| |-----------0-------|-0-------0-----0-|-----------0-------|-0-------0--------| | | +E E E E E E E E E E E E E E E E +E E E E E E E E E E E E E E E E |-------------------|-----------------|-------------------|------------------| |-------------------|-----------------|-------------------|------------------| |-------------------|-----------------|-------------------|------------------| |-----------2-2-----|-----------------|-----------2-2-----|------------------| |-(0)---4-5-----4-2-|-0---0-2-4-----0-|-(0)---4-5-----4-2-|-0---0-2-4-0-2-0--| |-------------------|---0-------0-2---|-------------------|---0--------------| A +E E E E +E E E E E E E E Q E E |-----0---------0-----|---0-----------0-| |-----2-3-------2-3-1s|=2---3-2-------0-| |-------2-2-(2)-2-2-1s|=2---2-2-------0h| |-(2)---0-2-(2)---0---|-----0-2-------0h| |-(0)-----0-(0)-------|-------0-------0h| |---------------------|---------------0-| | | Q E E Q E E Q E E E E E E |---------------------|-----------------| |---------------------|-----------------| |---------------------|-----------------| |---------------------|-----------------| |--3----2-0--3----2-0-|-3---2-0---0-2-0-| |---------------------|-----------------| E E E E E +E E E E +E E E E +E E E E |-----0---0---(0)-0---0-|---(0)-0---0-(0)-0-0-0-| |-----0-2-0---(0)-0-2-0-|---(0)-0-2-0-(0)-0-0-0-| |---1---2-1---(1)-1-2-1-|---(1)-1-2-1-(1)---1---| |---2---2-2---(2)---2-2-|---(2)---2-2-(2)---2---| |---2-------------------|-----------------------| |-----------------------|-----------------------| | | a Q E E a Q E E a Q E E E E E E |-----------------------|-----------------------| |-----------------------|-----------------------| |-----------------------|-----------------------| |-----------------------|-----------------------| |-3h4---2-0-3h=4----2-0-|-3h=4----2-0---------0-| |-----------------------|-----------------0-2---| B7 A E E E E E E E E E E E E E E E E |-----------------0---|---------------0-| |---0-0-0-0-0-0---0---|---2-2-2-2-2-2-0-| |---2-2-2-2-2-2-------|---2-2-2-2-2-2---| |---1-1-1-1-1-1-------|-2-2-2-2-2-2-2---| |-2-2-2-2-2-2-2-------|-0-0-0-0-0-0-0---| |---------------------|-----------------| | | |--3--| | E E E E Q E E E E E E E E E E E |---------------------|-----------------| |---------------------|-----------------| |---------------------|-----------------| |---------------------|-----------------| |-2-------2---2-3---2-|-0---0-----0-0-0-| |---0-2-0-------------|---2---2---------| D.S. al Coda E A E B7 +E E E E E E E E E E E E E E E E |-(0)-0-0-0-------0-|---2-2-2-2-2-2-0--|| |-(0)-0-0-0-2-2-2-0-|---0-0-0-0-0-0-0--|| |-------1---2-2-2-1-|---2-2-2-2-2-2----|| |-------2---2-2-2-2-|------------------|| |-----------0-0-0---|---2-2-2-2-2-2----|| |-------------------|------------------|| | | E E E E Q E E Q E E H |-------------------|------------------|| |-------------------|------------------|| |-------------------|------------------|| |-------------------|-----2------------|| |--4----4-------0---|------------------|| |-----0---0-------0-|-------0----------|| Outro & E B7 E E E Q H E E E E E E E E E E E E E E E E |-------------|---2-2-2-2-2-2-0-||---0---0---0---0-| |-------------|---0-0-0-0-0-0-0-||---0-2-0---0-2-0-| |-------------|---2-2-2-2-2-2-0h||=1---2---1---2---| |-------------|---------------0h||=2---2---2---2---| |-2-----------|---2-2-2-2-2-2-0h||=2-------2-------| |-0-----------|---------------0-||---------0---0---| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |---0---0---0---0-|---0---0---0---0-|---0---0---0---0-|---0---0---0---0--*| |---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-2-0--*| |-1---2---1---2-0h|=1---2---1---2---|-1---2---1---2-0h|=1---2---1---2----*| |-2---2---2---2-0h|=2---2---2---2---|-2---2---2---2-0h|=2---2---2---2----*| |-2-------2-----0h|=2-------2-------|-2-------2-----0h|=2-------2--------*| |-0-------0-----0-|---------0-------|-0-------0-----0-|---------0--------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths