Bright Eyes - Lifted
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Big Picture:
GThe picture is far too big to look at kid. Your eyes won't open wide enough
and you are constantly surrounded by that swirling stream of what is and what was.
Well, we've all Cmade our predictions but the truth still isn't Gout.
So if yoDu want to see the future, go stare into a cGloud.
GAnd keep trying to find your way out of that maze of memories.
It all sort of looks familiar, but then you get up close and it's different. clearly.
Each tiCme you turn a corner, you are right back to where you Gwere
and your only hoDpe is that forgetting might make a door aGppear.
Is it youGr fear of being buried that makes you so afraid to speak'
An avalanche of opinions like the one that feel that I am now underneath
It was myC voice that moved the first rock and I would do it allG again.
So, I mean, it's cDool if you keep quiet, but I like sGinging.
So I'll be holDding my note and stomping and strumming and feeling so very
lucGky.
There is nDothing I know except that this lifetime is just one moment
and wishing will just leave me eGmpty.
GSo you can try and live in darkness but you will never shake the light. It will greet
you every morning
and make you more aware with its absence at night,
when you are wrCapped up in your blanket baby, that comfortable cGocoon.
But I have seen the daDy of your awakening boy and it's coming sGoon.
So go ahead anGd loose yourself in liquor and you can praise the clouded mind
but it isn't what you are thinking it's the course of history, your position in line.
You are just a piCece of the puzzle so I think you had better find your Gplace.
And don't go bDlaming your knowledge on some fruit you aGte.
Because there has been a great deal of discussion, yes, about the properties of man.
Animal or angel' You were carved from bone, but your heart it's just sand.
And the Cwind is going to scatter it and cover everything with Glove.
So if it makes you hDappy, keep kneeling Mama, but I am standing Gup.
Because thiGs veil, it has been lifted yes. My eyes are wet with clarity.
I have been a witness of such wonders. Oh, I have searched for them all across this country
but I tChink I'll be returning now to the town where I was bGorn.
And I unDderstand you must keep moving friend, but I am heading hGome.
I'm gonna foDllow the road and let the scenery sweeping by easily enter my
bGody.
I'll send you all this mDessage in code, under ground, over mountains,
through forests, deserts and Gcities. G G
All aCcross the electric wiCre, it's a baited line. TChe hook is in deep boys,
there is no more Ctime. So you can struggle in the water and be too stubborn to die,
C C D D D-cut off
or you could just let go and be lifted to the sky.
Method Acting:
There's nEmo beginning to the story, a bookshB7elf sinks into the sand
C G Fm7 (200230)
And a language learned and forgot, in turn, is studied once again
It's aEm shocking bit of footage viewed from aB7 shitty TV screen
You canC squint out into snowy static toG mFm7ake out the meaning
And keep onEm stretching the antenna hoping thaB7t it will come clear
We need someC reception, a higher message, justG tFm7ell us what to fear
'CauseAm I don'tD know whatG tDomorrow Cbrings
It'sAm alive Dwith such possibGilDities C
AmAll I Dknow is I feel Gbetter Dwhen IC sing
Burdens areD lifted from me
That's my voice rEmisingB7 C G
Em B7 C G Em B7 C G
So, Michael,Em please keep the tape rolling, boys keepB7 strumming those guitars
We need aC record of our failures, yes, we mustG dFm7ocument our love
I'veEm sat too long in my silence, I've grownB7 too old in my pain
ToC shed this skin, be born again, it stGarFm7ts with an ending
SoAm thank you,D friends, for theG tiDme Cwe shared
An D G D C
My love stays with you like sunlight and air
An D G D C
And though I truly wish I could keep hanging around here
My joy isD covering me
Soon, I will disaEmppeaB7r C G
Em B7 C G
CIt's not a movie
EmNo private screening
AmThis method acting
Well, I Dcall that living
ItC's like a fountain
EmA door has opened
AmWe have a problem
With Dno solution
But toC love and to beB7 loved
SoAm I've madeD peace with theG falDlingC leaves
I seeAm their same Dfate in my Gown DboCdy
But I won'tAm be frigDhtened when I'mG awokenD from thisC dream
And rDeturned to that which
Gave birth toEm meB7 C G
EmGavB7e bCirGth to me
Gave birth to me
Gave birth to me
And the story goes
And the story goes
And it goes on and on and on and on
It's going on and on and on and on
Make War:
Our love is dEead but without limits
like the sAurface of the moon
and the Eland between you and the B7mountains
It is Enot these hiding places that have Akept us innocent
but the way you tEaught me to just B7let it all go byE
Please reAturn, return
to the Eperson that you were
AnC#md I will do the Bsame
'cause it's too Ahard to belong
to Esomenone who is gone
my cF#mompass spins
the wiAlderness remains E
False Advertising:
On Da string I wasD2 held. The way that GI move, can you F#tell'
My acEmtions are orcA7hestrated from aboDve. So I swingD and I swD2ay.
