WHEN YOU'RE GONE (Bassline) As recorded by Bryan Adams (From the 1998 Album ON A DAY LIKE TODAY) Words and Music by Bryan Adams & Eliot Kennedy Transcribed by Slowhand Gtr I (E A D G) - 'Keith Scott - Bass' Intro Q=125 4/4 Gtr I W +Q. E +E E E. S Q Q E E Q E E Q E E E E |----------|-------2-(2)-0------|--------------|-----------------|| |-0--------|-(0)-----------2--0-|----2--0------|--------2-0-2-0--|| |----------|--------------------|---------2-0--|---0-------------|| |----------|--------------------|-3------------|-----------------|| 1st Verse Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-| |---------------|-5--5--5-5-5-5-|---------------|---------------| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-| |---------------|-5--5--5-5-5-5-|---------------|---------------| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-| |---------------|-5--5--5-5-5-5-|---------------|---------------| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|-3--3--3-3-3-3-|---------------|---------------|| |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-|| |-5--5--5-5-5-5-|---------------|---------------|---------------|| |---------------|---------------|---------------|---------------|| Chorus Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|---------------| |---------------|-3--3--3-3-3-3-|---------------|-5--5--5-5-5-5-| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|---------------| |---------------|-3--3--3-3-3-3-|---------------|-5--5--5-5-5-5-| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|---------------| |---------------|-3--3--3-3-3-3-|---------------|-5--5--5-5-5-5-| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|-3--3--3-3-3-3-|---------------|---------------|| |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-|| |-5--5--5-5-5-5-|---------------|---------------|---------------|| |---------------|---------------|---------------|---------------|| 2nd Verse Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-| |---------------|-5--5--5-5-5-5-|---------------|---------------| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-| |---------------|-5--5--5-5-5-5-|---------------|---------------| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-| |---------------|-5--5--5-5-5-5-|---------------|---------------| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|-3--3--3-3-3-3-|---------------|---------------|| |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-|| |-5--5--5-5-5-5-|---------------|---------------|---------------|| |---------------|---------------|---------------|---------------|| Chorus $ Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|---------------| |---------------|-3--3--3-3-3-3-|---------------|-5--5--5-5-5-5-| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|---------------| |---------------|-3--3--3-3-3-3-|---------------|-5--5--5-5-5-5-| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|---------------| |---------------|-3--3--3-3-3-3-|---------------|-5--5--5-5-5-5-| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| To Coda Q Q E E E E Q Q E E E E Q Q E E E E E E E E E E E E |---------------|-3--3--3-3-3-3-|----------------|------------------|| |---------------|---------------|-5--5--5-5-5-5--|-5-5-5-5-5-5-5-5--|| |-5--5--5-5-5-5-|---------------|----------------|------------------|| |---------------|---------------|----------------|------------------|| Guitar Solo Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-| |---------------|-5--5--5-5-5-5-|---------------|---------------| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-| |---------------|-5--5--5-5-5-5-|---------------|---------------| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5-| |---------------|-5--5--5-5-5-5-|---------------|---------------| |-5--5--5-5-5-5-|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| D.S. al Coda Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|-3--3--3-3-3-3-|---------------|-----------------|| |---------------|---------------|-5--5--5-5-5-5-|-5--5--5-5-5-5---|| |-5--5--5-5-5-5-|---------------|---------------|-----------------|| |---------------|---------------|---------------|-----------------|| Outro & Q Q E E E E Q Q E E E E Q Q E E E E W +W |---------------|---------------|-3--3--3-3-3-3-|----------|--------*| |-5--5--5-5-5-5-|---------------|---------------|-3--------|-(3)----*| |---------------|-5--5--5-5-5-5-|---------------|----------|--------*| |---------------|---------------|---------------|----------|--------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

Bryan Adams - When youre gone