Wave myG hand. Kick F#my leg. And it isEm always riA7ght with theD music.
"Until all that swinging starts to make you sick"
FoDr a song I wasD2 bought. Now I lieG when I taF#lk with a carefEmul eyAe on theD cue card.
Onto a Dstage, I wasD2 pushed with myG sorrow well reF#hearsed.
SEmo give me all your A7pity and your mDoney. Now.
"We used to think that sound was something pure"
If EmI could Aact like thF#is was my real lBmife andG not some Acage where I've been
plaBmced, tEmhen, I could Atell you tF#he truth like BmI used to aGnd not be afAraid of
sounBmding fake.Now aGll that anyone is listening Afor are the mistDakes.
IDn a house, bD2y myself, I hearG the ice start tF#o melt and watch roEmoftops wA7eep
for the sDunlight.
And ID know what must chD2ange. Fuck Gmy face. Fuck my F#name.
They areEm brief and A7false advertiDsements for a sDoul I don'tD2 have.
SomethingG true I have laF#cked and spent my Emwhole life trA7ying to make up fDor.
But I foDund in a D2song and in the Gpeople IF# love. They will liEmft me up ouA7t of
darknesDs.
Now my doDor standD2s open. I am Ginviting everyF#one in.
We Emwill laugh we're gonnaA7 drink until the morDning comes. That is wDhat we are going to do.
come on come on
You Will You Will' You' Will':
E Esus E
You sEay that I treat you like a boAok on a shelf. I don't takEe you out that
B7 A A A2 (002100) E Esus E
often because I know that I completed you and that is why you are here.
That is the reasAon A2why you staEy Esushere.E How B7awful yoAu mustE fEsuseel. E
You said Eyou would be my dream. I could havAe you every night and if, by
mornEing, I had forgotten you, well, no biB7g deal, it would bAe all right
because you are the reAocA2currinEg Esuskind.E You are the AreA2occurringE kEsusind. EYou
never B7leave Amy Emind. are you the Elove of my lifetime' Because there have
been tiAmes I have had my doubts.
We were just kidEs when I first kissed you in the B7attic of my Aparents house,
and I wish we AweA2re there Enow. It took so Along to figure Eout what thisB7 book
has Abeen aboEutEsus. E
Now I wriEte when I'm away lettAers that you never read. You said Ego to
explore those other women,
the geogrB7aphy of theiAr bodies but there is just AonA2e map you'llE nEsuseed. EYou are
A
A boomerang.
YEouEsus see.E You wiB7ll retAurn tEo me.
EYoEsusu wilEl. You' Will. You' Will. You' AWill. You' Will. YB7ou' Will. EYou' Will
EYoEsusu' WiEll. You' Will. You' Will. You'A Will. You' Will. B7You' Will. EYou' Will.
'Cause if you don't, then thiF#s book's alEl lies
If you don't, then my F#plans would all Ebe ruined
If you don't, I'll startF# drinking like the way I drank B7before
Well then IF# just wont have aA future anymoEre
Lover I Dont Have to Love:
intro/verse
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Am A' (002110)
I picked you out
Of aF crowd to talkE to you
Am A'
Said I liked your shoes
FYou said thanks cEan I follow you'
Am A'
So it's up the stairs
AFnd out of viEew No prying eyes
Am A'
I poured some wine
I Fasked your name you asked Ethe time
Am A'
Now it's two o'clock,
thFe club is closed Ewe're up the block
Am A'
Your hands on me
PrFessing hard agEainst your jeans
Am A'
Your tongue in my mouth
FTrying to keep the Ewords from coming out
Am A'
You didn't care to know
WhFo else may have been yoEu before
Am A'
I want a lover I don't have to love
I wanFt a girl who's to sad Eto give a fuck
Am A'
Where's the kid with the chemicals'
I thoughtF he said to meet me Ehere but I'm not sure
Am A'
I got the money if you got the time
You said Fit feels good I said I'll give it a tEry
Then my mind went dark
We both forgot where your car was parked
Let's just take the train
I'll meet up with the band in the morning
Am A' F E
Bad actors with bad habits
Am A'
Some sad singers
They juFst play traEgic
Am A'
And the phone's ringing
AndF the van's leaEving
Am A'
Let's just keep touching
Let'sF just keep Fkeep Esinging
Am A'
I want a lover I don't have to love
IF want a boy who's soE drunk he doesn't talk
Am A'
Where's the kid with the chemicals
I got a huFnger and I caEn't seem to get full
Am A>
I need some meaning I can memorize
TFhe kind I have alFways seems to slip myE mEind
But you but you
C C'(020010) Am G F
You write such pretty words
C C'(020010) Am G F
But life's no story book
C C'(020010) Am G F
Love is an excuse to get hurt
AndE to hurt
"DoE you like to hurt'"
"I do! I do!"
Am A' F E
"Then hurt me."
Bowl of Oranges:
CThe rain it started tappin'
GOn the window near my bed
There wFas a loophole in my dreamin'
SGo I got out of it
AmAnd to my surprise my eyes were wide and Falready open
JustD my nightstand and my dresser
Where thGose nightmares had just been
So CI dressed myself and left then
OGut into the gray streets
BuFt everything seemed different
AnGd completely new to me
AmThe sky the trees, houses, buildinFgs, even my own body
And eaDch person I encountered
IG couldn't wait to meet
And IC came upon a doctor
WhoG appeared in quite poor health
I said theFre's nothing I can do for you tGhat you can't do for yourself
He saidAm oh yes you can,F just hold my hDand, so I sat with him awhile
Then IG asked him how he felt
F F' (002010) Am
He said I think I'm cured
F F' Am
No, in fact, I'm sure of it
F F' Am
Thank you, stranger
For yourG therapeutic smile
So thaCt's how I learned the lesson
ThatG everyone's alone
And yoFur eyes must do some raining
If you'reG ever gonna grow
And whenAm crying don't help
You can't compose yourself
It'sF best to compose a poem
AnD honest verse of longing
Or aG simple song of hope
That's why CI'm singing baby don't worry
'CausGe now I got your back
And eveFry time you feel like crying
I'm gonGna try and make you laugh
AndAm if I can't
If it just hurts too bad
Then Fwe'll wait for it to pass
And I wDill keep you company forG those days so long and black
And we'll kCeep working on the problem
We Gknow we'll never solve
OurF love's un-even remainders
Our lives Gare fractions of a whole
But if thAme world could remain within a frame
LikeF a painting on a wall
Then ID think we'd see the beauty then
We'd sGtand staring in awe
F F' Am
At our still lives posed
F F' Am
Like a bowl of oranges
F F' Am
Like a story told
By theG fault-lines in the soil
Don't Know When But Days Gonna Come
tabbed by blake raynor
ideal_ego@hotmail.com
Verse 1
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Verse 2
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Orchestra Part 1
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Orchestra Part 2
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Nothing gets crossed out:
capo 3 fret
GThe future has got me worried, such awful thoughts. Am
My head is a carousèDl of pictures.
G G\F# G
The spinning never stops.
GI just want someone to walk in front aAmnd I'll follow the F
Gleader
Continue until chorus
IAm know I should be brave buDt I'm just too afGraiG/F#d Em7
Of all this chanDge
So when i'm lost in aG crowd, i hope that you'll pick me out. Bm
AmOh, How I long to be found.
The gDrass grew high. I lay down.
GNoBmw, I wait for a hand to lift me up, help me stand.
AmI hDave been laying so low. don't want to lay here no more
Waste of Paint"
C F Fmaj (003200) F
C F Fmaj (003200) F C F Fmaj (003200) F
I have a friend, he is made mostly of paint.
C F Fmaj (003200) F C F Fmaj (003200) F
He wakes up, drives to work, and then straight back home again.
C F Fmaj (003200) F C F Fmaj (003200) F
He once cut one of my nightmares out of paper.
C F Fmaj (003200) F C F Fmaj (003200) F
I thought it was beautiful, I put it on a record cover.
G C F Fmaj (003200) F
And I tried to tell him he had a sense of color and composition so magnificent.
And he said &Fquot;Thank youG, please but yFour flatGtery iFs trGuly noFt beGcoming me.
Your Feyes are Gpoor. You arFe blind.G You see, noF beauty couGld have coFme from
me. G
C F Fmaj (003200) F C F Fmaj (003200) F
I am a waste of breath, of space, of time."
etc....
From A Balance Beam:
There isD a man holding a megaphone, so he must havAe been the voice of God.
The bystandD7ers claimed they saw angels flying uGp and down the block.
Gm(300230)
Well, they must have been attached to wires. I saw one laying in
the Bmlawn with a brAoken arm,
so I calledA 911. So that is one lDess founded opinion. One more Acause for a dispute.
So the sD7treet filled, like a basin, up with cGameras and their crews
and they Gmwashed away the rumors leaving jBmust the concrete truth. It was a sApectacle.
No, I mean a Amiracle. So then I Dfell like that girl from a bAalance beam.
A gymD7nasium of eyes were all hoGlding on to me. I lifted one fooGmt to cross the other
and I fBmelt myself slipping. It was a sAmall mistake. Sometimes that is Aall it takes.
Bm Now I'm staring at my wrGist, hoping that the timing is rAight. When the
planes wDill align.
There will be no planets to Galign. Just the carcass of theGm sun
and those little painted mGmarbles spinning endless through an endless black sky.
D D D D
It was in a fDoreign hotel's bathtub I baptAized myself in change.
And D7one by one I drowned all of the pGeople I had been.
I emGmerged to find the parallels were Bmfewer. I was cleansed. I looked Ain the mirror
and someone Anew was there. Still, I was as hDelpless as a chess piece
when I was liftedA up by someone's hand and deD7livered from the corner my
enemiGes had got me in.
But in Gmall of my salvation I still Bmfelt imprisoned inside that hoAlding cell
that is Amyself.
So I wDait for the day when I'll hAear the key as it D7turns in the lock
and the Gguard will say to me, "Oh my patient prisoner you have waited for
this day Bm
and finally you are fAree! You are free! You areA freezing."
Bm Now I'm staring at the suGn, waiting for it to exAplode. Because a day is
gonna cDome,
don't know when but it will Gcome and then we will finally know theGm way out of here.
GmAnd I will throw away this wrinkled map and my chart of stars and compass, cracked.
And I'll climb out that tree all wet with sap to avoid the hungry beasts below.
I'll cut out my love's tongue and sing of a graveyard gray and a garden green and
then we won't have to worry no more. No we won't ever worry again abouthow this song
or story ends about how this song and story will end.
D D D
Laura Laurent:
GLaura are you still Amlivin' therDe on your estate of sorGrows'
GYou used to leave it ocAmcasionallyD but now you don't even bGother
Gto ride the comAmmuter trainD west to ChicGago
Gto stroll through the AmgreeneDry in the park past Gthe statues
Bmhow her eyes seemed to Emfollow youC, like a hated aDddiction
Bmtheir beauty carved out of Emabsolutes you could never claim C
or even enDvision
GLaura you were theAm saddest song inD the shape of a womGan
Gyeah I thought you wereAm beautifuDl but I wept with your Gmovements
Gbut I hope that you're Amlaughing noDw from that place on the Gcarpet
Gwhere we shared a Amsleeping bagD in your sister's apGartment
Goh how she would wAmorry so, yoDu know I was just a straGnger
but shGe asked me to Amcare for you, yes she Gdid
Dand I went and betrayed her
BmBut do you know we're iEmn high demand, Laura,C us, people who suffeDr'
Bmbecause we don't take to aEmrguing anCd we're quick to surrDender.
GWell I think I wouldAm call toniDght if I still had yourG number
Gyour thoughts have always laid Amclose to mine,D and we're both skipping suGpper.
GBut you should never be eAmmbarrassed by yDour trouble with liGving
G'Cause it's the ones with the Amsorest throats, Laura,
Dwho have done the most singing G
LAlalalalalalLalalALalAlala
Lets Not Shit Ourselves (To love and too be loved)
C E Am F C E Am F G C E Am F C G C
ThCe animals laugh from the darEk of the wilderness. A baAmby cried hard in an
aFpartment cGomplex,
as I pasCs a car buried uEnder the influence. The city iAms driving me out of my
mFind.
I have seen aC child is caught in the sad Etrap of gravity.
He Amfalls from the lowest bFranch of tGhe apple tree and lCands in the grass and
weeps for Ehis dignity.
Next tAmime he will not aim Fso high. Yeah, Cnext time, nGeither wCill I.